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"Twenty-seven contributors--artists, cultural professionals, scholars, a journalist, grantmakers--were asked this question: 'Are the arts essential?' In response, they offer deep and challenging answers applying the lenses of the arts, and those of the sciences, the humanities, public policy, and philanthropy. Playing so many parts, situated in so many places, these writers illustrate the ubiquity of the arts and culture in the United States. They draw from the performing arts and the visual arts, from poetry and literature, and from culture in our everyday lived experiences. The arts, they remind readers, are everywhere, and--in one way and another--touch everyone"--
With its dramatic landscapes and rugged beauty, Alberta's Bow River valley has inspired generations of artists. The Painted Valley : Artists Along Alberta's Bow River, 1845-2000 brings together a collection of works by local and visiting artists from 1845 to 2000 that captures the many moods of the river and its valley from its source high in the Rocky Mountains down to the city of Calgary and eastward across the open prairie.Christopher Armstrong and H.V. Nelles have selected works from a number of Alberta museums and national collections, which depict the Bow River and its valley, representing a broad array of historical periods, artistic styles, and points of view. From European topographers and military artists to painters commissioned by the Canadian Pacific Railway, from the Group of Seven to modernism and abstraction, these pictures of the Bow valley tell us much about changing attitudes toward nature and the environment as well as the evolution of an artistic community in western Canada.
Storm Chaser presents 80 of Ian Sheldon's vibrant, highly dramatic storm paintings. His works speak of a connection to the land and sky of the prairies, but more than that, they draw us into the experience of that seemingly infinite region. His portraits of the prairie's subtle lands and tumultuous storms capture the spirit of place that is so integral to a life surrounded by the vastness of an unending sky. Ian's storm paintings, in their complexity of colour, texture, light and shadow, serve as the centrepiece to Storm Chaser, but by combining them with his own captivating writing and selected excerpts from other exceptional writers and poets, Ian offers us a layered book that is a paean to the joy and beauty of living on the prairie. Now sit back, breathe, and let yourself be drawn into Ian Sheldon's world of wind, grass, sky and spirit.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Alberta Trade Non-Fiction Book Award nominee 2008 Just as Canada is often overlooked or undervalued within the international art world, the province of Alberta has struggled against being overlooked within the national context, despite its rich art history and vigorous and ever-changing art scene. Alberta Art and Artists, by former vice-president of collections at the Glenbow Museum Patricia Ainslie and art critic and journalist Mary-Beth Laviolette, provides a comprehensive visual record of the historical, modern, and contemporary art scene in Alberta. Throughout three sections, Ainslie and Laviolette provide introductions to the art they describe, explaining beginnings and development of movements, art schools, sketch clubs, galleries, and artist-run centres; the significance of artists and teachers to those institutions and movements; and the importance of social and political context to all artistic events. Also included in this fantastic volume are the biographies of each of the artists showcased.
Bateman journeys across all seven regions of Canada, and his art reflects the intrinsically Canadian beauty of the country. The paintings celebrate the history, diversity, and natural wonder. In the introductory comments for each section, Bateman explains how the land has captivated him, as an artist and as a nature lover, for decades
The first compendium of writing and art to present the case for the role of sex in environmental and social justice. Sex Ecologies explores pleasure, affect, and the powers of the erotic in the human and more-than-human worlds. Arguing for the positive and constructive role of sex in ecology and art practice, these texts and artistic research projects attempt nothing short of reclaiming the sexual from Western erotophobia and heteronormative narratives of nature and reproduction. The artists and writers set out to examine queer ecology through the lens of environmental humanities, investigating the fluid boundaries between bodies (both human and nonhuman), between binary conceptions of nature as separate from culture, and between disciplines. In newly commissioned texts from such writers as Mel Y. Chen and Jack Halberstam and a selection of influential essays—including an annotated version of Audre Lorde’s “The Uses of the Erotic: The Erotic as Power”—as well as images and sketches from works in progress by a diverse group of artists, Sex Ecologies combines insights from the fields of art, environmental humanities, ecofeminism, gender studies, science, technology, political science, and indigenous studies. Sex Ecologies, which accompanies an exhibition of the same name at Kunsthall Trondheim, emerges from an arts-driven research project collaboratively developed between the art center and the Seed Box environmental humanities collaboratory. Conceived not as a result but as a seed arising from this transdisciplinary fertilization, the volume presents a case for the role of sex in environmental and social justice. Copublished with Kunsthall Trondheim (Norway) and the Seed Box (Sweden)
Canada: A Poetic Landscape is a well-considered, joy-filled journey into the vast splendour of the Canadian landscape, its history and heritage, crafted through the lens of an artist turned poet. Experience every province and territory, the book imparts lesser-known information about Canada through colourful, detailed, and whimsical paintings alongside culturally themed stories expressed in verse. From totem poles and inukshuks to the fur trade and the gold rush, from cottage country and maple syrup to high tides and sculptured rocks, from a long history of war to the land cradled on the waves, this book is rich with the uniqueness of each province and territory. Canada: A Poetic Landscape offers an alternative or addition to the map-colouring and memorization of provinces taught in most schools, and provides a more comprehensive understanding of geography and history. Written primarily for children aged ten years and older, this book will inspire readers, young and old, to want to learn more about and experience more of Canada.
The 30th anniversary edition of Cheryl Foggo’s landmark work about growing up Black on the Canadian prairies Cheryl Foggo came of age during the 1960s in Calgary, a time when a Black family walking down the street still drew stares from everyone they passed. She grew up in the warm embrace of a community of extended family and friends, with roots in the Black migration of 1910 across the western provinces. But as an adolescent, Cheryl struggled against the negative attitudes towards Blackness she and her family encountered. She struggled against the many ways she was made to feel an outsider in the only place she ever knew as home. As Cheryl explores her ancestry, what comes to light gives her the confidence to claim her place in the Canadian west as a proud Black woman. In this beautiful, moving work, she celebrates the Black experience and Black resiliency on the prairies.