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In April 2012, Endicott College hosted the world famous New York City public arts festival, "Art in Odd Places" (AiOP) on its scenic oceanfront Beverly, MA campus. While AiOP is well established on the New York cultural calendar, each October turning the length of 14th Street in Manhattan into an open air gallery and performance space, this was the first time the event had taken place on a college campus. The aim was to encourage students, faculty, staff, and the greater local community to interact with their environment and each other in thoughtful and thought provoking ways; to disrupt the deadening habits of routine, reveal unnoticed spaces and patterns, and foster a sense of appreciation of the privilege of place. Guy DeBord's term for this interaction of physical and human context was psychogeography, and for 3 springtime weeks, Endicott College was the site of this Situationist experiment. This catalogue documents the exercise, with images of the various installations and commentary by the curators.
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
A major new novel by the award-winning author of Good to a Fault and The Little Shadows, about two sisters who live aboard a merchant ship on a fateful voyage through the South Pacific. "Up from underneath comes a blue-black swell, a whale rising in a long arc. Kay waits, hovering in the difference between herself and the creature." What is the difference between ourselves and other humans? Between human and animal? Where does that difference persist in our minds? These are the questions Marina Endicott, one of our most beloved storytellers, explores in this sweeping, intoxicating novel set on the Morning Light, a ship from Nova Scotia sailing the South Pacific in 1912. Thea and Kay are half-sisters, separated in age by more than a decade. After the death of their stern father, head of a residential school in western Canada, the elder sister, Thea, returns east for her long-awaited marriage to the captain of the ship. She cannot abandon her younger sister, so Kay joins her, and together they embark on a life-changing voyage around the world. At the heart of The Difference is one crystallizing moment in Micronesia: Thea forms a bond with a young boy from one of the islands, and takes him as her own. The repercussions of this act reverberate through the novel--forcing Kay to examine her own assumptions about what is forgivable, and what is right. Taking inspiration from the true story of a small boy who was brought on board a Canadian sailing ship in the South Seas, Marina Endicott shows us a vanished world in all its wildness and wonder, and its darkness, prejudice, and difficulty too. She also brilliantly illuminates our own times through Kay's preoccupation with the idea of "difference"--between people, classes, continents, cultures, customs, and species. A breathtaking tour-de-force by one of our most celebrated authors, a writer with the astonishing ability to bring a past world to vivid life while revealing the moral complexity of our own.
Myla Alvarex finds sustenance and meaning in the stories she tells of Old Mermaids who were washed ashore onto the New Desert when the Old Sea dried up. In this mystical new world, they lived, created, and walked in beauty. But Myla worries that Homeland Security may discover the illiegal immigrants she harbors at the Old Mermaid Sancutary. A tale of redemption, love, compassion, and mystery--From cover p. [4.].
A woman writer moves into a house she inherited from a poet in the hills of Arizona. The man died in mysterious circumstances and Maggie Black wants to find out why. So begins a terrifying introduction to the Indian spirits which roam the hills and feed on people's creative juices.