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A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Grimms’ fairy tales, originally collected in 1812, are a timeless chronicle of the possibilities our lives all have, and the full range of human nature. The stories remain just as relevant today as when they were first published over 200 years ago. To introduce these tales to a new generation, Uzzlepye Press presents Mirror Mirrored: An Artists' Edition of 25 Grimms' Tales, a special visual edition of 25 of the stories. It includes not only almost 2,000 vintage Grimms' illustrations remixed into the book alongside the story texts, but also work from 28 contemporary artists visually reimagining these stories.
Long known for her endearing renderings of maternal imagery and for her exploration of the theme of
“Exuberant, astute, and splendidly illustrated history of world art . . . draws fascinating parallels between artistic developments in Western and non-Western art.”—Publishers Weekly In this beautifully written story of art, Julian Bell tells a vivid and compelling history of human artistic achievements, from prehistoric stone carvings to the latest video installations. Bell, himself a painter, uses a variety of objects to reveal how art is a product of our shared experience and how, like a mirror, it can reflect the human condition. With hundreds of illustrations and a uniquely global perspective, Bell juxtaposes examples that challenge and enlighten the reader: dancing bronze figures from southern India, Romanesque sculptures, Baroque ceilings, and jewel-like Persian manuscripts are discussed side by side. With an insider’s knowledge and an unerring touch, Bell weaves these diverse strands into an invaluable introduction to the wider history of world art.
Steiner (English, Univ. of Pennsylvania) delivers a lucidly written elaboration of "interactive aesthetics" first broached in her examination of the revival of beauty in contemporary art, Venus in Exile (2001). Here the focus is the artist's model, broadly conceived as a paradoxical site of reality/artificiality and power/lack of power. Steiner incorporates a wide range of material to explain early history (the Pygmalion myth, Galatea, Eve, and Pandora), the postmodernist turn (Edie Sedgwick, muse of Andy Warhol and Bob Dylan), and recent developments (Second Life, blogging, Wikipedia, bioethics). Concepts (mimesis, spectacle), literature (Kathleen Rooney's Live Nude Girl of 2008, J. M. Coetzee's Diary of a Bad Year of 2007, Milton, Keats, Henrik Ibsen, Virginia Woolf, Vladamir Nabokov, Nathaniel Hawthorne); art (Michelangelo, Picasso, Henri Matisse, Marcel Duchamp, Robert Mapplethorpe, Hannah Wilke, Vanessa Beecroft, Gillian Wearing, Oron Catts, Helena Almeida, Ann Hamilton, Sylvia Plachy, Hiroshi Sugimoto, Frederick Hart, John Kindness, Peter Eisenman, Rachel Whiteread), theory (Michel Foucault, Jacques Derrida, Jacques Lacan, Frederic Jameson, Judith Butler, Rene Girard), and art history (Michael Fried, Sir Kenneth Clark) are woven into a rich tapestry informed by Steiner's favorite semioticians, Roman Jakobson and Jan Mukarovsky. Summing Up: Recommended. Upper-level undergraduates and above; general readers. General Readers; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by E. K. Mix.
Stanley Spencer (1891-1959) explored fundamental issues of life with an urgency and persistence unique among British artists of his generation. His art comments on religion, love, sexuality, fraternity and community. Covering all aspects of Spencer's paintings, this original publication provides a comprehensive analysis of the artist's entire oeuvre.
Each glossy page is jam-packed with never before seen art, commentary and insight from the creators of the game. See the concepts behind Faith and her world take shape!
"Mirror Mirror explores the history and function of the self-portrait in the work of forty women artists, from the seventeenth century to the present day. It covers works in all media, from oil painting to photography, from woodcut to ceramic sculpture, and includes self-portraits from such major artists as Mary Beale, Gwen John and Dame Barbara Hepworth; as well as lesser-known figures such as the Zinkeisen sisters, Madame Yevonde and Lee Miller. There are also portraits by women artists known primarily for their work in other media - including the self-portrait relief by Susie Cooper." "The works themselves appear chronologically, and include full biographical details of the artists. They are supported by essays from two leading art historians in this academic field: Whitney Chadwick, who discusses ideas of style and technique, including the artists' exploration of their own identity, and Frances Borzello, who presents the historical background and artistic context to the illustrated works."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Pretty and proper style is about decorating once... for a lifetime. It is about the creation of timeless, tailored interiors rotted firmly in English tradtion. The rules of this style are like a secret code that has been whispered from other to daughter over generations. These secrets have always been inherited -- until now" -- cover, page 4.