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Preface: Encountering a new awareness / Jørn Mortensen -- Beginning to understand the role of public art / Jörg Heiser -- Long duration / Kjetil Trædal Thorsen and Hans Ulrih Obrist -- Paraphrase and illusion / Gro Kraft -- Beyond iconic / Erlend Hammer -- The confession of a poster child of landscape / Marta Kuzma -- Meeting the wall / Andrea Kroksnes -- Built-in backward glance / Nina Schjønsby -- Spacing sound / Sven-Olov Wallenstein -- Artists and contributors.
A pioneering painter and printmaker, Nikolai Astrup (1880-1928) spent his life capturing the landscapes of his home in Western Norway, imbuing his work with mysticism and an enigmatic symbolic content. The first UK exhibition of his work will run at the Dulwich Picture Gallery from February to May 2016. Over 90 oil paintings and prints will explore the breadth and depth of Astrup's unique artistic practice, shining a spotlight on of one of Norway's most renowned artists of the twentieth century. AUTHOR: Frances Carey is an independent curator and consultant who was formerly Deputy Keeper of Prints and Drawings and Head of National Programmes at the British Museum. She has published on the history of art and culture from the eighteenth century to the present day. Ian A.C. Dejardin is the Sackler Director of Dulwich Picture Gallery, London. He graduated with a Master (Hons) in History of Art from Edinburgh University; appointed Curator at Dulwich in 1997, he became the gallery's Director in 2005 and since then has presided over a varied and international exhibition programme. MaryAnne Stevens is an independent art historian and curator who has previously worked at the Royal Academy of Arts, London, as Director of Academic Affairs, before serving as Acting Secretary for three years. She has been published extensively, and curated or co-curated many major international exhibitions, including Manet: Portraying Life and Jean-Etienne Liotard. SELLING POITS: * An elegant catalogue showcasing the illustrations and prints of Nikolai Astrup * Beautiful illustrations displayed without the distraction of scholarly comment * Astrup is a well-loved Norwegian painter, uniquely able to capture the spirit of his home 175 colour
A fascinating look at how Mapplethorpe and Munch, although separated by many years, shared certain affinities in their lives and artwork This revelatory catalogue delves into the many affinities shared between two widely renowned and discussed artists, Robert Mapplethorpe (1946-1989) and Edvard Munch (1863-1944), whose intensely studied work has, until now, never been considered in relation to one another. Mapplethorpe + Munch brings to light how these two monumental figures curiously relate on an existential level, in how they deal with questions concerning sexuality, and in their way of utilizing self-portraiture as a means to explore issues of personal identity. Featuring essays that examine the thematic impulses behind the accompanying exhibition, this publication establishes a previously unexplored association between two equally contentious art figures, while working to impart alternative perspectives and new insight into their respective outputs. Although distinct in their legacies, Mapplethorpe and Munch remain remarkably intertwined. Distributed for Mercatorfonds Exhibition Schedule: Munch Museum, Oslo (02/06/16-05/29/16)
We were going out stealing horses. That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and oneof the first days of July. Trond's friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning was different. What began as a joy ride on "borrowed" horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys. Set in the easternmost region of Norway, Out Stealing Horses by Per Petterson begins with an ending. Sixty-seven-year-old Trond has settled into a rustic cabin in an isolated area to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.
Building on experience from 60 countries worth of independent travel, the author takes you on three journeys to places you may never have considered visiting, although you probably should and you definitely could. Learn about a low-budget cruise to Antarctica, understand what the Trans-Siberian Railway really is like, enjoy the natural wonders of Southern Africa. The book is a fun read, but you will also learn about far-away destinations and about how to travel independently anywhere. It's not a travel guide or a travel journal, it's both!More details, including free downloads, available from http://bjornfree.com/
This book examines the Northern (Stone Age) rock art of centralNorway, which is dominated by images of marine and terrestrial motifs. Itfocuses on how these images were drawn and are classified, on the topographicallocation of the sites, on their dating and cultural context, and on the relationship between rock art andmaterial culture, and offers possible interpretations.

To overhear is human. If someone wants to shoot their mouth off in public about their private life, it’s not your fault if your ear gets in the way. Overhearing is an accidental, victimless pleasure; it arrives by happenstance, free of charge, opening a door to the messy, funny life of an anonymous nobody.

For more than ten years, illustrator Oslo Davis has eavesdropped on the conversations of hundreds of these nobodies as they publicly whine, rave, gush and rabbit on about their lives, then drawn them up into a weekly newspaper cartoon. Overheard: The Art of Eavesdropping collects the best, juiciest and downright weirdest of Oslo’s Overheards, all embarrassingly, and deliciously, true.

About the author: Oslo Davis is an illustrator, artist and cartoonist whose work appears in newspapers, magazines and various other media worldwide. His weekly cartoon Overheard has been published in The Age newspaper since 2007.

After his critically acclaimed debut novel The Readymades (Broken Dimanche, 2011), John Holten returns with an intriguing story of love and loss set in the affluent and rapidly growing city of Oslo, Norway. It follows the story of William Day, an economic migrant who moves to the city to work as a mechanical engineer before chance thrusts him into the fascinating world of Sybille and her artist friend Camille. As they do their best to reconcile growing differences in personality and culture, Camille's growing influence over Sybille threatens the relationship.
When we think of Edvard Munch, Norway's best-known artist and the so-called "father of Expressionism" we invariably think of his iconic masterpiece, The Scream. But Munch was an extremely prolific and influential artist who left thousands of other works to the city of Oslo when he died. This book features detailed walking tours of Oslo and Asgardstrand where the artist lived, loved and labored. Readers will discover the sights and stories behind such an iconic work like "The Scream."