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This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C.
Brilliant horsemen and great fighters, the Scythians were nomadic horsemen who ranged wide across the grasslands of the Asian steppe from the Altai mountains in the east to the Great Hungarian Plain in the first millennium BC. Their steppe homeland bordered on a number of sedentary states to the south - the Chinese, the Persians and the Greeks - and there were, inevitably, numerous interactions between the nomads and their neighbours. The Scythians fought the Persians on a number of occasions, in one battle killing their king and on another occasion driving the invading army of Darius the Great from the steppe. Relations with the Greeks around the shores of the Black Sea were rather different - both communities benefiting from trading with each other. This led to the development of a brilliant art style, often depicting scenes from Scythian mythology and everyday life. It is from the writings of Greeks like the historian Herodotus that we learn of Scythian life: their beliefs, their burial practices, their love of fighting, and their ambivalent attitudes to gender. It is a world that is also brilliantly illuminated by the rich material culture recovered from Scythian burials, from the graves of kings on the Pontic steppe, with their elaborate gold work and vividly coloured fabrics, to the frozen tombs of the Altai mountains, where all the organic material - wooden carvings, carpets, saddles and even tattooed human bodies - is amazingly well preserved. Barry Cunliffe here marshals this vast array of evidence - both archaeological and textual - in a masterful reconstruction of the lost world of the Scythians, allowing them to emerge in all their considerable vigour and splendour for the first time in over two millennia.
Catalogue from the exhibition held at the Institute for the Study of the Ancient World at New York University, March 7-June 3, 2012.
This catalogue accompanies an exhibition which presents artefacts from burial mounds of the Saka people of East Kazakhstan, who, over 2,500 years ago, lived lives rich in complexity. The Saka people occupied a landscape of seemingly endless steppe to the west, bounded by mountains to the east and south. Known to be fierce warriors, they were also skilled craftspeople, producing intricate gold and other metalwork. Their artistic expression indicates a deep respect for the animals around them - both real and imagined. They dominated their landscapes with huge burial mounds of sophisticated construction, burying their horses with elite members of their society. Recent excavations and analyses, led by archaeologists from Kazakhstan, have demonstrated that by looking through a scientific and social lens at what the Saka left behind we can paint a picture of a complex society. We can start to understand how it affected the way people lived, how they travelled, the things they made and what they believed in.00Exhibition: The Fitzwilliam Museum, Cambridge, UK (October 2021-January 2022).
Steppes—semi-arid biomes dominated by forbs, grasses, and grass-like species, and characterized by extremes of cold and heat—occupy enormous areas on four continents. Yet these ecosystems are among the least studied on our planet. Given that the birth and evolution of human beings have been so intimately interwoven with steppe regions, it is amazing that so few attempts have been made to compare and quantify the features of these regions. In this ground-breaking volume, five leading voices in horticulture—all staff members of Denver Botanic Gardens—examine the plants, climate, geology, and geography of the world’s steppes: central Asia, central and intermountain North America, Patagonia, and South Africa. Drawing upon their first-hand experience, the writers illuminate the distinctive features of each region, with a particular emphasis on the striking similarities between their floras. Each chapter includes a primer of species of horticultural interest—a rich resource for readers with an interest in steppe plants.
The history of movement across the Eurasian steppe since prehistory and its effect on Europe
This book presents 45 papers presented at a major international conference held at the British Museum during the 2017 BP exhibition 'Scythians: warriors of ancient Siberia'. Papers include new archaeological discoveries, results of scientific research and studies of museum collections, most presented in English for the first time.
The Art of the Eurasian Steppe is a contextual analysis which traces the stylistic transformation of artefacts depicting animals from various cultures of the Eurasian steppe, and investigates its possible influence on Central and Northern European art. A wide range of individual cultures are "visited" and their historic, cultural, and geographic specifics are explored. The survey in this book is based on a chronological structure, including an East-West geographic direction. This accommodates to position described artefacts of certain styles within time periods, cultures, and locations. Most of the existing literature related to cultures of the Eurasian steppe is specialised on one particular culture or one archaeological excavation. The book is written as a hypothetical journey through time and space, structured in an east to west direction. It provides a wide-reaching overview by placing the discussed artefacts into a cultural, geographic, and chronologic frame, particularly the thousand years between 500 BC and 500 AD. Artistic expression and style are a central theme to explore possible relationships between civilisations of the Eurasian steppe and their influence on medieval Central and Northern European creation of artefacts. Academics in the fields of art history, archaeology, history, and fine arts will find this book compelling/useful.