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The preeminent American political cartoonist's classic reinterpretation of Dante's Inferno as a satirical indictment of capitalism ― as it has never been seen before. Capitalist oligarchs and their minions have been condemned to Hell, but they lead a hostile takeover, throw out Satan, and privatize the Inferno. Operated by a corporate monopoly who maximizes profits and misery, Hell has become the perfect capitalist paradise. Fantagraphics, the premier publisher of cartoon art, presents each page of Young's art scanned from the original and reproduced in full color. His brushstrokes are clearly visible and this artwork appears as it did on his drawing board. This edition also includes the original 1934 essays by Young and his "friend, admirer, and attorney" Charles Recht, a foreword by acclaimed graphic designer Steven Heller, and an introduction by art collector and documentarian Glenn Bray.
Art Young was one of the most renowned and incendiary political cartoonists in the first half of the 20th century. And far more ― an illustrator for magazines such as The Saturday Evening Post and Colliers, a magazine publisher, a New York State Senatorial candidate on the Socialist ticket, and perhaps the only cartoonist to be tried under the Espionage Act for sedition. He made his reputation appearing in The Masses on a regular basis using lyrical, vibrant graphics and a deep appreciation of mankind’s inherent folly to create powerful political cartoons. To Laugh That We May Not Weep is a sweeping career retrospective, reprinting ―often for the first time in 60 or 70 years― over 800 of Young’s timeless, charming, and devastating cartoons and illustrations, many reproduced from original artwork, to create a fresh new portrait of this towering figure in the worlds of cartooning and politics. With essays by Art Spiegelman, Justin Green, Art Young biographer Marc Moorash, Anthony Mourek, and Glenn Bray, with a biographical overview of Young’s life and work by Frank M. Young, To Laugh That We May Weep is a long-awaited tribute to one of the great lost cartoonists whose work is as relevant in the 21st century as it was in its own time.
SPECTACULAR AND MIND BLOWING IMAGES OF HELL USED IN TWO ACCLAIMED FILMS! Do You Love Horror Books? "Inferno" Images will Scare You Death. "Inferno - The Art Collection" by Dino Di Durante is a full color book of a 72-piece art collection based on Dante's Inferno story, the first part of the literary masterpiece - The Divine Comedy by Dante Alighieri, the second greatest Christian story after The Gospel. This is a completely new, deep and fascinating vision of Inferno by Dino Di Durante, who has studied this masterpiece in its original Italian for over 30 years. This book is the best choice as a companion and a visual reference to any Inferno book every written. The canvases versions of the art published in this book sell between $5,000 and $30,000, so this book is a bargain no matter how you look at it. Most of the art pieces were featured in a film titled Dante's Hell Animated (DVD available on Amazon.com) featuring Eric Roberts' voice as Dante. The Italian version, titled Inferno Dantesco Animato, featuring Vittorio Gassman's voice as Dante. Both versions premiered at the Cannes Film Festival. The entire collection is featured in the upcoming film "Inferno by Dante" starring over 30 artists and scholars from both the United States and Italy, in addition to a Monsignor from The Vatican. This film will be released in 2015.
Can our hoodie hero make it through nine circles of Hell and back again? Will he find love with his soulmate, Beatrice? Discover the city of Dis where everybody disses everybody. Meet Frankenstein, the lovesick bouncer with the bling-bling. Come face to face with the Furies, a gang of snake-haired females in T-shirts. Prepare for a host of gluttons, bigots and plunderers from the world of history and politics. John Agard fires Dante's Inferno into the 21st century in a red-hot retelling, with wicked artwork from Satoshi Kitamura.
One of the finest fantasy pencil artists in Europe, we see dozens of his originals.
These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.
Poet, essayist and performer Eileen Myles' chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny.
Ulysses has been read obsessively for a century. What if instead of focusing on the words to understand the structure, design, and history of Joyce’s masterpiece, we pay attention to the numbers? Taking a computational approach, Ulysses by Numbers lets us see the novel’s basic building blocks in a significantly new light—words, paragraphs, pages, and characters, as well as the original print run and the dates marking the beginning and end of its composition. Numbers provide access into Joyce’s creative process, enhanced by graphs, diagrams, timelines, and maps, and they also give us a startling new perspective on the proportions that continue to structure, organize, and pace the reading experience. Numbers are there to help us navigate the history of Ulysses from its earliest material beginnings, and they offer a concrete basis upon which we can explore the big questions about its length, style, origins, readership, and design. An innovative computational reading on both a micro and macro level, Ulysses by Numbers is a timely intervention into debates about the use and abuse of quantitative methods in literary analysis. Eric Bulson demonstrates how reading by numbers can bring us closer to the words of Ulysses, helping us rediscover a novel we thought we already knew.