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This sequel to the best-selling Masterpieces Up Close is another fun, interactive book that introduces works of art from museums around the world across different eras and styles, including an ancient Egyptian papyrus, a Byzantine mosaic, Renaissance frescoes, a medieval European tapestry, Arabic and Aztec manuscripts, Japanese woodblock prints, and impressionist, surrealist, and cubist paintings. Full-color reproductions of twenty-three famous works of art provide a colorful hunting ground for over two hundred close-up details. Lift-the-flap keys at the end of the book provide intriguing facts about the works and the artists who created them. Young readers will learn how artistic expression has developed through the centuries and discover how looking at familiar images up close reveals new insights into the world of art.
A huge array of contemporary artists are studied and illustrated in this book on installation and environmental art.
This is a survey of the work of British painter Gary Hume, one of the leading figures of the YBAs or Young British Artists.
What do you want me to do? This question is the enduring management issue, a perennial problem that Stephen Bungay shows has an old solution that is counter-intuitive and yet common sense. The Art of Action is a thought-provoking and fresh look at how managers can turn planning into execution, and execution into results. Drawing on his experience as a consultant, senior manager and a highly respected military historian, Stephen Bungay takes a close look at the nineteenth-century Prussian Army, which built its agility on the initiative of its highly empowered junior officers, to show business leaders how they can build more effective, productive organizations. Based on a theoretical framework which has been tested in practice over 150 years, Bungay shows how the approach known as 'mission command' has been applied in businesses as diverse as pharmaceuticals and F1 racing today. The Art of Action is scholarly but engaging, rigorous but pragmatic, and shows how common sense can sometimes be surprising.
Beautifully illustrated with an array of Japanese art, this work offers a closer look at the rich variety of styles, decoration, motifs and patterns and the sheer craftsmanship of Japanese culture. Opening with an introduction that asks What is Japanese art?, this book presents a selection of striking and fascinating art from Japan, organised into a series of thematic chapters in which the author provides cultural context while pointing out exceptional features.
The purpose of this volume is to introduce the reader to the pleasure of looking at master drawings. Through forty-five spectacular works of art, each shown in full and with an enlarged detail, the book simulates the experience of looking at a drawing through a magnifying glass: we can see the techniques and materials used and get close to the artist's creativity. They are roughly ordered by date and were chosen for inclusion because, in addition to yielding beautiful details, they encompass a wide variety of media and techniques. Accompanying short texts highlight particular aspects of each work; italicized technical terms are explained in an accessible and informative glossary at the back. Works by some of the greatest masters of the craft--Leonardo da Vinci, Dürer, Raphael, Rembrandt, Ingres, Goya, Seurat, and Van Gogh--are included. The reader will gain insights into why artists made drawings, how they used the media available to them--including red chalk, watercolor, pen and ink, and pastel--and their techniques, such as hatching, stumping, squaring, and heightening. This beautiful and unpretentious book will have a wide appeal and will be especially invaluable for art students, practicing artists, and those who study art and art history.
Focusing on fieldcraft techniques for macro and close-up photography, Thompson covers the vital but often overlooked skills necessary to achieve consistent professional results in the field. Case studies covering a broad and often challenging group of subjects from the seashore to your back garden form the core of the lavishly illustrated book. Biology, life history, subject behaviour and ethics along with best practice approaches are discussed in detail and underpinned with photographic tips. The book is divided into four sections—Digital Fundamentals, Fieldcraft & Methodology, Portfolio Case Studies, Digital Workflow & Presentation—covering the full photographic process from capture through to editing, captioning, development and storage are discussed. Moving beyond the surface-level approach to macro instruction, this book provides readers with techniques that work in the field. Illustrated with over 250 of the author's own inspiring images, this publication is a must for photographers, naturalists and anyone interested in improving their macro skills in the field.
The first major survey to reveal the ways in which Classical mythology has inspired art throughout the last 2,500 years From the films of Woody Allen and the Coen Brothers to Margaret Atwood's books and Arcade Fire's songs, Classical Greek and Roman myths continue to be a source of cultural inspiration. The struggles of heroes, both triumphant and tragic, with gods, monsters, and fate, exert a particular grip on our imagination. Visual artists have long expressed and reworked these foundational stories. This is the first book to unite myth-inspired artworks by ancient, modern, and contemporary artists, from Botticelli and Caravaggio to Jeff Koons and Damien Hirst.
The latest from the renowned painter—Marlene Dumas’s new works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery. Myths & Mortals documents a selection of new paintings—debuted in the spring of 2018 at David Zwirner, New York—ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nearly ten-foot-tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. Like the Greek gods and goddesses, the figures in these paintings are at once larger than life and overwhelmingly human. The smaller-scale paintings—referred to by the artist as “erotic landscapes”—present a variety of fragmentary images: eyes, lips, nipples, or lovers locked in a kiss. Evident across all of these works is the artist’s uniquely sensitive treatment of the human form and her constantly evolving experimentation with color and texture. Alongside these new paintings, Dumas presents an expansive series of thirty-two works on paper originally created for a Dutch translation of William Shakespeare’s narrative poem Venus & Adonis (1593) by Hafid Bouazza (2016). Myths & Mortals is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself.