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Previous edition published under the title Redeeming the dream: the case for marriage equality.
Ever since the definition of the Neolithic Revolution by Vere Gordon Childe, archaeologists have been aware of the crucial importance of food for the understanding of prehistoric developments. Numerous studies have classified and described cooking ware, hearths and ovens, have studied food residues and more recently also stable isotopes in skeletal material. However, we have not yet succeeded in integrating traditional, functional perspectives on nutrition and semiotic approaches (e.g. dietary practices as an identity marker) with current research in the fields of Food Studies and Material Culture Studies. This volume brings together leading specialists in archaeobotany, economic zooarchaeology, and palaeoanthropology to discuss practices of food production and consumption in their social dimensions from the Mesolithic to the Early Iron Age in the Balkans, a region with intermediary position between and the Aegean Sea on one side and Central Europe and the Eurasian steppe regions on the other. The prehistoric inhabitants of the Balkans were repeatedly confronted with foreign knowledge and practices of food production and consumption which they integrated and thereby transformed into their life. In a series of transdisciplinary studies, the contributors shed new light on the various social dimensions of food in a synchronous as well as diachronic perspective. Contributors present a series of case studies focused on themes of social interaction, communal food preparation and consumption, the role of feasting, and the importance and management of salt production.
ntroduction by Stephen King, Afterword by Tobe Hooper, Jacket and Interior Art by Clive BarkerA LIFE IN THE CINEMA is the first book from award-winning filmmaker Mick Garris. It is a collection of eight prickly tales and a screenplay that reach under the skin of real life and reel life to take you places you never realized you wanted to go. The title story, "A Life in the Cinema" and its sequel, "Starfucker", are set in the author's hometown of Hollywood, and provide a yellow-jaundiced look at a world you only thought was glamorous.As Stephen King, in his introduction, says: "Here is a real Hollywood insider writing about the real inside world of filmmaking: the good, the bad, and the cheesy. These stories are both erotic and cynical, but they are above all well and fiercely told-when he's yarning about the tarnished tinsel underbelly of the town he knows (and clearly loves) the best, Mick Garris writes like a combination of Robert Bloch and James Ellroy, hardboiled noir with a ghastly little prink of the devil's own pitchfork."Not all of the stories are Hollywood-based: Garris includes tales of a grandmother who is just as loving in death as she was in life, a geriatric trailer park with a randy secret, wistful and impossible love with a twist, the wrong kind of baby-love, and a deathly brush with fame. The book is capped with a screenplay by Garris, as well as "Chocolate", the story it's based on, providing, as King puts it, "a textbook seminar in the art and craft of adapting one's own work."So welcome to a dark side of Hollywood you've never seen before...
This volume, which brings together articles by scholars and activists in China, Japan, Canada and the US in multiple disciplines, seeks to illuminate the problems and possibilities involved in translating feminism from the metropolitan ‘West’ to a locale rife with its own ideas about gender, class, the body and sexuality. Furthermore, these articles showcase the centrality of gender in the formation of modern China by demonstrating the extent to which translated feminisms – whatever they mean – have transformed the terms in which modern Chinese understand their own subjectivities and histories. This book is essential reading for students, academics and general readers interested in East Asia, comparative women’s history, feminist texts and the politics of translation.
Takes an in-depth look at the period between the 1950s and 1970s, focusing on the formation of a new visual culture and how it was given priority over artistic traditions such as ink painting. This was part of a broader national program to modernize China, and it had a great impact on artists and their work.
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