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John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of Artists Monograms and Indiscernible Signatures, An International Directory, 1800-1991 (Scarecrow, 1991), Castagno provided identification for more than 3,700 artists' signatures, along with biographical information and reference sources. This second volume contains some 2,100 artists and 3,000 signature examples. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, symbols, and Cyrillic Signatures. Less than five percent of the entries in this volume are listed in the original volume--and these are included to provide additional information about the artists. The use of Artists' Monograms and Indiscernible Signatures II: An International Directory From 1900 provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of Artists Monograms and Indiscernible Signatures, An International Directory, 1800-1991 (Scarecrow, 1991), Castagno provided identification for more than 3,700 artists' signatures, along with biographical information and reference sources. The second volume featured some 2,100 artists and 3,000 signature examples. This third volume contains more than 1,250 signatures of some 1,225 artists. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, symbols, and Cyrillic Signatures. Less than five percent of the entries in this volume are listed in the first two volumes--and these are included to provide additional information about the artists. The use of Artists' Monograms and Indiscernible Signatures III: An International Directory provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of European Artists Signatures and Monograms, 1800-1990 (Scarecrow, 1990), Castagno provided identification for more than 4,800 artists' signatures, along with biographical information and reference sources. The second volume, published by Scarecrow in 2007, identified an additional 2,100 artists and featured 3,000 signature examples. This third volume features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. Less than five percent of the entries in this volume are listed in the original volumes--and these are included to provide additional information about the artists. The use of European Artists III: Signatures and Monograms From 1800, A Directory provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
"This second volume on American artists is a continuation of the identification of artists' signatures, some 3,500 artists with 4,600 signature examples. Less than 5% of the entries in this volume are listed in Volume I (American Artists Signatures and Monograms, 1800-1989). As in my first volume, a small selection of Canadian and Latin American artists is included."--Introd.
Despite surrealism's celebration of the subconscious and eschewal of reason, the movement was nevertheless concerned with definitions. Andre Breton included a dictionary-style entry for surrealisme in his 1924 Manifeste du surrealisme and later explored juxtapositions of the absurd and the mundane in the 1938 Dictionnaire abrege du surrealisme. To the mountain of literature that seeks to organize the far-reaching intellectual movement, Aspley (honorary fellow, Univ. of Edinburgh) adds this handy volume that organizes the breadth of surrealism into concise entries on artists, writers, artworks, and themes. A chronology highlights events that sparked the surrealist imagination, activities of formal surrealist groups, and exhibitions. An introductory essay and extensive bibliography are included. One of the few English-language reference sources about surrealism published in the last decade, Aspley's dictionary is useful for quick access to key terms and biographies. For a book devoted to a movement characterized by arresting visual imagery, the lack of illustrations is annoying. Even Rene Passeron's 1978 Phaidon Encyclopedia of Surrealism (CH, May'79) reprints artworks in color. For a richly illustrated and comprehensive history, see Gerard Durozi's History of the Surrealist Movement (CH, Nov'02, 40-1316). Summing Up: Recommended. Lower-level undergraduates through graduate students. Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students. Reviewed by A. H. Simmons.
Om postmodernismen og en videreudvikling af forfatterens teorier med eksempler fra filosofi og malerkunst
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Old Masters II: Signatures and Monograms, An International Directory features more than 800 artists, with more than 1,100 signature examples. It provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In this new volume, Castagno has collected the signatures and monograms of artists who have spent all or a part of their careers in abstract art--painters, printmakers, sculptors, and photographers worldwide. This book features approximately 2,300 artists with more than 3,900 signature examples of how they sign their works. In addition to the standard signature entries, the book contains sections for monograms and initials, common surname signatures, alternative surname signatures, symbols, and Cyrillic signatures. This book also lists an additional 1,500 artists whose entry bears no signature. All 3,800 artists are listed with the most updated information on nationality, birth, and/or death dates. The entries direct the researcher to many biographical and bibliographical sources not found on web site searches, and many of the resources offer additional references. Several individual listings provide gallery referrals and catalog auction dates, which can be used to buy or sell a particular artist's work. The use of Abstract Artists Signatures and Monograms: An International Directory provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.
"This extensively illustrated catalogue is published in conjunction with the first comprehensive exhibition devoted to the arts of the samurai, including the finest examples of swords - the spirit of the samurai - as well as sword mountings and fittings, armor and helmets, saddles, textiles, and paintings. The works in the catalogue, drawn from public and private collections in Japan, include 34 officially designated National Treasures and 64 Important Cultural Properties, the largest number ever to be shown together at one time. Dating from the 5th to the early 20th century, these majestic objects offer a complete picture of samurai culture and its unique blend of the martial and the refined." "Many of the greatest Japanese swordsmiths are represented in this volume, from early masters such as Yasuie (12th century) and Tomomitsu (14th century) to the Edo-period smiths Nagasone Kotetsu and Kiyomaro. The blades by these and other masters, cherished as much for their beauty as for their cutting efficiency, were equipped with elaborate hilts and scabbards prized for their exquisite craftsmanship and fine materials such as silk, rayskin, gold, lacquer, and certain alloys unique to Japan. Japanese armor is also fully surveyed, from the rarest iron armor of the Kofun period (5th century) to the inventive ceremonial helmets made toward the end of the age of the samurai." --Book Jacket.