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A well-illustrated collection of Gustav Klimt's work, including text on the artist's life.
100 complete fonts from Solo-type Typographers Catalog: upper and lower cases, alternate forms, swash forms, numerals, secondaries. Whiplash, organic, cursive, Orientalized, other styles. Beautiful, wide range of type fluidities suggest elegance, originality, grace, nearness to nature. Most not elsewhere.
The Art Deco movement - with its emphasis on up-to-date individuality combined with good taste, fine materials and exquisite workmanship - became all the rage in France. Other countries produced their own versions of the style, but in furniture especially, the French predominated: the world had not seen such creative design for 125 years; on the one hand, the virtuoso cabinet-making of Ruhlmann, on the other, the brilliant originality of Gray and Legrain. Alastair Duncan introduces us to the work of over eighty architects, furniture makers and interior designers. The colour and monochrome photographs - almost all of them specially commissioned for this book - form a valuable portfolio of Art Deco furniture which should be of special value to those seeking comprehensive information about a design movement which has proved of lasting appeal both to collectors and to the general public.
Thirty-one elegant designs adapted from the works of Verneuil, Mucha, and other Art Nouveau masters. Features patterns inspired by swans, peacocks, and other creatures. Previously published as Art Nouveau Animal Designs Coloring Book.
More than 570 authentic Art Nouveau designs specially selected for artists and designers. Ranging in size from full-page illustrations to borders, headpieces, tailpieces, and initials; all clearly reproduced in black-and-white line. Designs include: florals, landscapes, figures, etc. from artists such as Klimt, Bradley, Auriol, Larcombe, and many more.
A volume created to accompany an exhibition considers the popular and influential style of art nouveau showcasing all mediums from Tiffany lampshades to Lalique jewelry.
AI for Arts is a book for anyone fascinated by the man–machine connection, an unstoppable evolution that is intertwining us with technology in an ever-greater degree, and where there is an increasing concern that it will be technology that comes out on top. Thus, presented here through perhaps its most esoteric form, namely art, this unfolding conundrum is brought to its apex. What is left of us humans if artificial intelligence also surpasses us when it comes to art? The articulation of an artificial intelligence art manifesto is long overdue, so hopefully this book can fill a gap that will have repercussions not only for aesthetic and philosophical considerations but possibly more so for the development of artificial intelligence.
The special issue of c't KI-Praxis provides tests and practical instructions for working with chatbots. It explains why language models make mistakes and how they can be minimised. This not only helps when you send questions and orders to one of the chatbots offered online. If you do not want to or are not allowed to use the cloud services for data protection reasons, for example, you can also set up your own voice AI. The c't editorial team explains where to find a suitable voice model, how to host it locally and which service providers can host it. The fact that generative AI is becoming increasingly productive harbours both opportunities and risks. Suitable rules for the use of AI in schools, training and at work help to exploit opportunities and minimise risks.
Examines Art Nouveau worldwide in the context of the issues of the age, from end of century anxieties about the pressures of modern life to nationalism, spiritualism, the emancipation of women and the heroic cult of youth.