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With its innovative narrative structure and its controversial explorations of race, gender and empire, Joseph Conrad's Heart of Darkness is a landmark of 20th century literature that continues to resonate to this day. This book brings together leading scholars to explore the full range of contemporary philosophical and critical responses to the text. Conrad's Heart of Darkness and Contemporary Thought includes the first publication in English of philosopher Philippe Lacoue-Labarthe's essay, 'The Horror of the West', described by J. Hillis Miller as 'a major essay on Conrad's novel, one of the best ever written'. In the company of Lacoue-Labarthe, leading scholars explore new readings of Conrad's text from a full range of theoretical perspectives, including deconstructive, psychoanalytic, narratological and postcolonial approaches. Drawing on the very latest insights of contemporary thought, this is an essential study of one of the most important literary texts of the 20th century.
Some of the most prominent social and cultural anthropologists have come together in this volume to discuss Maurice Godelier’s work. They explore and revisit some of the highly complex practices and structures social scientists encounter in their fieldwork. From the nature–culture debate to the fabrication of hereditary political systems, from transforming gender relations to the problems of the Christianization of indigenous peoples, these chapters demonstrate both the diversity of anthropological topics and the opportunity for constructive dialogue around shared methodological and theoretical models.
The publication aims to make suggestions for a 'decolonisation of aesthetics' within an Afro-European framework. The texts (whose authors come from different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices analyzed include artistic installations and ensembles as well as actions in urban and rural space, deceptive manœuvres at the borders and their photographic documentation, and many more.
Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations. Over time and across space the interactions between these artefacts and the people and institutions who made, traded, collected, researched and exhibited them have generated complex networks of material and social agency. In this innovative volume, the contributors draw on a broad range of source materials to explore the cross-cultural interactions which have created museum collections. These case studies contribute significantly to the development of new theoretical frameworks to examine broader questions of materiality, agency, and identity in the past and present. Grounded in case studies from individual objects and museum collections from North America, Europe, Africa, the Pacific Islands, and Australia, this truly international volume juxtaposes historical, geographical, and cross-cultural studies. This work will be of great interest to archaeologists and anthropologists studying material culture, as well as researchers in museum studies and cultural heritage management.
" . . . engrossing, nuanced, productively and honestly critical in the best sense of the term." —Richard Bauman After recounting their experiences as cultural mediators between African American Maroons from the Suriname rain forest and U.S. festival-goers on the Washington Mall, the authors reflect on how folklorists, anthropologists, and museum curators represent others, as well as themselves.
From Terra Nullius to Land of Opportunities and Last Frontier, the European dream has constructed and deconstructed Australia to feed its imagination of new societies. At the same time Australia has over the last two centuries forged and re-invented its own liaisons with Europe arguably to carve out its identity. From the arts to social sciences, to society itself, a complex dynamic has grown between the two continents in ways that invite study and discussion. A transnational research group has begun its collective investigation project of which this first volume is the outcome. The book is a substantial multidisciplinary collection of current research and offers critical perspectives on culture, literature and history around themes at the heart of the Imagined Australia project. The essays instigate reflection, discovery and discussion of how reciprocal imagining between Australia and Europe has articulated itself and ways and dimensions in which a relationship between communities, imagined and not, has unfolded.
Is anthropology simply a continuation of colonial domination and cultural imperialism by other means, or has it--since its nineteenth-century rebirth as a purportedly scientific discipline--produced reliable knowledge about the cultures it studies? Is anthropology a mirror--which reflects only the preoccupations of the (Western) anthropologist--or a window, through which it is possible to see, though not with the same eyes as their members, other cultures? Deriving from the 2002 Page-Barbour Lectures delivered by the French anthropologist Maurice Godelier at the University of Virginia, and supplemented by additional lectures and articles by the author, In and Out of the West addresses a series of fundamental topics and issues in social anthropology--including family, kinship, and the construction of the self. He particularly emphasizes the strategic role of political-religious relations in the construction of societies and social life. Godelier places social anthropology in its historical perspective, with its origins in the West and, more particularly, colonialism, while also arguing that it has to some extent transcended its origins, achieving a measure of scientific objectivity and validity that cannot be reduced to a continuation of the colonial project. A final chapter, reflecting his experience as the first head of the science department of the new Quai Branly anthropological museum in Paris, discusses issues surrounding the presentation of nonwestern cultural artifacts to a Western general public.