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In this electrifying and raw debut anthology, Maggie Nelson unpicks the everyday with the quick alchemy and precision of her later modern classics The Argonauts and Bluets. The poems of Shiner experiment with a variety of styles-syllabic verse, sonnets, macaronic translation, Zen poems, walking poems-to express love, bewilderment, grief, and beauty. This book, Nelson's first, heralded the arrival of a fully formed, virtuoso voice.
"...a book-length essay that interweaves memoir with film and literary history, Caroline Hagood assumes the role of detective to ask, what is a "woman," "mother," and "writer"? By turns smart, funny, and poignant, Ways of Looking at a Woman is a profound meditation on the many mysterious layers that make up both a book and a person.--back cover
Joanna Fuhrman's sixth poetry collection is a fearless blend of the real and the surreal, the political and the personal, all with the marks of her own kind of accelerated dizzying style that nevertheless brings you along with it. "Fuhrman's got her own funky brand of blended surrealism and fabulism going on in To a New Era. The poems in this tour de force offer funicular modes of language transport, making it a dizzying, dazzling joy to be a commuter on this collection (see 'Adjunct Commuter' poems). Sentience abounds; metamorphoses are in the poetry's plasma. Formal poems emit a flirty, contemporary spirit of rebellion. Political poems are pissed, hilarious, iconoclastic, in debate with language's complicated connotations, histories, and alternate histories. In To a New Era, Fuhrman toasts to the cyclones that blow through our days and our nights. This collection is one storm of words that will bowl you over! " -Martine Bellen
While Ida May is daydreaming her 26 cows get loose and she must get them back into the corral.
Fiction. Latino/Latina Studies. Translated from the Spanish by Steven J. Stewart. "Ana Maria Shua's microfictions reveal oneiric universes, multiform realties, secret worlds with the unlikely coherence of the absurd, the amorphous logic of the imagination. They are characterized by the most unique form of concise language and the omnipresence of humor." Raul Brasca"
Poetry. "Gary Lenhart's THE WORLD IN A MINUTE combines all the best of intellect and heart. This compendium of histories takes in the political, ranging from ancient Rome to the Vietnam war to the present; the personal, which verges on memoir in its reminiscences of his life from its working-class childhood roots; and an intimate look at his relationships in the world of art and literature. Lenhart's talent is in fusing public events and injustices with the day-to-day details of an individual life. Writing in a variety of forms with a sly humor and sophisticated wit, he allows us access to personal revelation at the same time that he gently remains the outsider. Yet, everything in Lenhart's world of the self is informed by the state of flux around him: the brevity and intricacies of life mirrored in the events of friends' lives and the historical and social fabric that knits us together. His love for the lived life of art and contemplation--which takes in the world's chaos--finally determines the subject of this book. Whatever tonal understatement exists here is set against passionate thought, equal parts humor and a wonder undercut by grief, as he reveals our complexities in these fine, distinctive poems"--Cleopatra Mathis.
Graffiti 101 is a coloring book for adults. To truly master graffiti, you need to be able to "burn" in black and white. No techniques, no tricks, just straight-up style. Graffiti 101 contains "outlines" by elite style writers from all over the world. It offers anyone the opportunity to add their own flavor to a vast array of styles drawn y graffiti writers ranging from the 1970s pioneers to modern-day masters.
"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.