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Excerpt from Art, Literature, and the Drama The Memoirs of Margaret Fuller Ossoli, lately published, have inspired many readers with a profound regret that they had not, during her life, made or improved the acquaintance of one whom impartial judgment must pronounce the most capable and noteworthy American woman the world has yet known. Criticism has not spared the writers of that Memoir; yet no critic, so far as I am aware, has hinted a doubt that it portrays, truly and vividly, its heroine, though she had previously been more widely misapprehended - perhaps I should say uncomprehended - than any of her cotemporaries. Especially is that portion of the Memoirs contributed by Ralph Waldo Emerson entitled to the praise of being the frankest, fairest, most effective biography of our day, exhibiting its subject exactly as she lived and moved among us some few years ago, with her lofty virtues and her conspicuous faults, her conversation Which charmed and her manner that repelled; so that she Was at the same moment idolized and shunned, reverenced and ridiculed, by different sets of cultivated and considerate persons Whom she met in society; and neither without obvious reasons. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Art of the Drama This book is not a history of the drama. Nor is it a manual for the multitudes who aspire to write plays and sell them. It is a tool for the use of those who wish to deepen their understanding and enhance their enjoyment of plays witnessed in the theater or read in the study. As a textbook, it may prove useful in the study of the history of the drama or of the drama as a literary type, or in such a course as the Introduction to the Study of Drama as given at the University of Chicago. The book is divided into three parts, each of which emphasizes a particular aspect of the drama. Part I is mainly devoted to the historical aspect of the drama, the spirit of the age, the nature of the theater and audience in each of the major periods in dramatic his tory. It also contains a general discussion of the major forms or types of drama - tragedy, comedy, melodrama, and farce - and a more detailed consideration of the types of drama and comedy characteristic of each period. Part II considers the major modes of drama - classicism, romanticism, realism, sentimentalism, symbol ism, and expressionism. Part III concerns the major problems of dramatic technique and the characteristic solutions of those prob lems in the various types and modes and periods of drama. There is no question that it would have been more logical to con sider first the technical, second the aesthetic, and third the historical approach to the study of drama, and students of a logical turn of mind will have no difficulty in using the text in that order. But we have come to feel that it will, in general, be preferable for the student to master the facts in Part I before he ventures upon the more theoretical considerations of Parts II and III. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Drama: Its History, Literature and Influence on Civilization It is singular, to say the least, that the most famous tragedy of the century was written by a Scotch Presbyterian minister, Rev. John Home, who by it won applause, but lost his pulpit. The merit of his work, Dong/as, certainly entitles it to a place among our Classics. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Artist: A Drama Without Words In its present form this play is dedicated to the reading public only, and no performance, representa tion, production, recitation, public reading or radio broadcasting may be given except by special arrange ment with samuel french, 25 West 4sth Street, New York, N. Y. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Art of the Play: An Anthology of Nine Plays As for The Tempest, Freud, Marx, and the cultural anthropologists would be as misleading as the realists or the gaudy showmen. I fancy, he said, that if you consider it as a Masque and not a play, and recog nize the difference of treatment and tone, it comes out all right. He was thinking of the problem of presenting the play in a theater, but the same problem faces any reader who wishes to approximate something like the full experience intended for him by the artist. The present volume is intended both for the student of literature as an introduction to the drama as an art, and for the student of theater as an introduction to the problems presented by the drama as an historical, lit crary, and esthetic phenomenon. It is assumed that understanding and producing drama are very nearly synonymous, and that the end and pur pose of seeing and reading a play is to experience the work as a whole. It is further assumed that this experience is available to the trained reader. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Development of the Drama Of the ten lectures which make up the present volume, one or more have been delivered during the past two or three years at the Royal Institution of Great Britain, at the Brooklyn Institute, at Columbia University, and before the National Institute of Arts and Letters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A Course of Lectures on Dramatic Art and Literature W. Schlegel has given a course of Dramatic Literature at Vienna, which comprises every thing remarkable that has been composed for the theatre, from the time of the Grecians to our own days. It is not a barren nomenclature of the works of the various authors: he seizes the spirit of their different sorts of literature with all the imagination of a poet. We are sensible that to produce such consequences extra ordinary studies are required: but learning is not perceived in this work, except by his perfect knowledge of the chefs-d'wuvre of composition. In 9 few pages we reap the fruit of the labour of a whole life; every Opinion formed by the author, every epithet given to the writers of whom he speaks, is beautiful and just, concise and animated. He has found the art of treating the finest pieces of poetry as so many wonders of nature, and of painting them in lively colours, which do not injure the justness of the outline; for we cannot repeat too often, that imagination, far from being an enemy to truth, brings it forward more than any other faculty of the mind; and all those who depend upon it as an excuse for indefinite terms or exaggerated expressions, are at least as destitute of poetry as of good sense. