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From the marbled precincts of New York's uptown museum scene to the galleries and lofts of Soho to a Mafia mansion on the coast of Long Island, Lustbader's hotly paced novella sweeps Tess Chase - a no-nonsense woman with a connoisseur's taste for martial and fine arts - into the perilous pursuit of a long-lost painting by Renaissance master Raphael.
Presenting a frightening fringe of the Underground where art & crime combined. The artists herein did society's dirty work, and society repaid them accordingly ...
Fresh Kills—a monumental 2,200-acre site on Staten Island—was once the world’s largest landfill. From 1948 to 2001, it was the main receptacle for New York City’s refuse. After the 9/11 attacks, it reopened briefly to receive human remains and rubble from the destroyed Twin Towers, turning a notorious disposal site into a cemetery. Today, a mammoth reclamation project is transforming the landfill site, constructing an expansive park three times the size of Central Park. Martin V. Melosi provides a comprehensive chronicle of Fresh Kills that offers new insights into the growth and development of New York City and the relationship among consumption, waste, and disposal. He traces the metamorphoses of the landscape, following it from salt marsh to landfill to cemetery and looks ahead to the future park. By centering the problem of solid-waste disposal, Melosi highlights the unwanted consequences of mass consumption. He presents the Fresh Kills space as an embodiment of massive waste, linking consumption to the continuing presence of its discards. Melosi also uses the landfill as a lens for understanding Staten Island’s history and its relationship with greater New York City. The first book on the history of the iconic landfill, Fresh Kills unites environmental, political, and cultural history to offer a reflection on material culture, consumer practices, and perceptions of value and worthlessness.
An artist of death is stalking Victorian London, recreating earlier masterpieces of murder. Police suspicion falls on the notorious 'opium-eater' Thomas De Quincey, recently returned to the capital, who wrote in detail about the original crimes. Someone is using his essays as inspiration - and he must uncover the truth before the killer completes his work. In MURDER AS A FINE ART, London becomes a battleground between a literary star and a brilliant murderer - whose lives are linked by secrets long buried, but never forgotten.
“Remarkably detailed . . . It is a tribute to Wladyslaw Gnys, the decorated ace pilot, but also to the charming and humble man himself.” —Hamilton Magazine Polish pilot Wladyslaw (Wladek) Gnys was credited with shooting down the first two German aircraft of World War II on September 1, 1939. On this day, as Gnys’ squadron took off near Kraków to intercept the German invaders, German Stuka pilot Frank Neubert attacked, killing the captain. Wladek, who barely survived himself, evaded the pursuing Stukas and went on to make the first Allied kills, while Neubert was credited with the first aerial kill of the war. Fifty years after the invasion of Poland, in the summer of 1989, Gnys and Neubert met and shook hands, making news around the world. They reconciled their differences and remained friends until their deaths. This event symbolized the prevailing friendly coexistence between Poland and Germany. Written by his son Stefan and drawing from his logbooks, this highly illustrated biography of Wladek Gnys is the most in-depth account of the Polish hero’s life. It tells Wladek’s story from his childhood in rural Poland, through his time flying in three Allied air forces during World War II, his capture and escape during Operation Overlord, and his reconciliation with Neubert and his commemoration as a national war hero in Poland. “Tells the story of one man’s ride through the history of most of the 20th century . . . This is far from a run-of-the-mill wartime story, being more of a touching and revealing look into an extraordinary life.” —Aircrew Remembered
Richly illustrated with images from Art Spiegelman’s Maus (“the most affecting and successful narrative ever done about the Holocaust” —The Wall Street Journal), Maus Now includes work from twenty-one leading critics, authors, and academics—including Philip Pullman, Robert Storr, Ruth Franklin, and Adam Gopnik—on the radical achievement and innovation of Maus, more than forty years since the original publication of “the first masterpiece in comic book history” (The New Yorker). Pulitzer Prize-winning cartoonist Art Spiegelman is one of our most influential contemporary artists; it’s hard to overstate his effect on postwar American culture. Maus shaped the fields of literature, history, and art, and has enlivened our collective sense of possibilities for expression. A timeless work in more ways than one, Maus has also often been at the center of debates, as its recent ban by the McMinn County, Tennessee, school board from the district’s English language-arts curriculum demonstrates. Maus Now: Selected Writing collects responses to Spiegelman’s monumental work that confirm its unique and terrain-shifting status. The writers approach Maus from a wide range of viewpoints and traditions, inspired by the material’s complexity across four decades, from 1985 to 2018. The book is organized into three loosely chronological sections— “Contexts,” “Problems of Representation,” and “Legacy”—and offers for the first time translations of important French, Hebrew, and German essays on Maus. Maus is revelatory and generative in profound and long-lasting ways. With this collection, American literary scholar Hillary Chute, an expert on comics and graphic narratives, assembles the world’s best writing on this classic work of graphic testimony.
On vocational and technical institutions in Europe; with data on number of institutions, enrollment, teachers, curricula, and education spending, for selected European countries, with some detail by institution and sex.
Krell offers a fictional account of the last ten years of Nietzsche's life, the years of his paralysis and madness. Nietzsche's regression during those years, from one of Europe's leading intellectual lights to a passive mascot for his sister's "Nietzsche Archive," provides the frame for a narrative of his entire life. The author uses all the available medical documentation and the entire collection of works and letters in order to paint his portrait. While Nietzsche has been the object of several attempts at fictional biography, no attempt to date has been based on such careful research: even the highest flights of imagination in this work are based on scrupulous reading and reflection.
From the #1 New York Times bestselling author of The Other Woman comes the first novel in the thrilling series featuring legendary assassin Gabriel Allon. Immersed in the quiet, meticulous life of an art restorer, former Israeli intelligence operative Gabriel Allon keeps his past well behind him. But now he is being called back into the game—and teamed with an agent who hides behind her own mask...as a beautiful fashion model. Their target: a cunning terrorist on one last killing spree, a Palestinian zealot who played a dark part in Gabriel’s past. And what begins as a manhunt turns into a globe-spanning duel fueled by both political intrigue and deep personal passions...