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The decorative art of the Indians of the American Southwest has long been recognized as one of the most beautiful art traditions in the primitive world. It demonstrates a technical skill with simple materials, a symbolic richness, and a faculty for creating rich effects by the imaginative use of ornament that are all almost unique. Museums use Pueblo ceramics for display pieces, and modern artists and crafters have turned eagerly to the handwork of prehistoric Indian women for inspiration and working ideas. Mrs. Dorothy Sides, a noted artist and collector, has gathered together and redrawn in black and white nearly 300 examples of the finest authentic Southwestern Indian decoration that she has seen in a lifetime of study. She has not limited her selection to one period or style, however; to make her book as useful as possible, she has selected material ranging from the thirteenth century great geometric art of the Pueblos to the handcrafts carried on by the nomadic and Pueblo peoples of the present. The main emphasis of this volume is on ceramic decoration, and Mrs. Sides includes pieces from the rich archeological sites of Pecos, Sikyatki, the Mimbres, and modern Pueblo pottery from Acoma, Zuni, Cochiti, and the Hopi. She also includes designs and motifs from the basketry of the Apache, Pima, and Papago; beadwork from the Mohave; authentic Zuni masks; Hopi kachina dolls; and sand paintings and blanket designs from the Navajo. This broad coverage of beautiful ornament illustrates many different art styles to fit every situation: geometric designs based upon balanced mirror fields of design, symbolic figures of the thunderbird, and modern stylizations. All is beautiful and imaginative. Any crafter working with ceramics will find this book indispensable as a source of rich, easily used, powerful design; workers in wood, weavers, metal workers, and leather workers will find that it will enlarge their decorative resources considerably. It also offers unusual and eye-catching designs for commercial artists who wish to do work suggesting travel, handcrafts, the Southwest, or the social sciences. Individual drawings are royalty-free and may be reproduced without fee or permission. "Worthy of an honored place in the library of aboriginal American art." — F. H. Hodge, Director, Southwestern Museum.
Clearly rendered illustrations on 30 pages display authentic designs taken from rugs, masks, sandpaintings, pottery, jewelry, baskets, and other artifacts created by southwestern Native Americans. Geometrical designs on a Navajo woven saddlebag, a Chumash rock painting of mythical creatures, a Hopi kachina doll, an Apache "crown headdress," and more.
The art Helen Hardin created was the product of her deliberate effort to both retain the mystical elements of her heritage (Santa Clara Pueblo) and depart from the traditional style favored by many of the artists whose work surrounded her.
This catalogue includes 139 Native North American works of art that represent many peoples and a variety of materials and functions, presented here for their aesthetic value.-- Metropolitan Museum of Art website.
"Women have long been the creative force behind Native American art, yet their individual contributions have been largely unrecognized, instead treated as anonymous representations of entire cultures. 'Hearts of Our People: Native Women Artists' explores the artistic achievements of Native women and establishes their rightful place in the art world. This lavishly illustrated book, a companion to the landmark exhibition, includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases more than 115 artists from the United States and Canada, spanning over one thousand years, to reveal the ingenuity and innovation fthat have always been foundational to the art of Native women."--Page 4 of cover.
Primarily a women's art, American Indian pottery reflects a heritage of powerful social, religious, and aesthetic values. Even now, modern American Indian women use the clay, paint, and fire of pottery making to express themselves, creating designs that range from dutifully traditional to strikingly original. This book - written in conjunction with one of the most important exhibitions of American Indian pottery ever mounted - provides an in-depth look at a unique North American art form.
The Barnes Foundation's historic Pueblo and Navajo collections are explored alongside works by contemporary Native American artists This richly illustrated book makes the Barnes Foundation's exceptional collection of Native American art from the Southwest available to the public for the first time. Collector and educator Albert C. Barnes traveled to the U.S. Southwest in 1930 and 1931 and, deeply impressed by the generative art practices he saw there, formed a collection of Pueblo and Navajo pottery, textiles, and jewelry. Water, Wind, Breath illuminates the materials, forms, and designs of the objects as they relate to Pueblo and Navajo histories and ideas. The book blends postcolonial and Indigenous perspectives, introducing readers to living artistic traditions filled with purpose, intention, and a deeply embedded spirituality that connects places, practices, and Native identities. Works by contemporary Native American artists are juxtaposed with historic pieces, illuminating the connections between heritage traditions and modern practices.
Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O'odham culture. Speaking to anthropologist Deborah Neff, who has known her for over twenty years, she tells of O'odham culture and society and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.
A heavily illustrated history & appreciation of the contribution of the Fred Harvey Company to the preservation and promotion of Indian art. Serves as the catalog of an exhibit--through April 1997-- at the Heard Museum in Phoenix. c. Book News Inc.
DIVThe creation of the Indian art market in the Southwest in the 20s and 30s./div