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From the late 1980s to the present, artists of Filipino descent in the United States have produced a challenging and creative movement. In The Decolonized Eye, Sarita Echavez See shows how these artists have engaged with the complex aftermath of U.S. colonialism in the Philippines. Focusing on artists working in New York and California, See examines the overlapping artistic and aesthetic practices and concerns of filmmaker Angel Shaw, painter Manuel Ocampo, installation artist Paul Pfeiffer, comedian Rex Navarrete, performance artist Nicky Paraiso, and sculptor Reanne Estrada to explain the reasons for their strangely shadowy presence in American culture and scholarship. Offering an interpretation of their creations that accounts for their queer, decolonizing strategies of camp, mimesis, and humor, See reveals the conditions of possibility that constitute this contemporary archive. By analyzing art, performance, and visual culture, The Decolonized Eye illuminates the unexpected consequences of America's amnesia over its imperial history.
Containing more than 1,600 photos, this historical and highly informative publication is destined to become a classic and a valuable resource on the warrior arts of the Philippines. Featuring indepth biographies, exclusive personal insights, and detailed combative applications, this exclusive collection by acclaimed Filipino martial arts expert, teacher, and writer Rey Galang presents the priceless legacy and cultural treasures of the manifold Filipino martial arts.
Widely practiced but not always understood, the Filipino martial arts have a rich history and distinctive character that have not fully been documented until now. Written in the context of Philippine history and culture, Filipino Martial Culture uncovers the esoteric components of the Filipino martial arts and the life histories of the men who perpetuate them. Included are: the history of turbulence and war in the Philippines from prehistoric times to the present day; the culture of the Filipino martial arts, including warrior ethos and worldview, spirituality, folklore, and weaponry; biographical sketches of eighteen Filipino masters and descriptions of their respective fighting styles; and a comparative study of the ethos, ideology, and development of the Filipino martial arts in relation to the considerable martial traditions of India, China, and Japan. In the course of his research, internationally renowned martial arts master and scholar Mark V. Wiley traveled the globe, interviewing top masters and recording their life histories, thoughts, and anecdotes. In addition, he collected 320 historical photographs and illustrations, including step-by-step sequences of the masters demonstrating the distinctive techniques of their particular martial styles. A classic reference for practitioners and researchers alike, this Filipino martial arts book is as much a definitive anthropological textbook as it is a practical guide to Arnis, Kali, Eskrima, and the other martial arts of the Philippines.
Rene B. Javellana's Weaving Cultures: The Invention of Colonial Art and Culture in the Philippines, 1565-1850 reads the emergence of a unique art and culture in the Philippines during the colonial era from the optic of communications theory and the emerging theoretical discourse from information design. It views colonial exchange not primarily as an exchange of cultural goods, but as a negotiation forged by the communication between sender and receiver. In such a process, the cultural good is transformed as it leaves the context of the sender and it transferred to the context of the receiver, who may be antipodes of each other - physically, psychologically, and culturally - as was the case of Filipinos and Europeans. It traces exchanges in the areas of space, the biota, the visual, literary, performative, culinary, and sartorial arts and documents how messages are transmitted, decoded and transformed to create the new reality of colonial art and culture.--Artbooks.ph.