Download Free Artaud Dulac Book in PDF and EPUB Free Download. You can read online Artaud Dulac and write the review.

Film d'avant-garde mythique réalisé par Germaine Dulac sur un scénario d'Artaud, La coquille et le clergyman suscita un scandale surréaliste mémorable lors de sa sortie en 1928. A partir d'éléments portant sur le tournage, la personnalité des initiateurs et les prises de position du groupe surréaliste, les auteurs éclairent la fameuse querelle et rendent justice à Germaine Dulac.
This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
One of the few women pioneers of cinema and a committed feminist, Germaine Dulac strongly believed that the public had a role to play in shaping the history of cinema and the kinds of films that filmmakers could make. This book draws on a wealth of archival material – both films and writing – to study Dulac’s ‘behind the scenes’ work on filmmaking and her social/political activism in the field of cinema. The biographical and historical introduction contextualises Dulac’s situation at the heart of the avant-garde. Three chapters organise her films and career around the kinds of cinema that she promoted: ‘psychological’, ‘pure’ and ‘documentary’. The conclusion contrasts Dulac’s contributions with those of Alice Guy Blaché, another early woman film pioneer, highlighting their differing paths to recognition.
This book serves as analysis of the aesthetics of materiality in the multifaceted work of Antonin Artaud, one of Twentieth-Century France's most provocative and influential figures, spanning literature, performance, art, cinema, media and critical theory.
The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays—the modernist screenplays—challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two.
Poet, actor, playwright, surrealist, drug addict, asylum inmate—Antonin Artaud (1896–1949) is one of the twentieth century’s most enigmatic personalities and idiosyncratic thinkers. In this biography, David A. Shafer takes readers on a voyage through Artaud’s life, which he spent amid the company of France’s most influential cultural figures, even as he stood apart from them. Shafer casts Artaud as a person with tenacious values. Even though Artaud was born in the material comfort of a bourgeois family from Marseille, he uncompromisingly rejected bourgeois values and norms. Becoming famous as an actor, director, and author, he would use his position to challenge contemporary assumptions about the superiority of the West, the function of speech, the purpose of culture, and the individual’s agency over his or her body. In this way—as Shafer points out—Artaud embodied the revolutionary spirit of France. And as Shafer shows, although Artaud was immensely productive, he struggled profoundly with his creative process, hindered by narcotics addiction, increasing paranoia, and an overwhelming sense of alienation. Situating Artaud’s contributions within the frenzy of his life and that of the twentieth century at large, this book is a compelling and fresh biography that pays tribute to its subject’s lasting cultural reverberations.
Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulac’s passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory. In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac. Williams's analysis explores the artistic and sociopolitical currents that shaped Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Moving beyond the director’s work of the 1920s, Williams examines Dulac's largely ignored 1930s documentaries and newsreels establishing clear links with the more experimental impressionist and abstract works of her early period. This vivid portrait will be of interest to general readers, as well as to scholars of cinema and visual culture, performance, French history, women’s studies, queer cinema, in addition to studies of narrative avant-garde, experimental, and documentary film history and theory.
Antonin Artaud (1896-1948) remains one of the most inspirational, provocative and challenging figures in world-wide contemporary culture. His trajectory extends from the Surrealist movement, to the Theatre of Cruelty, to the lunatic asylums of France, and finally back to Paris and the most astonishing period of his work. In this unique book, Stephen Barber explores the most violent extremes of Artaud's vision - work that is traversed by forces of ecstasy and annihilation, and sutured together by a raw imagery of the screaming human body. Based on extensive interviews with Artaud's closest friends and enemies, including the psychiatrist who gave him electro-shock treatment, ARTAUD: THE SCREAMING BODY gives a full and authoritative account of Artaud's film projects, and his conception of Surrealist cinema. It also examines his unique series of drawings of the fragmented human body, begun in the ward of a lunatic asylum and finished in a state of furious liberation. Finally, the book captures Artaud's ultimate experiment with the screaming body in the form of his censored recording "To Have Done With The Judgement Of God” -an experiment which is unprecedented in the history of art, and which ultimately decimates that history.
Antonin Artaud (1896–1948) remains a massively inspirational figure, worldwide, in contemporary art, film, writing and digital media. In this definitive biography, author Stephen Barber tracks Artaud’s extraordinary and compelling life, from his volatile alliance with the Surrealist movement in the 1920s, to his legendary Theatre of Cruelty of the 1930s, to his nine-year asylum incarceration and his final period of drug-ravaged freedom in 1940s Paris. ARTAUD: BLOWS AND BOMBS provides a vivid, potent portrait of Artaud’s extreme and provocative life. Artaud’s creative influence has been seminal, from the Beat movement to Punk, from the revolutionary theatre movements of the 1960s to contemporary digital media theory. This first-ever biography locates the vital source of that influence. Artaud’s wild life was full of conflict, desperation and fury. Many of its crucial aspects have been totally unknown, notably Artaud’s apocalyptic journey to the Aran Islands in 1937, from which he returned to France in a strait-jacket, and his agonizing electroshock-treatments of the mid-1940s; ARTAUD: BLOWS AND BOMBS illuminates all of these critical moments in Artaud’s life for the first time. Based on fifteen years of research and on many interviews with the people closest to Artaud, this is a unique and electrifying biography that will be read for decades to come.
Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Antonin Artaud was an active theatre-maker and theorist whose ideas reshaped contemporary approaches to performance. This is the first book to combine an overview of Artaud’s life with a focus on his work as an actor and director; an analysis of his key theories, including the Theatre of Cruelty and the double; a consideration of his work as a director at the Théâtre Alfred Jarry and his production of Strindberg’s A Dream Play; and a series of practical exercises to develop an approach to theatre based on Artaud’s key ideas. As a first step towards critical understanding and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.