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The long-standing debate over the origins of violence has resurfaced over the last two decades. There has been a proliferation of studies on violence, from both cross-cultural and ethnographic and prehistoric perspectives, based on a reading of archaeological and bioarchaeological records in a variety of territories and chronologies. The vast body of osteoarchaeological and architectural evidence reflects the presence of interpersonal violence among the first farmer groups throughout Europe, and, even earlier, between hunter-gatherer societies of the Mesolithic. The studies in Beyond War present the necessity of rethinking the concept of “violence” in archaeology. This overcomes the old conception that limits violence to its most evident expressions in war and intra- or extra-group conflict, opening up the debate on violence, which allows the advancement of knowledge of the social life and organization of prehistoric societies. Determining archaeological indicators to identify violent practices and to analyse their origin and causes is fundamental here, and represents the only way to find out when and under what historical conditions prehistoric societies began to organize themselves by exercising structural violence.
Rock art in South America is as diverse as the continent itself. In this vast territory, different peoples produced engravings, paintings, and massive earthworks, from the Atacama to the Amazon. These marks on the landscape were made by all different kinds of peoples, from some of the earliest hunter-gatherers in the continent, to the very complex societies within the Inca Empire. This book brings together the work of specialists from throughout the continent, addressing this diversity, as well as the variety of approaches that the Archaeology of rock art has taken in South America. Constructed of eleven thought-provoking chapters and arranged in three thematic sections, the book presents different theoretical approaches that are currently being used to understand the roles rock art played in prehistoric communities. The editors have skillfully crafted a book that presents the contribution the study of South American rock art can offer to the global research of this materiality, both theoretically and methodologically. This book will interest a broad range of scholars researching in archaeology, anthropology, history of art, heritage and conservation, as well as undergraduate and postgraduate students who will find interesting case studies showcasing the diverse ways in which rock art can be approached. Despite its focus on South America, the book is intended as a contribution towards the global study of rock art.
This international volume draws together key research that examines visual arts of the past and contemporary indigenous societies. Placing each art style in its temporal and geographic context, the contributors show how depictions represent social mechanisms of identity construction, and how stylistic differences in product and process serve to reinforce cultural identity. Examples stretch from the Paleolithic to contemporary world and include rock art, body art, and portable arts. Ethnographic studies of contemporary art production and use, such as among contemporary Aboriginal groups, are included to help illuminate artistic practices and meanings in the past. The volume reflects the diversity of approaches used by archaeologists to incorporate visual arts into their analysis of past cultures and should be of great value to archaeologists, anthropologists, and art historians. Sponsored by the World Archaeological Congress.
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
"The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies." —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon, of the Library of Congress Hispanic Division, has been the editor since 2000, and Katherine D. McCann has been assistant editor since 1999. The subject categories for Volume 60 are as follows: Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Music Philosophy: Latin American Thought
This book studies the relationship between pukaras and their surrounding landscape, focusing on the architectural and settlement variability registered in both contexts. It is the outcome of a symposium held at the XIX National Congress of Argentine Archaeology (San Miguel de Tucuman, August 8–12, 2016) entitled, "Pukaras, strategic settlements and dispersed settlements: Political landscapes of the Late Intermediate Period in the Southern Andes." Based on the topics discussed at the event, this book presents nine case studies covering a large geographic area within the Southern Andes (northwestern Argentina, northern Chile and southern Bolivia), and breaking the national barriers that tend to atomize pre-Hispanic landscapes. The respective chapters cover a wide range of themes: from architectural and settlement variability, ways to build and inhabit space, social segmentation and hierarchy; to endemic conflict, analysis of accessibility and visibility, spatiality and temporality of landscapes; as well as new dating. This book goes beyond the Late Intermediate Period (LIP) analyses from the perspective of fortified settlements and material evidence related to war, by placing the focus on how ancient political landscapes were constructed from the relation between the pukaras and other sites as part of the same territory. The methodologies used include pedestrian surveys, photogrammetric surveys with UAVs (unmanned aerial vehicles) or drones, topographic and architectural surveys, excavations of households, ceramic and rock art analysis, and spatial analysis with geographic information systems (GISs). Given the numerous thematic interconnections between the contributions, the Editors have organized the chapters geographically, moving from south to north: from the southern valleys of Catamarca Province in Argentina to Lipez in the southern part of the Bolivian Altiplano, passing through the Calchaqui valleys of Catamarca, the puna and Quebrada de Humahuaca of Jujuy in northwest Argentina and the Antofagasta region in northern Chile. The book provides valuable new theoretical and methodological perspectives on the study of political landscapes of the Late Intermediate Period in the Southern Andes .
"The Oxford Handbook of the Incas aims to be the first comprehensive book on the Inca, the largest empire in the pre-Columbian world. Using archaeology, ethnohistory and art history, the central goal of this handbook is to bring together novel recent research conducted by experts from different fields that study the Inca empire, from its origins and expansion to its demise and continuing influence in contemporary times"--Provided by publisher.
This well-illustrated, concise text will serve as a benchmark study of the Nasca people and culture for years to come.
This book addresses the presentation of scientific approaches to the materiality of rock art, ranging from recording and sampling methods to data analyses. The issue of the materiality of visual productions of the distant past is addressed through various scientific approaches, including fieldwork, laboratory techniques and data analysis protocols.