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Artists in Residence explores the homes of 17 legendary and contemporary artists. Readers can peek inside Georgia O'Keeffe's adobe courtyards, stroll through Henri Matisse's vibrant aviary, and peruse Jean-Michel Basquiat's collection of over 1,000 videotapes. A house or an apartment is not simply a place to eat and sleep for these artists; they transform quotidian spaces into dynamic reflections of their individual artistic preoccupations. • Offers a fascinating and inspiring blend of art history, interior design, and travel • Invites readers to peer behind the closed doors of top artists from around the world • Richly illustrated throughout Through vivid text and image, Artists in Residence explores how each artist's living space relates to their individual and distinct artist practice. Readers gain a deeper appreciation of their favorite artists' work, and perhaps discover a new favorite visual along the way. • This petite jacketed hardcover book makes a wonderful gift for artists and art fans everywhere.
For Simon Bill's drunken anti-hero, an abstract artist forced to haunt private views to siphon the free booze, the picture looks bleak. He has been dumped by his curator girlfriend and the only dealer left with time for him is the one who sells him drugs. But his luck changes when he's offered a job as artist in residence at a neurological institute. Enthralled by the characters and conditions he encounters - and infatuated by the beautiful amnesiac Emily - he sees a chance to revive his career, and love life, with a neuro-inspired show. However, all is not quite as it seems at the shiny new institute ... In this mordantly witty (modern) art farce, Simon Bill lifts the lid on the venal, novelty-seeking world of London's contemporary art scene, while enlightening us on the fascinating workings of the human brain, particularly as it shapes our response to art. The result is a delightfully dark, highly original novel that is both eye-opening and fun.
Jer Thorp’s analysis of the word “data” in 10,325 New York Times stories written between 1984 and 2018 shows a distinct trend: among the words most closely associated with “data,” we find not only its classic companions “information” and “digital,” but also a variety of new neighbors—from “scandal” and “misinformation” to “ethics,” “friends,” and “play.” To live in data in the twenty-first century is to be incessantly extracted from, classified and categorized, statisti-fied, sold, and surveilled. Data—our data—is mined and processed for profit, power, and political gain. In Living in Data, Thorp asks a crucial question of our time: How do we stop passively inhabiting data, and instead become active citizens of it? Threading a data story through hippo attacks, glaciers, and school gymnasiums, around colossal rice piles, and over active minefields, Living in Data reminds us that the future of data is still wide open, that there are ways to transcend facts and figures and to find more visceral ways to engage with data, that there are always new stories to be told about how data can be used. Punctuated with Thorp's original and informative illustrations, Living in Data not only redefines what data is, but reimagines who gets to speak its language and how to use its power to create a more just and democratic future. Timely and inspiring, Living in Data gives us a much-needed path forward.
Available for a limited time, this artist’s book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014–15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled “The Importance of Objective Chance as a Tool of Research.” Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty’s archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.
"Early artworks by Charley Harper and Edie McKee Harper. Includes 200 full-color reproductions and historical photographs"--
Piney Wood Atlas is a project by Carolina Porras & Alicia Toldi that catalogues small, emerging, and unconventional artist residencies around the United States. This book focuses on the Northwest region.
As the museum's first artist-in-residence, Sargent fulfilled Gardner's hopes for a new kind of cultural institution in Boston, one that would inspire creativity, cultivate artistic talent, and bring joy to artists and amateurs alike. Sargent painted five portraits during his stay at the museum and John Templeman Coolidge, a friend of Gardner's, captured Sargent at work in the Gothic Room in seven candid photographs. Cigarette in mouth, brush in hand, and a smile on his face, Sargent is seen painting Gretchen Osgood Warren and her daughter who are posing and laughing. This vibrant double portrait stands as a testament to Sargent's absorption of the museum's inspirational qualities and his sensitivity to his subject.
Rex Ray celebrates life, work, and legacy of iconic San Francisco fine artist Rex Ray (1956–2015). This comprehensive volume features more than 100 of his works on canvas, wood, and paper—including never-before-seen pieces courtesy of the Rex Ray estate. His playful painted-paper-collages and organic, abstract forms have earned him comparisons to artists like Paul Klee and Henri Matisse. • Essays by celebrated writer Rebecca Solnit, art critic Christian Frock, and Ray's gallerist and friend Griff Williams • Ray's collages and paintings are both playful and geometric. • This vibrant book pays tribute to Ray's life and work. Rex Ray was a successful and prolific fine artist whose art has been shown at major museums and galleries throughout the United States. Now, longtime collectors and new fans alike can revel in the beauty of Ray's inimitable body of work. Ray's exuberantly colorful paintings and collages are a testament to the prolific artist's joy in the creative process. • This fine art monograph is perfect for Ray's fans and collectors, as well as those discovering the power and beauty of his work for the first time. • A perfect gift for lovers of pop art and modern design, museumgoers, fine art fans, artists, designers, and those interested in the San Francisco art scene and local history • Great for those who loved Rex Ray: We Are All Made of Light by Griff Williams, Kevin Killa, and Rene Paul Barilleaux; House Industries: The Process Is the Inspiration by House Industries; and Barry McGee by Aaron Rose and Barry McGee
Artist residencies provide space, time, and concentration for making art, doing research and for reflection. Residencies are crucial nodes in international circulation and career development, but also invaluable infrastructures for critical thinking and artistic experimentation, cross-cultural collaboration, interdisciplinary knowledge production, and site-specific research. The globalization process and the demands of the creative economy have had an impact on artist residencies. Ecological and geopolitical urgencies are now also affecting them more and more. In response, many residencies today actively search for more sustainable alternatives than the current neoliberal condition allows for artistic practice. With a range of critical insights from the field of residencies, this book asks what the present role of artist residencies is in relation to artists and the art ecosystem amid transformations in society.
The Untidy Season: An Anthology of Nebraska Women Poets takes its readers through the lush alphabet of Nebraska poetry-from Adkins to Zumpfe-with selections of poetry by nearly 90 native-born or transplanted Nebraska writers who write and live fearlessly and with great skill. Their topics range from the beginnings of life to the end-family relationships, loss, misunderstandings, work, trust, betrayal, love and hate, bereavement. Through those lives-because of them-these poems emeged, an indelible record of the triumph of the human spirit. The four editors of The Untidy Season, each an accomplished poet in her own right, searched for poems of clarity, honesty, passion, and brilliance. One of the editors wrote: "We were drawn to work that both celebrated and subverted the 'typical' Nebraska experience, the 'typical' experience of motherhood, the 'typical' experience of womanhood. I suppose my own aesthetic leads me to be drawn to work that challenges 'typical, ' but much of the work we experienced over that year of reading submissions forced me to engage with my own stereotypes and see inside them."