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Step into the revolutionary lives of the impressionists with Art + Paris, the most comprehensive guidebook to impressionism for the armchair traveler, lovers of Paris, and educators alike. Illustrated with hundreds of beautiful full-color photos and maps, this unique guide combines an introduction to late 19th-century art history with reproductions of famous impressionist masterpieces, walking tours, and detailed listings of the city's art-related sites. It provides a complete background course on impressionism, with comprehensive biographies and engaging essays about the movement; listings for 150 must-see impressionist paintings in Paris with the stories behind the art; easy-to-follow tours of where the artists lived and found inspiration; and an extended-travel journey through the French countryside, exploring Normandy and the quaint Paris suburbs.
In 1910 the critic Roger Fry organized an exhibition at the Grafton Galleries, London, of avant-garde painting which included works by Cezanne, Van Gogh, Gauguin and Matisse. This exhibition became as important a landmark in the official histories of modern art as the subsequent Armory Show in America. These artists did not belong to a single unified movement defined or recognized at the time, and Fry, in a quandary as to what to call the exhibition, and losing patience at the last minute, said, "Oh, let's just call them Post-Impressionists; at any rate, they came after the Impressionists". In this way one of the important critical categories, one of the "isms" of modern art, was born. But "Post-Impressionism" was not a name which Van Gogh, Gauguin, Seurat or Cezanne or any artists of the period would have applied to themselves. The documents in this book, many of which appear in English for the first time, show how artists and critics in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. This was a period of reconsideration, of moving on from aspects of Impressionism, and of coming to grips with the isolation that avant-garde art had imposed on the individual artist. It was a period in which the emphasis within Impressionism on the construction of painting purely by means of color had left artists with the question of how the power of this basic form related to their own feelings and to nature. New ideas were coming from poetry as well as painting that laid the basis for modernism. These issues and the personal struggles of the artists themselves are revealed in their letters, and inthe writings of friends and critics, many of whom, such as Mallarme, Laforgue, Huysmans, and Proust were novelists and poets. This book also includes commentaries from Rainer Maria Rilke, Virginia Woolf, and W. H. Auden as well as modern critics, artists, philosophers and art historians: Georges Bataille, Paul Klee, and Meyer Schapiro on Van Gogh; John Berger on Bonnard; Maurice Merleau-Ponty, Clement Greenberg, Adrian Stokes and Lawrence Gowing on Cezanne. The text is illustrated with 119 colorplates and 125 black and white reproductions of contemporary photographs, cartoons, documents, prints and drawings.
Step into the revolutionary lives of the impressionists with Art + Paris, the most comprehensive guidebook to impressionism for the armchair traveler, lovers of Paris, and educators alike. Illustrated with hundreds of beautiful full-color photos and maps, this unique guide combines an introduction to late 19th-century art history with reproductions of famous impressionist masterpieces, walking tours, and detailed listings of the city's art-related sites. It provides a complete background course on impressionism, with comprehensive biographies and engaging essays about the movement; listings for 150 must-see impressionist paintings in Paris with the stories behind the art; easy-to-follow tours of where the artists lived and found inspiration; and an extended-travel journey through the French countryside, exploring Normandy and the quaint Paris suburbs.
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A collection of artwork for children by Vincent van Gogh and other French artists.
"Japan and Paris demonstrates the deep cross-cultural nature of art in Japan from about 1880 to 1930. Illustrated with masterpieces from Japanese collections by Matisse, Renoir, Toulouse-Lautrec, Corot, Cezanne, and Monet, it explores the history of collecting Western art in Japan and its influence on Japanese modern art. In particular, it addresses the development of Western-style modernist impulses as Japan's early interest in the Barbizon School extended to include modes of expression such as Impressionism, Postimpressionism, Symbolism, Cubism, and Fauvism. In addition to showcasing works by some of the best-known French and European painters, works by Japanese artists who were instrumental in the introduction of Western modes of expression to Japan are included, such as Kojima Zenzaburo, Kume Keiichiro, Maeda Kanji, Mitsutani Kunishiro, and Fujita Tsuguharu."
Chronicles the origins of Impressionism against the backdrop of the artistic and cultural events of the nineteenth century as exemplified in the work of two artists--Ernest Meissonier and Edouard Manet.