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With his groundbreaking Europe and the People Without History, Eric R. Wolf powerfully advanced the project of integrating the disciplines of anthropology and history. In Articulating Hidden Histories, many of those influenced by Wolf—both anthropologists and historians—acknowledge the contribution of this great scholar while extending his work by presenting their own original field and archival research. The "hidden histories" referred to here encompass the histories of economic and political forces capable of dislodging people from their surroundings, of the people thus dislocated, and of the anthropological concepts developed to understand such processes. Within this framework, the contributors explore an extraordinarily wide range of topics, from the invention of tribalism in colonial West Africa to the ecological activism of North American housewives. This collection offers a fitting tribute not only to Eric Wolf's work, but to its continuing influence on the fields of anthropology and history.
Explores the full range of Eric R. Wolf's methods and concepts and pays tribute to his work in anthropology and history.
DIVCollection of essays which compares the gendered aspects of state formation in Latin Ameri can nations and includes new material arising out of recent feminist work in history, political science and sociology./div
This book brings together issues of social justice and the neglect of a sustainable orientation to the tourism workforce. This has resulted in an impoverished, unsustainable, and transient workforce that does not meet the aims of UN sustainable goals within the sector or indeed the UNTWO Code of ethics towards its employees. The introductory review and 15 chapters in this volume each make a unique and distinct contribution to knowledge. The opening review presents a critique of current definitions of sustainability in an employment, and specifically in a tourism employment context, acknowledging and critiquing extant literature. It uniquely recognises the themes submitted on the topic of sustainable work in the book, as well as those which comprise the final selection of chapters. These exercises culminate in the presentation of a refreshed conceptualisation of sustainable employment. The chapters were mapped onto a proposed conceptual framework, which recognises the multi-dimensional influences of the evolving Sustainable Development Goals (SDGs), recent Sustainable Human Resource Management (SHRM) and tourism literature, and fresh contributions to theory. Additionally, the introductory review offers concluding remarks that the authors hope will influence and guide future research endeavours. The book will be invaluable to educators, students and policymakers interested in information and guidance on managing sustainable tourism. Several chapters in this book were originally published as a special issue of the Journal of Sustainable Tourism.
First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
In Kerala, political activists with a background in Communism are now instead asserting political demands on the basis of indigenous identity. Why did a notion of indigenous belonging come to replace the discourse of class in subaltern struggles? Indigenist Mobilization answers this question through a detailed ethnographic study of the dynamics between the Communist party and indigenist activists, and the subtle ways in which global capitalist restructuring leads to a resonance of indigenist visions in the changing everyday working lives of subaltern groups in Kerala.
This book explores the work of artists based in the global south whose practices and methods interrogate and explore the residue of Empire. In doing so, it highlights the way that contemporary art can assist in the un-forgetting of colonial violence and oppression that has been systemically minimized. The research draws from various fields including memory studies; postcolonial and decolonial strategies of resistance; activism; theories of the global south; the intersection between colonialism and the Anthropocene, as well as practice-led research methodologies in the visual arts. Told through the author’s own perspective as an artist and examining the work of Julie Gough, Yuki Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the book develops a number of unique theories for configuring the relationship between art and a troubled past.
The 'cultural turn' has been a multifarious and pervasive phenomenon in Western universities and modes of social knowledge since the early 1980s. This work focuses on the conjunction of two disciplines where the analytic promises of humanist and social science approaches soon become obvious.