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Over a period of more than thirty years Gerda Koepff devoted herself passionately to collecting Art Nouveau glass, which reached a previously unattained quality towards the end of the nineteenth century in France. The exceptional collection she amassed during those years, comprising 126 pieces of considerable international importance, provides an overview of the very best in Art Nouveau glass while hearing the unmistakable stamp of a personal selection. Among the earliest pieces are works by Francois Eugene Rousseau, Ernest Bapuste Leveille and Auguste Jean, who, with vessels exuding a distinctly Japanese air, paved the way for Art Nouveau's sweeping success in Paris. These were followed by exquisite works created by another artist working in Paris Eugene Michel. The focus of the collection is placed on two comprehensive groups, each consisting of more than forty pieces, by Emile Galle and by the Daum Freres glassworks in Nancy. Virtually all are studio pieces of the highest quality; produced in limited editions, each piece was designed individually. Vases made by Burgun, Schverer & Co. and by the company's sometime studio manager Desire Christian, as well as works by Muller Freres and Paul Nicolas, provide a representative overview of an era that has gone down in the history of glass design as one of its supreme highlights. Art Nouveau Glass includes in-depth commentaries on individual pieces, supplemented by a number of illuminating essays and contributions published in English for the first time. In addition, intensive archive research has brought new material to light, particularly on Daum Freres. A comprehensive, scholarly appendix includes artists' biographies, details on the various glass manufacturers and, of particular note, thirty-five drawings from Galle's studio. Book jacket.
Over 100 authentic, royalty-free patterns from one of the most flamboyant of artistic periods, including outlines of a lovely winged damsel, florals and vines, a vase, a butterfly, and much more. All displayed in rectangular, oval, circular, and semi-circular frames for use by craftspeople and stained glass workers at all levels of expertise.
"L'art nouveau, an artistic movement of a highly eclectic nature that developed in the late 19th century, took its lead from such diverse sources as Japanese art or the medieval revivalism of the Arts and Crafts. Perhaps in no medium was it better represented than in pottery, whose technical possibilities allowed for great freedom of expression. This richly illustrated dictionary, with glossary and select signatures, lists over 1,100 artists, ceramists and firms that participated in the creation of Art Nouveau ceramics in France, the melting pot of die new aesthetic."--Page 4 of cover.
In 1902 the magazine Documents of Modern Applied Arts was introduced for the first time. It was published until 1908, comprising five series divided by content, without exception in lavish quality and with numerous splendid illustrations. Because of the
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-- Published to coincide with a major exhibition. -- Examines in depth the historical background of each designer and firm, their styles and techniques. This introduction to the most innovative period of goth century glass-making was published to coincide with The Art of Glass - Art Nouveau to Art Deco exhibition at the Sunderland Museum and Art Gallery. The fascinating history of art glass in this Period begins in the 1880's with the precursors to Art Nouveau, follows the creations of Galle, Daum and Muller Freres. It continues with the development of opalescent, frosted and clear molded glass -- especially Lalique, Art Deco, functionalism, Orrefors and English and Scottish glass. But it is above all the glass itself, beautifully reproduced in full color, that brings to life one of the most exciting and creative periods in the history of art glass.
Christie's Art Nouveau is the story of an artistic movement that thrived at the turn of the century, and whose name derived from the vision of one man, Siegfried Bing. The boundary-shattering wares that he displayed in his Paris shop after a visit to Japan, flowing, curvilinear abstract lines with pale, elegant colours - stunned contemporary critics and provided the focus for a whole generation of applied artists. The highly individualistic styles, from the sinuous and vibrant designs of van de Velde to the more abstract idioms advocated by Rennie Mackintosh, are all detailed. Each chapter concentrates on one particular discipline within the movement, whether it be on the iridescent glassware of Lalique and Tiffany or the stirring graphic design of Toulouse-Lautrec. Illustrated with images from Christie's archives, Christie's Art Nouveau brings across exactly how important the movement was in throwing off the shackles of the past for artists, architects and designers alike and how it was a period that witnessed great beauty, startling originality and clearness of vision. This is a book for art-lovers, historians and collectors and enthusiasts of an art movement that changed the fac
A volume created to accompany an exhibition considers the popular and influential style of art nouveau showcasing all mediums from Tiffany lampshades to Lalique jewelry.