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The New York Times Bestselling author of the On Dublin Street series and Play On returns to the world of the arts in this intense and emotional standalone romance about love, sacrifice, and surviving both. Once upon a time Skylar Finch was the lead singer of a hugely successful American pop-rock band. But fame made her miserable. When years of living a lie suddenly ended in tragedy, Skylar fell off the map. Eighteen months later she's sleeping in a tent in a cemetery in Glasgow, making just enough money to eat by busking on the streets. She manages to avoid recognition, but not the attention of one of Glasgow's ambitious A&R executives. Killian O'Dea works at Skyscraper Records, Scotland's most successful record label. Raised by his uncle and owner of the label, Killian's upbringing would have been devoid of affection entirely if it wasn't for his loving sister. Killian is unflinchingly determined to bring the label more success than ever, and the young homeless woman who busks on Buchanan Street is going to help him do that. Her music speaks to him in a way he refuses to over-analyze. All he knows is that if it can touch his dark soul, it'll set everyone else's alight. Skylar makes it clear that she doesn't want to sign with him. But when she experiences the dangerous reality of a woman sleeping rough, Skylar has no one else but Killian to turn to. An undeniable connection forms between them. But Skylar doesn't want the career Killian is trying to forge for her, and when her past comes back to haunt her Killian will be faced with a decision that could ruin him. He must either free Skylar from his selfish machinations and destroy everything he's ever worked for, or lose a woman who has come to mean more to him than he ever thought possible.
A sorceress and a police detective track a reborn Jack the Ripper through historically recreated cities, from Victorian London to Montezuma's Mexico City.
Teaches the national versions of the 22 most popular line dances.
Breaking through the long-established image of Heian Japan (794–1185) as a culture dominated by ritualized aristocratic values, Yung-Hee Kim presents a picture of a country in transition, filled with a wide variety of common people responding to very ordinary situations. The court does not disappear, but rather becomes part of a larger society inhabited by Buddhist nuns and mountain ascetics, farmers and fishermen, beggars and gamblers. In popular songs called imayo, they express their concerns about religion, love, aging, and even current affairs. In 1179 Emperor Go-Shirakawa compiled a collection of this song genre, which had flourished for two centuries. His twenty-volume anthology, Ryojin hisho, circulated until the middle of the fourteenth century, when it disappeared completely. To the astonishment of the scholarly world, two volumes reappeared early in the twentieth century. It is these texts—a small remnant of a powerful popular literature—that Kim makes accessible to English-speaking readers. Ryojin hisho juxtaposes the sacred with the profane, the high with the low, the male with the female, the old with the new. The songs, in translations that faithfully reflect the sounds and images of the originals, make up the core of this book. They are surrounded by a wealth of material on the imayo genre, the women who sang the songs, the role of court patronage, and other aspects of Heian culture. Far from simply surviving as an aesthetic artifact, the anthology comes to life in its own literary and cultural context. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Unable to sleep a young boy follows the sound of music to an unusual barn dance.
"This collection of essays, lectures and notes reveals the inspiration behind the creation of the choreography of modern dance founder Doris Humphrey. The fundamentals of her composition: form, content and execution are expressed in her own spirited words, providing an intimate look at the creative process"--Dust jacket.
A series of chance encounters leads to a sizzling new romance from the New York Times bestselling author of the On Dublin Street series. The universe is conspiring against Ava Breevort. As if flying back to Phoenix to bury a childhood friend wasn't hell enough, a cloud of volcanic ash traveling from overseas delayed her flight back home to Boston. Her last ditch attempt to salvage the trip was thwarted by an arrogant Scotsman, Caleb Scott, who steals a first class seat out from under her. Then over the course of their journey home, their antagonism somehow lands them in bed for the steamiest layover Ava's ever had. And that's all it was--until Caleb shows up on her doorstep. When pure chance pulls Ava back into Caleb's orbit, he proposes they enjoy their physical connection while he's stranded in Boston. Ava agrees, knowing her heart's in no danger since a) she barely likes Caleb and b) his existence in her life is temporary. Not long thereafter Ava realizes she's made a terrible error because as it turns out Caleb Scott isn't quite so unlikeable after all. When his stay in Boston becomes permanent, Ava must decide whether to fight her feelings for him or give into them. But even if she does decide to risk her heart on Caleb, there is no guarantee her stubborn Scot will want to risk his heart on her....
What happens when a boxer finds chemistry with a geek? Parker Brown can't believe she needs to hire a fake boyfriend. When she landed her dream job in renewable energy, she thought she'd be entering a world at the forefront of progressive thinking. But the head boss prefers to promote employees who are "settled." Thankfully, she's found the perfect candidate, a fellow intellectual looking for some quick cash. What Parker gets is his protective big brother--Rhys Morgan. The tall, muscled ex-boxer with a foul mouth shows up just as her boss does, and now she's stuck with the manipulative jerk. Responsibility weighs heavily on Rhys. Now permanently out of the ring, he's trying to hold together his late father's gym and keep his younger brother, Dean, on the straight and narrow. To save Dean from himself, Rhys takes his place, ready to give this society girl a piece of his mind. Instead, he finds an opportunity. Even though they can hardly stand each other, posing as Parker's boyfriend is a win-win deal. She gets to keep her job, and he'll charm her star-struck boss into sponsoring his gym. Problem is, they can barely keep their hands off each other. And what started as an easy deal isn't so easy anymore. Because what future can a rough ex-boxer, afraid to open his heart, and a polished society geek, who has sworn off real relationships, possibly have? They say opposites attract. These opposites are about to combust on impact.