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A collection of twenty four poems from one of the best writers of prose from her generation. As the title suggests, many of the poems draw on classical antiquity, be it lyrical re-imaginings about or based on mythic figures (Actaeon, Marsyas in 'Life', 'Orpheus'), or elsewhere merely drawing on that vast pool of allusions.
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"Artemis to Actaeon, and Other Verses" by Edith Wharton Artemis to Actaeon is an interpretation of the myth of the Theban hero who watched Artemis bathe and was thus turned into a stag and hunted by his own hounds as punishment. This collection also contains the verses Life, Vesalius In Zante, Margaret Of Cortona, A Torchbearer, The Mortal Lease, Experience, Grief, Chartres, Two Backgrounds, The Tomb Of Ilaria Giunigi, The One Grief, The Eumenides, Orpheus An Autumn Sunset, Moonrise Over Tyringham, All Souls, All Saints, The Old Pole Star, A Grave, Non Dolet!, A Hunting-song, Survival, Uses, and A Meeting.
A fully-annotated Shelley edition containing poems inspired by the poet's last four years in Italy. As well as reliable versions of the key texts, there are summaries, notes glossing difficult words or phrases and technical notes. Each poem also comes with concise biographical information and intertexts—extracts from related works, as well as letters, influences, critical material and other texts, to deepen understanding, stimulate discussion and promote wider reading.
Starting with the tensions in the early family constellation, Gloria C. Erlich traces Edith Wharton's erotic evolution—from her early repression of sexuality and her celibate marriage to her discovery of passion in a rapturous midlife love affair with the bisexual Morton Fullerton. Analyzing the novelist's life, letters, and fiction, Erlich reveals several interrelated identity systems—the filial, the sexual, and the creative—that evolved together over the course of Wharton's lifetime.