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George O’Connor’s vibrant, kinetic art brings ancient tales to life in the New York Times Bestselling series The Olympians. This fusion of super-hero aesthetics and ancient Greek mythology is perfect for fans of Percy Jackson! Shunned even before she was born and destined to live a life of solitude, Artemis, Goddess of the Hunt, finds power through her skilled hunting ability and mighty bow. She slays those who wish to do harm to the innocent and takes care of the young and helpless. She protects women and young girls, helps in childbirth, soothes, and is unrivaled in her hunting abilities.
Artemis, goddess of the hunt, has lived with heartache for the last fifteen hundred years, believing her only love is dead. That’s what her father—Zeus, king of the gods—told her. After recent events brought the truth to light, Artemis must gather the courage to face her lost love again. Evangelos, former god of messengers, was content living in the mortal world until he discovered he has a daughter and her mother is Artemis. When the goddess shows up at his place of employment with tales of renewing his god status, he’s skeptical. Zeus wouldn’t reverse the curse out of the goodness of his heart. There is always a catch. The god king wants something in return. When Artemis explains she has to hunt down her stepmother, Hera, in order to get Evan back into Zeus’s good graces, Evan demands to accompany her. However, the journey turns out to be a test that could bring them closer together or tear them apart forever.
“Honour gets you killed, cunning keeps you alive” – Hypnos, God of Sleep Following the events of The Legions of Athena, Maximus and his friends soon find themselves in the lush green forests of ‘Diana’ the country ruled by Artemis the Olympian goddess of the Hunt. But for reasons unknown to them, they are greeted by a less than warm welcome by the famed Hunters of Artemis. The forests of Diana not only hosts a variety of dangerous monsters but has also acted as the well tested hunting grounds for Artemis over the centuries. Soon Artemis and her Hunters begin a new hunt with Max and his friends as their prey.
In Artemis: Virgin Goddess of the Hunt & Moon, Sorita d'Este offers a thorough scholarly examination of Artemis, a multifaceted deity venerated in antiquity not only as the goddess of the hunt and the moon but also as a powerful figure associated with childbirth, women, music, dance, and wild animals. This volume provides a comprehensive exploration of her vast influence and worship throughout the ancient world. Artemis, daughter of the Titaness Leto and the Olympian god Zeus, emerges as a significant and complex figure from birth, assisting her mother during the delivery of her twin brother, Apollo. Artemis held a unique place in Zeus' affections, receiving numerous gifts and privileges that elevated her status among the Olympian deities. Over the centuries, she assumed various roles, including Potnia Theron, the Huntress, and Mother Goddess. The latter role inspired her temple at Ephesus, one of the Seven Wonders of the Ancient World and mentioned in the Bible. This major religious site saw Artemis worshipped by the Melissa Priestesses as a Mother Goddess rather than as the young huntress. This volume details the primary myths, powers, and cult practices surrounding Artemis, offering a study of her temples and sanctuaries, the festivals held in her honour, and her diverse roles in ancient mythology. The text delves into the animals sacred to her, her relationships with her virgin attendants and other gods and goddesses, and the myriad titles attributed to her, making it an essential resource for those seeking an understanding of this enduring goddess. -------------------------------------------------------------------- Second edition of the 2005 book by the same author, Artemis: Virgin Goddess of the Sun and Moon.
A poetry collection about the mythic life of Artemis, Greek Goddess of the hunt. Told through the perspective of Artemis herself with the contributions of a few other Greek Goddesses. This collection reimagines and follows Artemis navigating her lifelong vow of chastity and, rather than suffering through it, owning it as a facet of her aromanticism and asexuality. Immerse yourself in a cultivated tempest of poems illustrating Artemis as a warrior, whose shoulders have known an excessive weight of responsibility, and who always fights to remain her authentic self among people who would change her.
This text is presented in English and German. This book contains 19 articles dealing with various aspects of the Greek goddess Artemis and the Roman goddess Diana. The themes presented in the volume deal with the Near Eastern equivalents of Artemis, the Bronze Age Linear B testimonies, and Artemis in Homer and in the Greek tragedies. Sanctuaries and cult, and regional aspects are also dealt with - encompassing Cyprus, the Black Sea region, Greece and Italy. Pedimental sculpture, mosaics and sculpture form the basis of investigations of the iconography of the Roman Diana; the role of the cult of Diana in a dynastic setting is also examined. There is a single section that deals with the reception of the iconography of the Ephesian Artemis during the Renaissance and later periods.
In this modern-day "lively re-imagining of classical mythology" (Deborah Harkness), when a string of women are murdered in an ancient pagan ritual, Selene DiSilvia -- known by some as the goddess Artemis -- hears their cries for help and takes up her bow once more. Manhattan has many secrets. Some are older than the city itself. The city sleeps. In the predawn calm, Selene DiSilva finds the body of a young woman washed ashore, gruesomely mutilated and wreathed in laurel. Her ancient rage returns, along with the memory of a promise she made long ago -- when her name was Artemis. Jordanna Max Brodsky's acclaimed debut sets Greek Gods against a modern Manhattan backdrop, creating an unputdownable blend of myth and mystery.
This volume brings together studies on Greek animal sacrifice by foremost experts in Greek language, literature and material culture. Readers will benefit from the synthesis of new evidence and approaches with a re-evaluation of twentieth-century theories on sacrifice. The chapters range across the whole of antiquity and go beyond the Greek world to consider possible influences in Hittite Anatolia and Egypt, while an introduction to the burgeoning science of osteo-archaeology is provided. The twentieth-century emphasis on sacrifice as part of the Classical Greek polis system is challenged through consideration of various ancient perspectives on sacrifice as distinct from specific political or even Greek contexts. Many previously unexplored topics are covered, particularly the type of animals sacrificed and the spectrum of sacrificial ritual, from libations to lasting memorials of the ritual in art.
At last, the long awaited and most anticipated book of the Dark-Hunter world.
The virgin goddess Artemis ruled the hunt, preferring the quiet wilderness to society. As an immortal, she lived a life mortal Greek women never could—one that kept her away from men and marriage. Men (and women) who crossed the boundaries that protected her virginity were punished, often with their lives. But Artemis’s boundaries also protected Greek women during childhood and childbirth. As a virgin warrior, women prayed to her to keep them safe when a husband could not.