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What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingres to Rossetti, Cézanne to Jackson Pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century?
The term "line of beauty" describes, in one sense, a certain way of arranging lines and shapes in a drawing or painting to suggest motion, dynamic balance and grace. But in a deeper sense it can also speak to the visionary spirit that drives the creation of a piece of artwork. Whatever that spirit is, Wendy Pini demonstrates that she has had it from the moment she was delivered into this world. Given up for adoption at birth, she has been on a quest ever since for those things most of us take for granted--family, tribe and community. The search has taught her about love and loss and, above all, the power that comes from hearts and minds united in a single dream. Taking inspiration from diverse sources both Western and Eastern--animation, comics, mythology, classic illustration and more--Wendy has developed a unique blend of stylistic opposites, seamlessly mingling the light and airy qualities of Japanese manga with the weighty power of American superhero comics. Whether engaged in her ongoing fantasy saga Elfquest or interpreting other writers' words for a magazine cover, she brings both the inner and outer "line of beauty" to her work. Every composition embraces the energy of the search and the peace of reaching the goal. This book provides a comprehensive look at rare material from Wendy's two Beauty and the Beast graphic novels, her Galaxy and If magazine covers and interior art, and preproduction art from the animated The Lord of the Rings film. It highlights ambitious projects such as Masque of the Red Death and Law and Chaos, includes exquisite art from the Land of Myth series of prints, and much more. The highest quality of reproduction is made possible through direct access to the original art or the best original source material, which has been made available from the Pini archives.
This advice book to women details rules of hygiene and beauty and reflects the values placed on maintaining the image of the "lady."
Descriptions of dress, make-up, hair fashion, and physical beauty reflect the strict code of behavior regarding appearance in Victorian England.
This anthology is remarkable not only for the selections themselves, among which the Schelling and the Heidegger essays were translated especially for this volume, but also for the editors' general introduction and the introductory essays for each selection, which make this volume an invaluable aid to the study of the powerful, recurrent ideas concerning art, beauty, critical method, and the nature of representation. Because this collection makes clear the ways in which the philosophy of art relates to and is part of general philosophical positions, it will be an essential sourcebook to students of philosophy, art history, and literary criticism.
A curator-led tour through more than one hundred masterworks.
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture. "[A] delightful study. . . . [Eco's] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." --Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." --Washington Post Book World "A lively introduction to the subject." --Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." --D. C. Barrett, Art Monthly
A Study of the Weatherhead East Asian Institute, Columbia University Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers—to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style.
"The Art and Science of Beauty Therapy" is a detailed yet portable reference for esthetics and cosmetology students. Supporting learners as they build their knowledge, treatments and procedures are explained with concise text and demonstrated by clear illustrations and photographs. Including sections of professional practice, anatomy and physiology, and cosmetic science, this book provides the essential groundwork required to become a rounded and successful beauty practitioner.