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Epitomises what is best in Arthurian scholarship today.ZEITSCHRIFT FUR ROMANISCHE PHILOLOGIE Arthurian Literatureis now established as a leading publication for research articles of monograph length on subjects of perennial interest to Arthurians. The Indexto the first ten volumes, representing the years 1980-1990, will be warmly welcomed by Arthurians and other scholars with an interest in medieval and later literature. Additionally an extended biographical essay by JANET GRAYSON draws together material relating to the life and work of Jessie Weston, who, largely working outside the mainstream of scholarly tradition, exercised a powerful influence on Arthurian studies. The regular "Update" feature catalogues Arthurian legend in the fine and applied art of the 19th and early 20th centuries, contributed by ROGER SIMPSON.
The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.
This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.
King Arthur is arguably the most recognizable literary hero of the European Middle Ages. His stories survive in many genres and many languages, but while scholars and enthusiasts alike know something of his roots in Geoffrey of Monmouth's Latin History of the Kings of Britain, most are unaware that there was a Latin Arthurian tradition which extended beyond Geoffrey. This collection of essays will highlight different aspects of that tradition, allowing readers to see the well-known and the obscure as part of a larger, often coherent whole. These Latin-literate scholars were as interested as their vernacular counterparts in the origins and stories of Britain's greatest heroes, and they made their own significant contributions to his myth.
Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.
Parallel text and translation of Arthurian romances in Latin. Latin is the language not only of numerous Arthurian chronicles - including the most important of all, Geoffrey of Monmouth's Historia regum Britannie - but also of a small number of important but largely neglected romancesconcerning Arthur and his knights. Several of these romances clearly take their inspiration from the chronicle tradition, and their authors sometimes join romance adventures with actual events and characters (such as Henry II) inorder to give the appearance of history to Arthurian fiction. Ranging in date from the late twelfth to the fourteenth century, these romances include De ortu Waluuanii (in which Gawain defeats the Persian champion for thepeace of Jerusalem), Historia Meriadoci, Arthur and Gorlagon, and Draco Normannicus. These four texts are presented here in facing text and translation, and accompanied by a thorough introduction and extensive notes.
King Arthur was not an Englishman, but a Celtic warrior, according to Loomis, whose research into the background of the Arthurian legend reveals findings which are both illuminating and highly controversial. The author sees the vegetarian goddess as the prototype of many damsels in Arthurian romance, and Arthur's knights as the gods of sun and storm. If Loomis's arguments are accepted, where does this leave the historic Arthur?
The author has determined in an earlier McFarland book (The Historic King Arthur, 1996, paperback 2007) that there was not a historic King Arthur during the sixth century. However, as listed in The Historia Brittonum, there was a "great king of all the kings of Britain" named Ambrosius Aurelianus who was conflated with a heroic Arthur of the second century, and hence with the legendary King Arthur. To further authenticate the Celtic/Romano "King Arthur,"--that is, Ambrosius--the author here examines seven major historical figures of the period A.D. 383-500 based upon the Genealogical Preface of The Anglo-Saxon Chronicle and the emendation of dates in that chronicle. Those seven allies and adversaries are Vortigern, Vortimer, Vitalinus, Cunedda, Cerdic, Octha, and Mordred. Through an extensive analysis of Arthur's 12 battles listed in the Historia Brittonum, this work explores both the influences of the High King's allies, and the shifting allegiances of his enemies. A battle list provides possible geographic locations for each of the battles, including a new site for Arthur's fateful battle at Camlann.
This major reference work is the fourth volume in the series "Arthurian Literature in the Middle Ages". Its intention is to update the French and Occitan chapters in R.S. Loomis’ "Arthurian Literature in the Middle Ages: A Collaborative History" (Oxford, 1959) and to provide a volume which will serve the needs of students and scholars of Arthurian literature. The principal focus is the production, dissemination and evolution of Arthurian material in French and Occitan from the twelfth to the fifteenth century. Beginning with a substantial overview of Arthurian manuscripts, the volume covers writing in both verse (Wace, the Tristan legend, Chretien de Troyes and the Grail Continuations, Marie de France and the anonymous lays, the lesser known romances) and prose (the Vulgate Cycle, the prose Tristan, the Post-Vulgate Roman du Graal, etc.).
Fans who love King Arthur's legend, Camelot, Merlin, and similar tales will love reading about Morgan le Fay. Morgan is a willful, mischievous girl with mismatched eyes of emerald and violet. A girl of magic, whose childhood ends when King Uther Pendragon murders her father and steals away her mother. Then Pendragon dies and, in a warring country with no one to claim the throne, there are many who want Morgan dead. But Morgan has power, and magic. She is able to change the course of history, to become other, to determine her own fate-and, thus the fate of Britain. She will become Morgan le Fay. "Springer wields language like a sword, and both blood and flowers spring to these pages in vivid hues." (Booklist, starred review)