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A supernatural evil being, known as Ego, roamed the universe destroying all life everywhere it went. Ego turned his attention towards Earth as its next target, but a superhero group known as the Eternal Champions awaited his coming. In the mist of the group's preparation, Isis falls into a coma and a special assassination team is sent in to kill her and her unborn son. The Earth does not know about the imminent doom, which is camouflaged by a super computer virus causing chaos worldwide. Creator, the leader of the Eternal Champions, finds himself fighting cyber space, a plot to kill his wife, humans and a super being bent on destroying his team and the Earth. If his team saves the world, no one would know, but if they fail all life on Earth would cease to exist. This is book two out of an eight book Superhero Epic story.
This book is about how wives are supposed to see their husbands through God's eyes and heart. This book shows you how to trust God in every area of your life with your husband. God will give you love, patience, grace, mercy, and show you how to respect him and meet his needs.
In the summer of 1937, Thomas Wolfe was in the North Carolina mountains revising a piece about a party and subsequent fire at the Park Avenue penthouse apartment of the fictional Esther and Frederick Jack. He wrote to his agent, Elizabeth Nowell, 'I think it is now a single thing, as much a single thing as anything I've ever written.' Abridged and edited versions of the story were published twice, as a novella in Scribner's Monthly (May 1939) and as part of You Can't Go Home Again (1940). Now Suzanne Stutman and John Idol have worked from manuscript sources at Harvard University to reconstruct The Party at Jack's as outlined by Wolfe before his death. Here, in its untruncated state, Wolfe's novella affords a significant glimpse of a Depression-era New York inhabited by Wall Street wheelers and dealers and the theatrical and artistic elite. Wolfe describes the Jacks and their social circle with lavish attention to mannerisms and to clothing, furnishings, and other trappings of wealth and privilege. The sharply drawn contrast between the decadence of the party-goers and the struggles of the working classes in the streets below reveals Wolfe's gifts as both a writer and a sharp social critic.