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The manufacture and trade in crafted goods and the men and women who were involved in this industry - including metalworkers, ceramicists, silk weavers, fez-makers, blacksmiths and even barbers - lay at the social as well as the economic heart of the Ottoman empire. This comprehensive history, by leading Ottoman historian Suraiya Faroqhi, presents the definitive view of the subject, from the production and distribution of different craft objects to their use and enjoyment within the community. Faroqhi sheds new light on all aspects of artisan life, setting the concerns of individual craftsmen within the context of the broader cultural themes that connect them to the wider world. Combining social, cultural, economic, religious and historical insights, this will be the authoritative work on Ottoman artisans and guilds for many years to come. 'A display of unrivalled knowledge of the sources by one of the leading historians of the Ottoman Empire.' - Erik J. Zürcher, Professor of Turkish Studies at the University of Leiden
The manufacture and trade in crafted goods and the men and women who were involved in this industry - including metalworkers, ceramicists, silk weavers, fez-makers, blacksmiths and even barbers - lay at the social as well as the economic heart of the Ottoman empire. This comprehensive history, by leading Ottoman historian Suraiya Faroqhi, presents the definitive view of the subject, from the production and distribution of different craft objects to their use and enjoyment within the community. Faroqhi sheds new light on all aspects of artisan life, setting the concerns of individual craftsmen within the context of the broader cultural themes that connect them to the wider world. Combining social, cultural, economic, religious and historical insights, this will be the authoritative work on Ottoman artisans and guilds for many years to come.
It has often been assumed that the subjects of the Ottoman sultans were unable to travel beyond their localities--since peasants needed the permission of their local administrators before they could legitimately leave their villages. According to this view, only soldiers and members of the governing elite would have been free to travel. However Suraiya Faroqhi's extensive archival research shows that this was not the case. Pious men from all walks of life went on pilgrimage to Mecca, slaves fled from their masters and craftspeople travelled in search of work. Faroqhi shows that even those craftsmen who did not travel extensively had some level of mobility and that the Ottoman sultans and viziers, who spent so much effort in attempting to control the movements of their subjects, could do so only within often very narrow limits. Challenging existing historiography and providing an important new perspective, this book will be essential reading for students and scholars of Ottoman history.
The newly awakened interest in the lives of craftspeople in Turkey is highlighted in this collection, which uses archival documents to follow Ottoman artisans from the late 15th century to the beginning of the 20th. The authors examine historical changes in the lives of artisans, focusing on the craft organizations (or guilds) that underwent substantial changes over the centuries. The guilds transformed and eventually dissolved as they were increasingly co-opted by modernization and state-building projects, and by the movement of manufacturing to the countryside. In consequence by the 20th century, many artisans had to confront the forces of capitalism and world trade without significant protection, just as the Ottoman Empire was itself in the process of dissolution.
Evoking Studs Terkel, Shen Fuyu delivers a rollicking deep dive into working life in a small village in rural China, tracing the last 100 years of history. Born in Shen Village in Southeast China, Shen Fuyu grew up in a family of farmers. Years later, Shen, now a writer, returned to his hometown to capture the village’s rich history in the face of industrialization. Through his own childhood memories and those of his ancestors, Shen resurrects the working life of Shen Village through interlinked stories of fifteen artisans as their lives intersect over the course of a century. While Shen's view of his hometown and his heritage is tinged with nostalgia, he does not romanticize it. Nor does he sugarcoat the backbreaking difficulty of life in rural China, but he still captures its small satisfactions and joys of loving one’s work with a great deal of care. In an acerbic, earthy and unsparing style that swings from poignancy to comedy, sometimes within a single paragraph, Shen evokes the spirits of these workers--a bamboo-weaver and his beloved bull, a carpenter’s magical saw, the deserter who became the village lantern-maker and a rebellious woman who beats up her own kidnapper. A reflection on the vicissitudes of small-town life during the epic shift from agricultural to industrial civilization, The Artisans vividly details the hardships, friendships and communal mythmaking of a disappearing community.
Janello Torriani, known in the Spanish-speaking world as Juanelo Turriano (Cremona, Italy ca. 1500 – Toledo, Spain 1585), is the greatest among Renaissance inventors and constructors of machines. Contemporary literates and mathematicians celebrated Janello Torriani and his creations in their writings. It is striking how such fame turned into nearly complete oblivion, leaving only a few clues of a blurred and distorted memory dispersed here and there. This book wishes to show the central role that artisans formed in the Vitruvian tradition played in demonstrating through practical mathematics an increasing and positive control over Nature, a step rooted in humanist culture and foundational for the understanding of those historical processes known as the Scientific and the Industrial Revolutions.
Vividly reconstructs economic conditions in ancient Roman cities and the socio-economic strategies of artisans who lived in them.
Early China is best known for the dazzling material artifacts it has left behind. These terracotta figures, gilt-bronze lamps, and other material remnants of the Chinese past unearthed by archaeological excavations are often viewed without regard to the social context of their creation, yet they were made by individuals who contributed greatly to the foundations of early Chinese culture. With Artisans in Early Imperial China, Anthony Barbieri-Low combines historical, epigraphic, and archaeological analysis to refocus our gaze from the glittering objects and monuments of China onto the men and women who made them. Taking readers inside the private workshops, crowded marketplaces, and great palaces, temples, and tombs of early China, Barbieri-Low explores the lives and working conditions of artisans, meticulously documenting their role in early Chinese society and the economy. First published in 2007, winner of top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and the International Convention of Asia Scholars, and now back in print, Artisans in Early Imperial China will appeal to anyone interested in Chinese history, as well as to scholars of comparative social history, labor history, and Asian art history.
This multi-disciplinary volume reflects the wealth of recent scholarship devoted to early modern Istanbul. It embraces manifold perspectives on the city through new subjects and questions, while offering fresh approaches to older debates, crisscrossing the socioeconomic, political, cultural, environmental, and spatial.