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A history of the evolution of military technology among knights in Renaissance Europe from the fifteenth century to the seventeenth century. The Art of Renaissance Warfare tells the story of the knight during the fifteenth and sixteenth centuries—from the great victories of Edward III and the Black Prince to the fall of Richard III on Bosworth Field. During this period, new technology on the battlefield posed deadly challenges for the mounted warrior; but they also stimulated change, and the knight moved with the times. Having survived the longbow devastation at Crécy, Poitiers and Agincourt, he emerged triumphant, his armor lighter and more effective, and his military skills indispensable. This was the great age of the orders of chivalry and the freemasonry of arms that bound together comrades and adversaries in a tight international military caste. Men such as Bertrand du Guesclin and Sir John Chandos loom large in the pages of this book—bold leaders and brave warriors, imbued with these traditions of chivalry and knighthood. How their heroic endeavors and the knightly code of conduct could be reconciled with the indiscriminate carnage of the “chevauchee” and the depredations of the “free companies” is one of the principal themes of this informative and entertaining book.
This book is an exposition of the work of Renaissance war artists, reflecting the ways in which they responded, often independently of patrons, to the facts of war, its nature and causes and to the common soldier. There is an emphasis on German and Italian artists illustrating their divergent artistic focuses.
The Italian Renaissance marked a period of political and military turmoil. Many regional wars were fought between the states ruled by Milan, Venice, Genoa, Florence, the Papacy, Siena and Naples. For more than 50 years starting in 1494, major foreign powers also exploited these divisions to invade Italy; both France and Spain made temporary alliances with city states to further their ambitions, and early in the 16th century the Emperor Charles V sent armies from his German realms to support the Spanish. These wars coincided with the growth of disciplined infantry – carrying not only polearms and crossbows but also handguns – which proved capable of challenging the previously dominant armoured knights. The widespread use of mercenaries ushered in the early development of the 'pike and shot' era that succeeded the 'High Middle Ages'. During this period costumes, armour and weapons varied greatly due to their national origins and to the evolution of tactics and technology. This masterfully illustrated study offers a fascinating insight into the many armies which fought in Italy during this turbulent period, explaining not only their arms and equipment, but also their structure and successes and failures on the battlefield.
This book explores the military strategies and tactics employed in the wars that ravaged Italy in the late 15th and early 16th centuries. Drawing on primary sources and the latest scholarship in military history, F. L. Taylor provides a detailed and engaging account of the campaigns, battles, and personalities that shaped this tumultuous period in Italian history. A must-read for anyone interested in the history of warfare or medieval and Renaissance Italy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Art of Renaissance Warfare tells the story of the knight during the fifteenth and sixteenth centuries - from the great victories of Edward III and the Black Prince to the fall of Richard III on Bosworth Field. During this period, new technology on the battlefield posed deadly challenges for the mounted warrior; but they also stimulated change, and the knight moved with the times. Having survived the longbow devastation at Crécy, Poitiers and Agincourt, he emerged triumphant, his armor lighter and more effective, and his military skills indispensable. This was the great age of the orders of chivalry and the freemasonry of arms that bound together comrades and adversaries in a tight international military caste. Men such as Bertrand du Guesclin and Sir John Chandos loom large in the pages of this book - bold leaders and brave warriors, imbued with these traditions of chivalry and knighthood. How their heroic endeavors and the knightly code of conduct could be reconciled with the indiscriminate carnage of the 'chevauchée' and the depredations of the 'free companies' is one of the principal themes of this informative and entertaining book.
The birth of 'New War' in Italy It is easy to consider the Renaissance as a time of enlightenment typified principally by the artistic and scientific genius of Leonardo da Vinci and his peers; but giant leaps forward are never confined to one aspect of society and the application of new ideas is always adapted to various purposes and the meeting of differing objectives. The creation of modern political science by Niccolo Machiavelli is a prime example of how new ways of thinking and doing impacted on the advancement and securing of power. These changes were inevitably accompanied by significant developments in making war more effectively, strategically and tactically-with corresponding advances in weaponry and other equipage. This excellent book considers these developments through the changes to traditional military strategy and the use of infantry, cavalry and artillery, in both open battle and fortification and siege-craft, at the turn of the sixteenth century. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.
The Renaissance at War Toward the end of the fifteenth century, modern artillery and portable firearms became the signature weapons of European armies, radically altering the nature of warfare. The new arms transformed society, too, as cities were built and rebuilt to limit the effects of bombardment by cannon. This book follows these far-reaching changes in comprehensive and fascinating detail and demonstrates how the innovations of the Renaissance paved the way to further changes in warfare. An in-depth technical look at the weaponry of the age and the tactical drills that honed the skills of Renaissance soldiers The epic wars abroad between Western Christians and the Muslim Turks Civil strife at home between despotic rulers and rebellious forces Kingly duels that play out on an international stage
"Covering the years between the end of the Hundred Years War and the beginning of the Thirty Years War, this book explains the part played by war in the lives of individuals in the early modern phase of European history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved