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This book features 22 gems of gospel and hymn music, arranged in various keys in dropped D tuning (DADGBE - 6th to 1st string) for the intermediate and advanced guitarist. The arrangements provide compelling evidence that dropped D tuning has been liberated from its usual position as simply a variant of standard tuning. In this book, it takes on an exciting open-tuning character. Innovative string choices and guitar voicings are employed to evoke different textures for the various melodies. The music ranges from the single-note treatment reminiscent ofthe solo singer, to the flowing, arpeggiated approach of the harper, to the chordal power of the organist. The pace can be slow and meditative, or up-tempo andcelebratory. The presentation is in tablature and standard notation
This fingerstyle guitar book includes many wonderful gospel songs adapted for DADGAD tuning–a style not typically used in gospel. The material includes standards, as well as songs less familiar to fingerstyle players. Intended for advanced-beginners, intermediate-level players, and anyone looking to dive into alternating-bass music and more complex chordal work. Includes access to online audio.
(Easy Guitar). A virtual bible of more than 100 songs of faith arranged for easy guitar! This collection includes: Amazing Grace * At Calvary * Blessed Assurance * Church in the Wildwood * He Touched Me * His Eye Is on the Sparrow * How Great Thou Art * I Love to Tell the Story * I Saw the Light * Just a Closer Walk with Thee * The Lily of the Valley * More Than Wonderful * The Old Rugged Cross * Rock of Ages * Shall We Gather at the River? * Sweet By and By * Turn Your Radio On * Will the Circle Be Unbroken * and more.
Illustrated throughout
This book of hymns and popular sacred melodies is a note for note transcription of Rick Foster's award winning album. All solos were transcribed by Rick Foster and are in notation and tablature. the arrangements are intermediate to advanced and comprise some wonderful solo settings for use in a variety of church and concert settings.
World-renowned theologian Jeremy Begbie has been at the forefront of teaching and writing on theology and the arts for more than twenty years. Amid current debates and discussions on the topic, Begbie emphasizes the role of a biblically grounded creedal orthodoxy as he shows how Christian theology and the arts can enrich each other. Throughout the book, Begbie demonstrates the power of classic trinitarian faith to bring illumination, surprise, and delight whenever it engages with the arts.
In this book three time National Flatpicking Guitar Champion Steve Kaufman presents rousing guitar solos on 24 gospel favorites. Each song is shown with a melody part in notation and tablature, lyrics, an accompaniment part in tablature and a stirring flat- picking solo in notation and tablature. This recording is designed for listening first and second as an instructional tool. All 24 songs are played through three times at least. The first time is as it appears in the book and the two versions that follow are improvised versions. Making this a listening tool and an ear training tool. Recorded Digital to Analog in true stereo sound. This recording can be used with either Flatpickin' the Gospels or Autoharping the Gospels. Audio and Video download available online
(Piano/Vocal/Guitar Songbook). This collection includes 54 gospel favorites arranged for piano and 4-part vocal in hymnal style. Features shape notes, and these songs: Bring Me Out of Desert * Broken Rose * Canaanland Is Just in Sight * Empty Vessel * God Bless the U.S.A. * Good Old Boys * He Speaks to Me * I Bowed on My Knees * I'm a Jesus Fan * Jericho * New Grace * Somebody Touched Me * Walking on the Water * more.
With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or “singings” are not easily accessible. The hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.
The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar! In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: "Che Gelida Manina" from Puccini's "La Boheme" and "My Heart at Thy Sweet Voice" (“Mon Coeur S'ouvre à ta Voix”) from "Samson and Delilah" by Camille Saint-Saëns. Sandy's contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandy's gift for chordal subtleties and innovation. Each piece is in either standard tuning (EADGBE) or Drop D tuning (DADGBE). Written in standard notation and tablature with computer generated audio files of each arrangement.