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This unique collection of beautiful floral patterns and stencil designs showcases the rich, muted colors and distinctive, sinuous lines of the Art Nouveau style. Included are 159 floral and foliate motifs, created in the late 1890s by M. P. Verneuil, one of the Art Nouveau movement's finest artists. All the designs have been meticulously reproduced from original plates in two rare, turn-of-the-century portfolios: Étude de la Plante and L'ornementation par le Pochoir. Among the graceful images are 120 full-color illustrations of garden flowers — foxglove, hollyhock, columbine, lilies, wisteria, jasmine, and snowdrops, as well as 39 stencil designs (also in color) of blossoming trees, reeds, mushrooms, oak leaves and acorns, peacocks and flowers, wild roses, and more. Finely detailed and subtly shaded, these copyright-free designs are an invaluable resource perfect for adding a note of elegance to fabrics, stained glass, wallpaper, and a host of other art and craft projects. Browsers and devotees of the Art Nouveau style will also welcome this treasury of striking, full-color plates.
More than 570 authentic Art Nouveau designs specially selected for artists and designers. Ranging in size from full-page illustrations to borders, headpieces, tailpieces, and initials; all clearly reproduced in black-and-white line. Designs include: florals, landscapes, figures, etc. from artists such as Klimt, Bradley, Auriol, Larcombe, and many more.
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
104 stained glass projects using all the well-known themes of Art Nouveau: swirling forms, florals, peacocks, and sensuous women. Sourcebook for use or for inspiration. 104 projects on 60 plates.
"Embroidered textiles are the most personal art form practiced by the Arts & Crafts Movement (c. 1860-1910). This is art from another time, which has its own story to tell. Some are the humble workaday pieces for home use, while others are staggering works of art. This book features over 380 photos of the work of famous designers, including William Morris and Gustav Stickley."--Publisher description.
An introduction to the most popular hand embroidery techniques. Provides information on setting up pieces of embroidery, such as selecting the design, fabric and threads. Features 16 projects with step-by-step instructions which provide a range of designs from contemporary to historical. Each project is illustrated.
A rich source of ideas and inspiration for all craftspeople and artists. The designs can be used as stencil or embroidery patterns, stationery designs, furniture decoration, glass painting guides or whatever your imagination chooses. The designs can be photocopied, traced, coloured, adapted or used as inspiration for originating your own designs. They can be enlarged or reduced for a particular project, and will stand up well to reproduction at any scale. Readers are permitted to reproduce any of the individual designs contained in this book up to 15 times for any purpose without the prior permission of the Publishers. Wherever possible readers should acknowledge the title, author and publisher. Permission should be sought of the publisher for further use of individual designs.