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This exhibition is a once-in-a-lifetime opportunity to see around 100 exceptional drawings created using the exquisite metalpoint technique. It features works by some of the greatest artists working from the late 14th century to the present including Rogier van der Weyden, Petrus Christus, Leonardo da Vinci, Raphael, Albrecht Dürer, Hans Holbein the Elder, Lucas van Leyden, Rembrandt, Edward Burne-Jones, William Holman Hunt, Otto Dix, Jasper Johns and Bruce Nauman. Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection.--British Museum website.
This book reviews the history and historiography of metalpoint and its use for drawing and writing. ,
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
A fascinating survey into Buccellati style: a blend of past with present, of form, function and design lie at the heart of the work.
The stormy and often war-torn history of Hungary has been the background for a flourishing industry of gold and silversmith's work. Unfortunately, Hungarian silver is little known outside Hungary, but the outstanding collection of pieces acquired in the West over the last three decades by Nicolas Salgo and spanning more than four centuries of the goldsmith's craft provides a highly representative survey of the remarkable work of the Hungarian craftsmen. More than one hundred and twenty works have been brought together and illustrated in this book; maker's marks are identified whenever possible and reproduced alongside the pieces on which they appear. Provenance and literature are also provided. An outline history of Hungary, followed by a brief survey of the goldsmith's craft and of the guild system, set the pieces in their historical context, while notes on the goldsmiths represented in the collection and an appendix of makers' and town marks complete this invaluable book.
"Why does Gustav Klimt (1862-1918) travel to Italy several times although he feels homesick before he even crosses the border? The Viennese painter is fascinated by the magnificent mosaics that he sees in the churches in Italy. And this is just the way he wants his paintings to glitter too. Angela Wenzel takes us to the golden world of Gustav Klimt and shows us how the famous Art Nouveau painter lived and worked."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
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"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."