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Extensive fieldwork in Mali in 1982 led to fascinating discoveries about the function of elegant and sophisticated ancient terracotta sculptures found there as well as their religious and cultural significance. "Jenne-Jeno" investigates this important research and traces potential connections between regions in West Africa whose artistic styles were previously thought to have developed independently. Generously illustrated with hundreds of colour images, this book represents a significant contribution to the study of an art form virtually unknown until a few decades ago. Due to its remarkable soil quality, the uniquely fertile Inland Niger Delta played a crucial role in the development of clay architecture and sculpture in West Africa. The ancient Islamic city of Jenne, located in present-day Sudan, was the first to establish the region's spectacular cylindrical-brick architecture, crafted from the rich earth found there. Also distributed under a Yale UP ISBN (9780300188707).
The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses typology, decoration, and makers’ marks on each of these objects that provide new insights into art, craft, and trade in the ancient Mediterranean.
Terracotta is one of the fastest, most direct, and inexpensive mediums available to the sculptor. Since the Renaissance, terra cotta has been a favorite material for sculptors' small working models because, being fired not cast, it can be modeled with an enormous degree of freedom and inventiveness. Bruno Lucchesi shows how to work with this medium, from modeling the human form to firing and finishing.--From publisher description.
The glazed terracotta technique invented by Luca della Robbia, along with his exceptional skill as a sculptor, placed him firmly in the first rank of Renaissance artists in the fifteenth century. This quintessentially Florentine art - taking the form of dazzling multicoloured ornaments for major buildings, delicately modelled and ingeniously constructed freestanding statues, serene blue-and-white devotional reliefs, charming portraits of children, and commanding busts of rulers, along with decorative and liturgical objects - flowed in abundance from the Della Robbia workshops for a hundred years. Developed further by each generation, the closely held technique achieved new heights of refinement and durability in modelling and colour, combining elements of painting and sculpture into a new and all but eternal medium. In the 19th century, revived interest in the Renaissance and in the Della Robbia brought their works into major collections beyond Italy, particularly in England and the United States. Recently, renewed attention from art historians, backed by sophisticated technical studies, has reintegrated the Della Robbia into the mainstream of Renaissance art history and illuminated their originality and accomplishments. This beautifully illustrated book invites readers to experience one of the great inventions of the Renaissance and the enduring beauty it captured.
"With contributions from leading scholars, this fully illustrated catalogue represents a panoramic view of Qin artistic, military, and administrative achievements under the powerful First Emperor, who unified China in 221 BCE. In addition, it examines the period of Chinese history preceding the emperor's reign and the role of earlier Qin rulers in the evolution of a small state into a superpower."--Provided by publisher.