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The first substantial volume in English to explore the impact of Arvo Pärt on contemporary music and culture.
"In the first chapter of Designing with Light, Meyers summarizes recent developments in the science of light and their cultural impact, and then surveys the uses of light in contemporary visual art, theater, film, and even music. This overview reveals how the work of artists as diverse as videographer Bill Viola, stage director Robert Wilson, and composer John Cage can lend architects insight into the properties of light. Each of the following chapters is devoted to one aspect of light in contemporary architecture, beginning with Color and continuing with Lines, Form, Glass, Windows, Sky Frames, Shadows, and, finally, Reflections. Within these chapters, some two hundred vivid color photographs illustrate the myriad ways in which architects like Zaha Hadid, Herzog & de Meuron, Rem Koolhas, and John Pawson have employed light, internally and externally, in their recent commissions. Enriched with this abundance of images, as well as with numerous insights from Meyers's own architectural practice, Designing with Light will appeal to every student, practitioner, and enthusiast of contemporary architecture."--BOOK JACKET.
Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Part's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.
World-famous, Estonian-born composer Arvo P--auml--;rt is a unique voice in today's music. From his own extensive experience of working with P--auml--;rt, Paul Hiller here provides the first full-length study of the composer's music. - ;The music of the Estonian-born composer Arvo P--auml--;rt is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, P--auml--;rt created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate tranquillity of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book, the first full-length study of P--auml--;rt, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of P--auml--;rt's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years. In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to P--auml--;rt's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues. -
Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.
This collection of essays and interviews is an ideal guide to the work and thought of one of the world's greatest and most original living composers. In Enzo Restagno's extensive interview, P'rt gives an intimate description of his work and life in Soviet Estonia, his emigration, his artistic odyssey, and his worldview. Then, Arvo P'rt's compositional technique is the focus of a musicological essay by Leopold Brauneiss. Finally, Saale Kareda explores the spiritual aspects of the composer's approach to his works. Two acceptance speeches, delivered by P'rt on receiving major European prizes, complete this fascinating and illuminating portrait.
A systematic and detailed analysis of the work of this extremely popular composer, providing description, context, examples, and commentary.
Points of entry: Spirituality and religion - Part's spiritual reach - The role of text; Out of silence: Music lost to silence - Music found in silence - Excusus: silence in the tradition; Bright sadness: Bright sadness in the tradition - Bright sadness in the music of Arvo Part.
Mysterious and evocative, tantalising and erotic, this unique novel explores the qualities of love and obsession. Marienbad, the central European spa resort, is immortalised in the romantic imagination for its legendary doomed love affairs - Goethe and Ulrike von Levetzow, Chopin and Marie Wodzinska, Edward VII and Mizzi Pistl, Franz Kafka and Felice Bauer. In a Marienbad winter, within its ambience of history and allusion, theatre and illusion, a modern pair of lovers look for the cure that eluded all their famous precursors. Echoing the déjà vu of Alain Resnais' classic movie Last Year at Marienbad, they track the pristine forest snows in pursuit of answers to questions that all lovers have sought throughout history. 'White Shadows is enormously satisfying; a beautiful mood piece perfectly evoking the aimless existence of those who seek but never seem to be satisfied, in a town with ever-present reminders that death and decay lie in wait for the seekers.' - Otago Daily Times
One of today's most widely acclaimed composers, Arvo Pärt broke into the soundscape of the Cold War West with Tabula Rasa in 1977, a work that introduced his signature tintinnabuli style to listeners throughout the world. In the first book dedicated to this pathbreaking composition, author Kevin C. Karnes tells the story of Tabula Rasa as one of Pärt and of Europe itself, traced over the course of a quarter-century that saw momentous transitions in European culture and politics, history and memory. Beginning at the site of the work's creation in the Estonian SSR, and drawing extensively upon a range of previously unexamined archival materials, Karnes recounts Pärt's discovery of tintinnabuli amidst his experiments with the music of the Western and Soviet avant-gardes. He examines Tabula Rasa in relation to modernist conceptions of musical structure, the ascetic practice of Orthodox Christianity, postwar experiences of electronic music, and the polystylistic approaches to composition that have become emblematic of the Soviet 1970s. Tracing the export of Tabula Rasa to the West and Pärt's emigration in 1980, the book reveals intersections of critical commentary with visions of the "end of history" that attended the collapse of European communism to suggest that it was in this confluence of listening, discovery, and geopolitical reordering that enduring lines of conversation about Pärt and his music took shape.