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Lady Herringham arrived on the Edwardian art scene with a translation of Il Libro dell' Arte o Trattato della Pittura, Cennini's fifteenth-century handbook on fresco and tempera. It aroused new interest in those techniques and led to the founding of the Society of Painters in Tempera in 1901. To preserve Britain's art heritage from buyers abroad, she provided the money that launched the National Art Collections Fund in 1903, creating what is still a vital and authoritative voice in Britain's cultural life. Her work as the only woman on the NACF's first executive committee prepared her to assist in founding the India Society, which urged respect for indigenous Indian traditions of the fine arts and encouraged appreciation for them in England.
Research work on coastal Bengal has mostly focused on maritime trading networks. In a clear departure from the existing scholarship, this volume questions the linearity of considering trade as the sole determinant of creation of settlement in the coastal regions. Focusing on settlement strategies, Chattopadhyay unravels how human societies, through successive generations, have adapted to the coastal environment and bioregime. First-hand data, procured through extensive fieldwork, forms the sound basis of this work. From structural remains, ceramic and bone implements, and stone tools, to terracotta figurines and inscriptions, a vast array of sources, including epigraphic and literary sources, is analysed. Significantly, the volume also highlights the interconnection between coastal geography and the hinterland. Chattopadhyay’s meticulously researched work offers a geographical and temporal frame which allows the research on coastal Bengal to be viewed as an integral part of the archaeological developments in not only the subcontinent but also the adjoining region of the Southeast Asian countries.