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This deluxe, 244-page edition includes 5 hand-signed, archival-quality giclée prints by Howard Chaykin, Tom Jung, Roger Kastel, Drew Struzan, and Boris Vallejo, as well as 40 exclusive artworks. Featuring foil-stamped, real-cloth binding and housed in a lush clamshell case, this edition is limited to 325 copies. Few pieces of artwork distill the passion for Star Wars as do posters. From Tom Jung's iconic one-sheet for Episode IV to Roger Kastel's Gone with the Wind-inspired painting for Episode V and beyond, Star Wars has enjoyed nearly four decades of poster art from some of the most renowned artists working in movies. The fifth book in the George Lucas-curated Star Wars Art series, Posters collects the best artwork from all six Star Wars films, the Star Wars: The Clone Wars animated television series, and limited-edition prints. This collection unites all of the action, artistry, and drama of a galaxy far, far away into one lavishly produced tome.
The books that we choose to keep -- let alone read -- can say a lot about who we are and how we see ourselves. In My Ideal Bookshelf, dozens of leading cultural figures share the books that matter to them most; books that define their dreams and ambitions and in many cases helped them find their way in the world. Contributors include Malcolm Gladwell, Thomas Keller, Michael Chabon, Alice Waters, James Patterson, Maira Kalman, Judd Apatow, Chuck Klosterman, Miranda July, Alex Ross, Nancy Pearl, David Chang, Patti Smith, Jennifer Egan, and Dave Eggers, among many others. With colorful and endearingly hand-rendered images of book spines by Jane Mount, and first-person commentary from all the contributors, this is a perfect gift for avid readers, writers, and all who have known the influence of a great book.
A deluxe, full-color collection of the most striking posters from Hollywood's greatest era includes the often surprising tales of their creation.
Design meets music in a one-of-a-kind tour! Powerhouse Factories takes you beyond album covers to teach you all about the art that drives today's biggest shows and festivals. Show Posters offers a visual timeline of the big players in the music industry, from The Black Keys and Passion Pit to Phantogram and Real Estate, as well as the posters that launched their shows--and the designers' careers. Show Posters features step-by-step instructions to guide you through screen printing, hand lettering, and yes, even Xeroxing your way to recreating iconic, kickass posters. The high-energy rock-and-roll artists of Powerhouse Factories will coach you on how to hook up with bands, managers, and promoters, and create an original, limited poster for one of their shows.
Exploding off the page with over 1,000 of the best examples of exploitation, grindhouse, and pulp film poster design comes The Art of the B-Movie Poster, a collection of incredible posters from low-budget films from the 1940s, 50s, 60s, and 70s. Once relegated to the underground and midnight movie circuit, these films and their bombastic advertisements are experiencing a surge of mainstream popularity driven by fans appreciative of the artistic skill, distinctive aesthetic, and unabashed sensationalism they relied on to make a profit, with the quality of the poster often far surpassing that of the film itself. The book celebrates this tradition with sections divided into "moral panic" films, action, horror, sci-fi, and of course, sex, each introduced with short essays by genre experts such as Kim Newman, Eric Schaffer, Simon Sheridan, Vern, and author Stephen Jones, winner of the Horror Writer's Association 2015 Bram Stoker Award for Non-Fiction. Edited by Adam Newell and featuring an introduction by author and filmmaker Pete Tombs, The Art of the B-Movie Poster is a loving tribute to the artwork and artists that brought biker gangs, jungle girls, James Bond rip-offs and reefer heads to life for audiences around the world.
Way before the advent of social networks, the first, and sometimes only, visual contact you may have had with a movie was its poster. To return to this enlightened approach and escape the hard selling, marketing campaigns of today's releases, this book pays tribute to the artists who celebrate the era when cinematographic posters made us dream. Presented by ARTtitude, this collaboration features the contemporary work of 58 different artists from the PosterSpy art community, one of the most influential groups devoted to alternative posters. The nearly 300 posters presented here cover a diverse range of genres and eras, from pop culture favorites like Star Wars and Goonies to the Wes Andersen filmography to horror and sci-fi classics. Each piece reveals intensely creative and detailed representations of films that ask the viewer to see the film in a new way and challenges the visual package included with the original release.
Long-time poster aficionado William Crouse has selected over 300 of the most soughtafter examples of poster art created between the wars for this definitive volume. Organized thematically into subject categories (aviation, communication, fashion and more), this book includes over 300 highly rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall. Each poster - digitally photographed under carefully controlled conditions - is accompanied by an expanded caption that addresses the aesthetic, sociological, economic and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, Art Deco Posters is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.
An all-new collection of art posters from season two of the smash hit series Star Wars: The Mandalorian! Star Wars: The Mandalorian on Disney+ is the streaming smash hit of the year! Enjoy 16 full-color pull-out posters featuring everyone's favorite galactic duo, bounty hunter The Mandalorian and his adorable bounty, The Child! These images from season two of the hit series will bring the excitement of Star Wars to your room, your locker, or anywhere!
Modern British Posters explores the interaction between modern art and graphic design in Britain throughout the twentieth century. A distinctive characteristic of modern society is the progressively more complete integration of art, design and architecture. The poster has been an integral expression of this phenomenon since its invention, in modern form, during the 1860s. The poster was made possible by the development of industrial colour lithography and by the appearance of large hoardings as a consequence of metropolitan redevelopment. Furthermore, this co-incidence developed at precisely the same time as the birth of the cultural avant-garde. Following the First World War, during a period of social and political realignment, major artists embraced the developing technologies of graphic reproduction to make commercial poster images and reach out to an audience beyond the complacent limits of the gallery. This required artists to embrace the possibilities of new technologies in print media, and was thus instrumental in transforming commercial art into graphic design. From this point forward, the poster and the artistic avant-garde have been inextricably linked. The poster reached a level of maturity in design just as the cultural reform of the 1920s was beginning. This synchronicity has established the poster as a particularly significant cultural object. Every great artist in Britain contributed to this effort and Modern British Posters features the work of artists such as John Minton, Paul Nash, Hubert Williams, Edward McKnight Kauffer, Leonard Cusden, Edward Wadsworth and Tom Eckersley, amongst many others. These images speak broadly of people, landscape, technology and identity and cover themes such as transport, architecture, the seaside, accident prevention and popular culture. In Britain, the graphic archive is dispersed amongst various institutions. This fragmentation means that, for practical purposes, the general story of British poster design remains to be told. As such Modern British Posters provides an important addition to the history of visual culture in Britain during the twentieth century.