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Second grader Kylie Jean joins her school art club, and learns to paint in the style of several different artists, but for the Mural Art Contest she decides to paint a watercolor picture of a local Texas barn and duck pond--until a squabble between her dog and the ducks turns it into an example of abstract art instead.
The first richly illustrated history of crop art and of generations inspired by Lillian Colton and her arresting portraits of celebrities in seeds.
The impressive emergence of renowned rock band Queen into the world of action-adventure computer games is chronicled in this fascinating, lavishly illustrated book and CD-ROM. This package introduces audiences to the futuristic, post-apocalyptic world of The Eye and presents the behind-the-scenes work that made the game a reality. Queen's innovative music inspired the plot and fanstastic visual landscape.
Forsaken by the gods and left to his own devices, Eugenides, Royal Thief of Eddis, summons all his wit and wiles in an attempt to conquer the rival Queen of Attolia.
One of the most prolific and highly regarded rock photographers of all time, Neal Preston began working with Queen in the mid 1970s as their official tour photographer. His incredible work during this first tour forged a relationship with the band that has lasted 50 years. Featuring over 300 images and produced in collaboration with the band, this book is an exhilarating ride through their years on the road together, the pages vibrating with a palpable energy.
Paperback edition of the Winner of three 2005 Catholic Press Association Books Awards! Design and Production First Place. As the Mother of God, Mary surpasses all other humans and yet is united with all who are to be saved. Here you will find a magnificent and inspiring collection of colorful images, meditations, and prayers about and for Mary, both painted and written.Many of McGraths paintings in this collection are the result of his loving fascination with Black Madonnas, which have inspired pilgrims, saints, and sin-sick souls for centuries. Combined with Richard Fragomenis poetic and candid prayers, these images of Mary speak directly to all people who struggle to find meaning and joy in a world filled with crisis, divisiveness, and insecurity. They speak, too, to the artistic, creative soul in all of us, which longs to see things in new and challenging ways while holding on to the history and traditions of our Catholic heritage.
Published to accompany the exhibition organised by the Royal Academy of Arts, London and toured with the assistance of the Denver Art Museum from May 1999 to September 2000 to Denver, Seattle, West Palm Beach, New York City, and Cincinnati.
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.
The first encompassing publication on the work of the American neo-conceptual artist Adam Pendleton Adam Pendleton is a Virginia-born, New Yorkbased artist known for his multifaceted, language-based practice, which includes film, collage, painting, performance, and publishing. His re-contextualization of history often results in fresh interpretations of the present, where new and old narratives and meanings co-exist, as one of his main projects, Black Dada (2008-ongoing) testifies. Working predominantly in black-and-white, and often in collaboration with other artists, Pendleton's work constantly explores issues related to mechanisms of representation and notions of race.