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Antonin Artaud (1896–1948) remains a massively inspirational figure, worldwide, in contemporary art, film, writing and digital media. In this definitive biography, author Stephen Barber tracks Artaud’s extraordinary and compelling life, from his volatile alliance with the Surrealist movement in the 1920s, to his legendary Theatre of Cruelty of the 1930s, to his nine-year asylum incarceration and his final period of drug-ravaged freedom in 1940s Paris. ARTAUD: BLOWS AND BOMBS provides a vivid, potent portrait of Artaud’s extreme and provocative life. Artaud’s creative influence has been seminal, from the Beat movement to Punk, from the revolutionary theatre movements of the 1960s to contemporary digital media theory. This first-ever biography locates the vital source of that influence. Artaud’s wild life was full of conflict, desperation and fury. Many of its crucial aspects have been totally unknown, notably Artaud’s apocalyptic journey to the Aran Islands in 1937, from which he returned to France in a strait-jacket, and his agonizing electroshock-treatments of the mid-1940s; ARTAUD: BLOWS AND BOMBS illuminates all of these critical moments in Artaud’s life for the first time. Based on fifteen years of research and on many interviews with the people closest to Artaud, this is a unique and electrifying biography that will be read for decades to come.
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The work of Antonin Artaud (1896-1948) is among the most seminal, shattered and inspirational of the twentieth century, extending across literature, film, performance, manifesto, sound art, drawing and a sequence of exploratory journeys. His body of work is still able to anatomise and negate all compromised cultures, and engender new theories, images and texts of the body, revolution, madness and the creative act. Now Stephen Barber's intensively researched work on Artaud has revealed Artaud's work to English- language readers in all of its intricacy.
Poet, actor, playwright, surrealist, drug addict, asylum inmate—Antonin Artaud (1896–1949) is one of the twentieth century’s most enigmatic personalities and idiosyncratic thinkers. In this biography, David A. Shafer takes readers on a voyage through Artaud’s life, which he spent amid the company of France’s most influential cultural figures, even as he stood apart from them. Shafer casts Artaud as a person with tenacious values. Even though Artaud was born in the material comfort of a bourgeois family from Marseille, he uncompromisingly rejected bourgeois values and norms. Becoming famous as an actor, director, and author, he would use his position to challenge contemporary assumptions about the superiority of the West, the function of speech, the purpose of culture, and the individual’s agency over his or her body. In this way—as Shafer points out—Artaud embodied the revolutionary spirit of France. And as Shafer shows, although Artaud was immensely productive, he struggled profoundly with his creative process, hindered by narcotics addiction, increasing paranoia, and an overwhelming sense of alienation. Situating Artaud’s contributions within the frenzy of his life and that of the twentieth century at large, this book is a compelling and fresh biography that pays tribute to its subject’s lasting cultural reverberations.
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Journey with innovative travel writer Stephen Barber as he guides the reader through the ultimate futuristic city: Tokyo. A cinematic portrayal of the city, from close-up portraits of individual citizens to panoramic descriptions of its vast avenues and immense digital-image screens. From day to night and past to present, "Tokyo Vertigo" is visceral, exhilarating travel writing. Photos.
Caligula: most notorious of the Roman Emperors, who seduced his own sister, installed a horse in the Roman Senate, turned his palace into a brothel, married a prostitute, tortured and killed hundreds of innocent citizens on a whim, and committed countless other acts of madness, cruelty and deviancy. Award-winning writer Stephen Barber documents in full the atrocities of Caligula, and also the other mad Emperors, notably the deranged Commodus. Also included is a bloody history of Gladiators and the Roman Arena, the depraved circus where Christians, freaks and criminals were butchered by the thousand. DIVINE CARNAGE is a shocking catalogue of incest, transvestism, torture, slaughter and perversity brought to life by Barber’s superb authorial skill, making it an essential and eloquent document of murderous decadence. This special ebook edition also includes the bonus of Suetonius’ “Life Of Nero”, highlighting the outrages of yet another sadistic Emperor, whose greatest pleasure lay in the crucifixion and burning of Christian martyrs.
"I am the man," wrote Artaud, "who has best charted his inmost self." Antonin Artaud was a great poet who, like Poe, Holderlin, and Nerval, wanted to live in the infinite and asked that the human spirit burn in absolute freedom. To society, he was a madman. Artaud, however, was not insane but in luciferian pursuit of what society keeps hidden. The man who wrote Van Gogh the Man Suicided by Society raged against the insanity of social institutions with insight that proves more prescient with every passing year. Today, as Artaud's vatic thunder still crashes above the "larval confusion" he despised, what is most striking in his writings is an extravagant lucidity. This collection gives us quintessential Artaud on the occult, magic, the theater, mind and body, the cosmos, rebellion, and revolution in its deepest sense.