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Excerpt from Art of Coppersmithing: A Practical Treatise on Working Sheet Copper Into All Forms And while the aspirations of my youth died away amid the busy' turmoil of mechanical life, and smoldered for years (with an occasional burst of warmth), the thoughts were still cherished, and I began without any preparation, save my memory, to give the helpless boys of the trade reliable instruction in things they should know in starting out to acquire the Art of Coppersmithing. I did my best to tell from my own experience, in the most lucid manner, that which is being called for in everyday life, in three separate branches of the copper trade, sup posing with each lesson there was a good boy at my side. I am pleased with the result of my first effort, which was in a measure impromptu. It will not, however, make Coppersmiths of any one without effort and application, but I trust it will be a help to all who have need of assist ance, and be an incentive to boys to exercise whatever talents they may possess for their own benefit and that of others less fortunate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"A gorgeously photographed love letter to copper pots, cast-iron skillets, and classic stoneware and the hard-won artistry that goes into them, by perhaps the only woman coppersmith in the country"--
If you want to step back into time and enjoy life as your ancestors lived, this is the book for you. Read about and see many types of kettles, teakettles, cooking kettles, pots and pans, warming pans, saucepans, coffee pots, stills, butter churns, mugs, ladles, skimmers, measures, funnels, basins, pumps, glue pots, weathercocks—all items made of copper. Then there are brass items: andirons, bells, gun parts, molds for casting pewter, door knockers, skillets, tomahawks, lancets, jagging irons, buttons, sundials, clocks, door locks, and many more. (288pp. illus. hardcover. Masthof Press, 1995.)
Dirk van Erp arrived in San Francisco from the Netherlands in 1891 and transformed coppersmithing in the Bay Area. He and his followers and apprentices became a vital part of the Arts & Crafts Movement. This a comprehensive catalog of his impressive work and that of his contemporaries.
Metalworking in copper is an ancient and rewarding art. Used by human beings for more than 4,000 years, this long-lasting, widely available and very forgiving material lends itself to the creation of beautiful figurative sculptures, as well as abstract forms. In this book, lifelong sculptor Sue White-Oakes and writer Jim Pratt explain the craft of working in copper with the novice metalworker in mind. First covering basic tools and techniques, from cutting and truing to annealing and soldering, they go on to demonstrate five exciting sculpture projects, each increasing in complexity, with the aim of building readers' confidence as their skills progress. Providing clear, practical instruction for the beginner, accompanied by helpful how-to images, this book is the essential resource for anyone wishing to explore the potential of sculpting in copper.
This book, by a master craftsman who has devoted much of his life to teaching, is an exceptionally useful handbook in the techniques of sheet metalcraft. Presenting easy-to-follow and complete instructions on pages opposite to carefully executed drawings and diagrams, he makes it possible for anyone to learn the basics of this art form and to fashion objects which are at once beautiful and useful, and which display the individual expressiveness of the maker. Beginning with fundamentals, the author lists and pictures all of the necessary tools and carefully explains basic techniques for cutting stock, annealing and heating, pickling, shallow hollowing, raising, planishing, bending and shaping, leveling, soldering and welding, making molds, pattern making, and all of the steps and processes in the fine art of chasing. There follows a series of specific projects for making candlesticks, coasters, fluted platters and bowls, beakers, pitchers, serving trays, lamps, and a host of other articles in a wide variety of designs. A selection of thumbnail sketches for further exploration is included, and complete instructions are given for finishing and oxidation. The compact and graphic method of presentation makes this an extremely handy book, and the projects contained in it will engage the accomplished craftsman as well as the amateur. The approach is consistently from the craftworker's point of view, and the description of workshop methods are clear and direct and result from the author's lifelong experience in actual work and in instruction.