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Este libro es el material básico de la asignatura Arte y Poder en la Edad Moderna de los grados de Historia del Arte, Geografía e Historia y Lengua y Literatura Española. No obstante, y más allá de esta función didáctica concreta, sus autores ofrecen un recorrido sintético por el tema que pudiera interesar a cualquier lector curioso.
El objetivo principal de este libro es poder ofrecer una visión general de los horizontes de interpretación de las obras de arte de la Edad Moderna que pudieron sostener sus contemporáneos en estos contextos de uso social y político.
The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that ’voiced’ the social, political and cultural messages incorporated in processional entries in the countries of early modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513.
En este tercer volumen se narra la evolución del arte y la arquitectura durante la Edad Moderna. Dos módulos específicos se dedican el arte del Quattrocento y el Cinquecento en Italia, y un tercero estudia la difusión europea del Renacimiento. En otros tres apartados independientes se examina la arquitectura y el urbanismo, la pintura, y la escultura y las " artes menores " del Barroco y el Tococó. Por último, dos capítulos más analizan las transformaciones artísticas durante el periodo de la Ilustración y la historia del arte y la arquitectura de la Edad Moderna en Iberoamérica.
This exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance. Chapters examine the creation, promotion, and display of the image of women in power, and how the artistic and cultural patronage they developed helped them craft a self-image that greatly contributed to strengthening their power, consolidating their political legitimacy, and promoting their authority. Contributors cover diverse models of sixteenth-century female power: from ruling queens, regents, and governors, to consorts of sovereigns and noblewomen outside the court. The women selected were key political figures and patrons of art in England, France, Castile, the Low Countries, the Holy Roman Empire, and Italian city states. The volume engages with crucial and controversial debates regarding the nature and use of portraiture as well as the changing patterns of how portraits were displayed, building a picture of the principal iconographic solutions and representational strategies that artists used. The book will be of interest to scholars working in art history, gender studies, women’s studies, and Renaissance studies.