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Widely acknowledged as the doyen of twentieth-century Japanese literature, fine art and the performing arts, as well as being renowned for his translations of Zeami and Mori Ogai. Collected Writings of J.Thomas Rimer brings together in whole or in part much of Rimer's prodigious output in these fields over the past forty years, including some of his milestone (fully illustrated) essays on Japanese Art, especially 'Tokyo in Paris/ Paris in Tokyo' (Japan Foundation, 1987).
Introduction to two decades of artistic ferment in postwar Japan. As that devastated nation confronted the fraught legacy of World War II, a rapid succession of avant-garde groups began experimenting with new media and processes of making art, disrupting conventions to address the changes occurring around them. The works that remain from this era are largely ephemeral - exhibition flyers, programs for performances, musical scores, issues of short-lived journals, documentary photographs, pieces of mail art, and multiples made from the detritus of modern life - but the ideals of engagement and innovation that invigorated this creative surge are not.
An examination of Japanese contemporary art through the lens of ecocriticism and environmental history Collectively referred to by the word tsuchi, earthy materials such as soil and clay are prolific in Japanese contemporary art. Highlighting works of photography, ceramics, and installation art, Bert Winther-Tamaki explores the many aesthetic manifestations of tsuchi and their connection to the country’s turbulent environmental history, investigating how Japanese artists have continually sought a passionate and redemptive engagement with earth. In the seven decades following 1955, Japan has experienced severe environmental degradation as a result of natural disasters, industrial pollution, and nuclear irradiation. Artists have responded to these ongoing catastrophes through modes of “mudlarking” and “muckracking,” utilizing raw elements from nature to establish deeper contact with the primal resources of their world and expose its unfettered contamination. Providing a comparative assessment of more than seventy works of art, this study reveals Japanese artists’ engagement with a richly diverse repertoire of earthy materialities, elucidating their aesthetic properties, changing conditions, and cultural significance. By focusing on the role of tsuchi as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment. Situating art within the context of ecology and urbanization, Tsuchi shows artists striving to explore and reprocess raw forms of earth beneath the corruptions of human activity.
Explores the relationship between the metropolis and the creation of art, focusing on the art centers of Paris, New York, Vienna, Moscow, London, Bombay, Lagos, and Tokyo, and profiling the artists who were inspired by those locales.
Global Conceptualism: Points of Origin, 1950s-1980s challenges the canonical perception that conceptual art was simply one movement which spread internationally and acknowledges the important local circumstances which gave birth to conceptualist art in regions around the world. This book traces the history of this key development in 20th-century art which was marked by a shift from a consideration of the object to that of the idea. Covering three decades of idea-based art, this book features works by more than 135 artists from Asia, Western Europe and Eastern Europe, Latin America, North America, the Soviet Union (Russia), Africa, and Australia and New Zealand. This catalogue is published in conjunction with a major touring exhibition organized by the Queens Museum of Art, Queens, New York.
"Arnason's History of Modern Art remains the definitive source of information on the art of the modern era from Modernism's mid-nineteenth-century European beginnings to today's divergent art trends. Now full color throughout, this Fifth Edition contains new headings, subheadings, and a glossary to help the reader navigate the material and quickly identify areas of interest. The entire text has been carefully edited for greater clarity, narrative coherence, and scholarly currency."--Jacket.