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Inspired to paint or enthralled by the world of portraiture A Little Book of Portraits: Beyond the Canvas accompanies the celebrated Sky Arts Portrait Artist of the Year series and includes sixty-four of the finest portraits painted during the competition with illuminating commentary from the three series judges: Tai Shan Schierenberg, Kathleen Soriano and Kate Bryan. The paintings featured in this book, include portraits of famous sitters, such as Juliet Stevenson and John Humphrys, self-portraits of the artists themselves and commissioned paintings of Hilary Mantel and Sophie Dahl. The judges approach each painting from a different angle and with a unique voice, reflecting their differing specialities within the art world. Between them they uncover the approach, style and effectiveness of each portrait whilst discussing the techniques critical to the success of the painter's brushwork, likeness and perspective. With a wide range of different mediums from oil to charcoal or even soil, the book takes us behind the finished portrait and into the myriad of processes that creates one great work of art. A Little Book of Portraits reveals the skills behind the artist's brush that makes timeless and inventive portraiture.
Taylor Swift has grown from country's darling to America's sweetheart! Taylor Swift has been a music superstar since she was a teenager, but now she is doing even more! When she's not selling out arenas, Taylor is making a name for herself in fashion, cosmetics, and even movies. Learn about Taylor's life and work in this awesome book full of pictures and fun facts!
“The Story That Inspired the Major Motion Picture.” The captivating story behind the bestselling single in the history of Christian music—and the man who wrote it MercyMe’s crossover hit, “I Can Only Imagine,” has touched millions of people around the world. But few know about the pain, redemption, and healing that inspired it. Now Bart Millard, award-winning recording artist and lead singer of MercyMe, shares how his dad’s transformation from abusive father to man of God sparked a divine moment in music history. Go behind the scenes of Bart’s life—and the movie based on it—to discover how God repaired a broken family, prepared Bart for ministry through music, and wrote the words on his heart that would change his life forever. I Can Only Imagine is a front-row seat to witnessing God’s presence throughout Bart’s life. Whether falling in love with his childhood sweetheart or mourning his father’s death, founding MercyMe or flailing in the midst of its success, Bart continues to place his trust in God’s plans—plans that continue to surprise and surpass what Bart could have ever imagined.
Celebrate Taylor Swift's extraordinary music and style with more than 70 pages of activities and 100+ fabulous stickers! A global sensation, multiplatinum artist, and gifted storyteller, Taylor Swift has captured the hearts of millions around the world, and now you can immerse yourself in Taylor's music like never before with The Unofficial Taylor Swift Sticker and Activity Book. Put on some of your favorite Taylor tunes and pass the relaxing hours paying homage to the world's most beloved artist with your own color choices and creative touches. The stickers and line-drawn coloring designs include Taylor-inspired illustrations of: Iconic Taylor outfits Memorable Taylor quotes Music-inspired imagery and more! Use the stickers to embellish your creatively colored pages or add your own distinct style to decorate anything from scrapbooks and gift wrap to photo albums and stationery. Then add an extra dose of fun with all sorts of Taylor-themed activities, including: Mazes Crosswords Trivia Word jumbles and more! If you're looking to destress, unlock your inner creative, or simply pass the time until the next Taylor release, these stunning coloring pages, activities, and stickers will keep you entertained throughout the eras!
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.
This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.
The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form—and artistic medium. Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions. This practice was sharply critical of the ingrained characteristics long associated with art institutions and conventional exhibition-making; and yet, Voorhies finds, over time the critique has been diluted by efforts of the very institutions that now gravitate to the “participatory.” Beyond Objecthood focuses on innovative figures, artworks, and institutions that pioneered the exhibition as a critical form, tracing its evolution through the activities of curator Harald Szeemann, relational art, and New Institutionalism. Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.
With this brilliant novel about the surprises of destiny and the origins of fame, the critically acclaimed author of Golden Days ("Extraordinary . . . a very, very important book"-Los Angeles Times Book Review) and Making History ("Radiant . . . exciting and imaginative"-Cleveland Plain Dealer) firmly establishes her place as one of the preeminent chroniclers of our times. The Handyman is the story of Bob Hampton, an aspiring young painter who has had to face the humbling fact that he doesn't know what to paint. And how are you supposed to be an artist in this world if you don't have a vision? Bob trades in his artist's palette for a minivan full of house paints, hammers, and nails, and sets about earning a little cash as a handyman. Although he turns out to be very bad at fixing the things he's hired to fix, Bob demonstrates quite a knack for fixing the lives of the people around him. In the midst of his jerry-built repairs and inspired home improvements, Bob meets an extraordinary cast of characters--rendered in all their delightful eccentricity and human frailty as only Carolyn See can-each of whom shows Bob the true scope of his own remarkable talent. There's Angela Landry, a housewife with far too much time on her hands, a sexpot of a stepdaughter, and a son in need of attention; Jamie Walker, whose allergy-prone and ADD-afflicted children keep a menagerie of scaly pets that far exceed Jamie's managerial skills; Valerie LeClerc, older, sadder, and certainly wiser than Bob; and Hank and Ben, who leave a narrow-minded Midwest only to find unremitting illness and isolation in the California of their dreams. Replete with stunning images and all of Carolyn See's trademark humor and wisdom, The Handyman depicts the countless ways in which our lives are intertwined and the profound effects we can have on one another. It is the kind of surprising and miraculously uplifting novel we have come to expect from the woman Diane Johnson has called "one of our most important writers."
Boundaries, borders and margins are related concepts and realities, and each of these can be conceptualized and organized in closed or open ways—with degrees of closure or openness. The logics of stasis and closure, as well as cults of exclusivist and exclusionary sovereignty, are reflected and embodied in the closed xenophobic conceptualization and organization of boundaries, borders and margins. But, an open conceptualization of the borderlands, where mixing and hybridity take place at a rapid, even dizzying, pace, gives rise to Creolization—at the threshold of sovereignties, which can also be imagined. At present, our border zones are spaces of anxiety-ridden security arrangements, violence and death. The existing politics of boundary maintenance is wedded to a cult of sovereignty at various levels, which produces bare lives, bodies and lands. We need the new art of border-crossing to be defined by the notion of camaraderie and shared sovereignties and non-sovereignties. Border zones can also be zones of meetings, communication, transcendence and festive celebration of the limits of our identities. Thus, we need a new art and politics of boundary transmutation, transformation and transcendence, in the broadest possible sense, that entails the production of spatial, scalar, somatic, cognitive, affective and spiritual transitions.