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The New Spirit in Drama Art My own idea of the finest form of national drama which this country will see adopted comprises a rhythmic concep tion of play, player, decoration, and music. This drama will be represented in a rhythmic form of theatre. Everything henceforth is to be orchestrated to produce a single but infinitely varied total eflect. We need a stage which lends itself to the simple and single vision, that brings even the most unintelligent spectator into the action of the drama and holds him there, that promotes a direction of effort on the part of all concerned which will unify the results. It will be found that the present search in Europe is for artistic rather than for rhythmic results. The pioneers of the new movement are chiefly concerned with attaining artistic simplification, unity, and suggestion. They are interpreting these ideas in the endeavour to bring order and beauty into the theatre. So far they have not made the attempt to seize the great rhythm of life and to set the theatre and drama in motion with it. But this will come. Their exact interpre tation of the new ideas will be found in the chapter entitled Summary and Suggestions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Course of Lectures on Dramatic Art and Literature Tue Lectures of A. W. Scanner. On Dramatic Poetry have obtained high celebrity on the Continent, and been much alluded to of late in several publications in this country. The boldness of his attacks on rules which are considered as sacred by the French critics, and on works of which the French nation in general have long been proud, called forth a more than ordinary degree of indignation against his work in France. It was amusing enough to observe the hostility car med on against him in the Parisian Journals. The writers in these Journals found it much easier to condemn M. Sarasota. Than to refute him: they allowed that what he said was very ingenious, and had a great appearance of truth; but still they said it was not truth. They never, however, as far as I could observe, thought proper to grapple with him, to point out anything unfounded in his premises, or illogical in the con clusions which he drew from them; they generally confined themselves to more assertions, or to minute and unimportant observations by which the real question was in no manner afl'ected. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Art of the Drama This book is not a history of the drama. Nor is it a manual for the multitudes who aspire to write plays and sell them. It is a tool for the use of those who wish to deepen their understanding and enhance their enjoyment of plays witnessed in the theater or read in the study. As a textbook, it may prove useful in the study of the history of the drama or of the drama as a literary type, or in such a course as the Introduction to the Study of Drama as given at the University of Chicago. The book is divided into three parts, each of which emphasizes a particular aspect of the drama. Part I is mainly devoted to the historical aspect of the drama, the spirit of the age, the nature of the theater and audience in each of the major periods in dramatic history. It also contains a general discussion of the major forms or types of drama - tragedy, comedy, melodrama, and farce - and a more detailed consideration of the types of drama and comedy characteristic of each period. Part II considers the major modes of drama - classicism, romanticism, realism, sentimentalism, symbolism, and expressionism. Part III concerns the major problems of dramatic technique and the characteristic solutions of those problems in the various types and modes and periods of drama. There is no question that it would have been more logical to consider first the technical, second the æsthetic, and third the historical approach to the study of drama, and students of a logical turn of mind will have no difficulty in using the text in that order. But we have come to feel that it will, in general, be preferable for the student to master the facts in Part I before he ventures upon the more theoretical considerations of Parts II and III. Both teacher and student will observe that this book makes no attempt to treat comprehensively any particular plays or the work of any particular playwrights, although many plays and many playwrights are drawn on for illustrative material. Rather is the book intended for use in connection with the reading and study of any series of plays in which the teacher or student may be interested. Inevitably, the plays, playwrights, and movements of each major period in the drama are discussed in each of the three parts of the book. But the very full index will make it easy for the reader to turn rapidly to our consideration, under various heads, of a particular play, playwright, or period. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.