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Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
Founded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site—the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid—which have fundamentally changed our understanding of the city’s history. With illustrations of the major objects from Mexico City’s Museo Nacional de Antropología and from the museums and storage facilities of the Zona de Monumentos Arqueológicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan’s citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017–February 11, 2018 Los Angeles County Museum of Art (LACMA), March–June 2018
The islands of the Caribbean are remarkably diverse, environmentally and culturally. They range from low limestone islands barely above sea level to volcanic islands with mountainous peaks; from large islands to small cays; from islands with tropical rainforests to those with desert habitats. Today's inhabitants have equally diverse culture histories. The islands are home to a mosaic of indigenous communities and to the descendants of Spanish, French, Dutch, English, Swedish, Danish, Irish, African, East Indian, Chinese, Syrian, Seminole and other nationalities who settled there during historic times. The islands are now being homogenized, all to create a standard experience for the Caribbean tourist. There is a similar attempt to homogenize the Caribbean's pre-Columbian past. It was assumed that every new prehistoric culture had developed out of the culture that preceded it. We now know that far more complicated processes of migration, acculturation, and accommodation occurred. Furthermore, the overly simplistic distinction between the "peaceful Arawak" and the "cannibal Carib," which forms the structure for James Michener's Caribbean, still dominates popular notions of precolonial Caribbean societies. This book documents the diversity and complexity that existed in the Caribbean prior to the arrival of Europeans, and immediately thereafter. The diversity results from different origins, different histories, different contacts between the islands and the mainland, different environmental conditions, and shifting social alliances. Organized chronologically, from the arrival of the first humans-the paleo-Indians-in the sixth millennium BC to early contact with Europeans, The Caribbean before Columbus presents a new history of the region based on the latest archaeological evidence. The authors also consider cultural developments on the surrounding mainland, since the islands' history is a story of mobility and exchange across the Caribbean Sea, and possibly the Gulf of Mexico and Florida Straits. The result is the most up-to-date and comprehensive survey of the richly complex cultures who once inhabited the six archipelagoes of the Caribbean.
This volume provides a comprehensive catalog of how various ethnic groups in the United States of America have differently shaped their cultural landscape. Author John Cross links an overview of the spatial distributions of many of the ethnic populations of the United States with highly detailed discussions of specific local cultural landscapes associated with various ethnic groups. This book provides coverage of several ethnic groups that were omitted from previous literature, including Italian-Americans, Chinese-Americans, Japanese-Americans, and Arab-Americans, plus several smaller European ethnic populations. The book is organized to provide an overview of each of the substantive ethnic landscapes in the United States. Between its introduction and conclusion, which looks towards the future, the chapters on the various ethnic landscapes are arranged roughly in chronological order, such that the timing of the earliest significant surviving landscape contribution determines the order the groups will be viewed. Within each chapter the contemporary and historical spatial distribution of the ethnic groups are described, the historical geography of the group’s settlement is reviewed, and the salient aspects of material culture that characterize or distinguish the group’s ethnic landscape are discussed. Ethnics Landscapes of America is designed for use in the classroom as a textbook or as a reader in a North American regional course or a cultural geography course. This volume also can function as a detailed summary reference that should be of interest to geographers, historians, ethnic scholars, other social scientists, and the educated public who wish to understand the visible elements of material culture that various ethnic populations have created on the landscape.