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This title puts art back where it matters: at the center of politics
Eyes were one of the very first body parts to evolve more than 500 million years ago, and their structure has remained virtually unchanged through most of evolutionary history. But eyes alone were never enough for Homo sapiens. From the mastery of fire a million years ago to the smartphone today, humans have repeatedly invented new ways to see their surroundings, each other and themselves. Artificial light, art, mirrors, writing, lenses, printing, photography, film, television, smartphones – these tools didn't just add to our visual repertoire, they shaped cultures around the world and made us who we are. Drawing on sources from anthropology to zoology, neuroscience to Netflix, As Far As the Eye Can See traces the history of seeing from the first evolutionary stirrings of sight and discovers that each time we changed how or what we see, we changed ourselves and the world around us. Along the way, it finds, sight slowly eclipsed our other senses. Are we now at 'peak seeing', the author asks. Can our eyes keep up with technology? Have we gone as far as the eye can see?
Bobby Hale is a Union veteran several times over. After the war, he sets his sights on California, but only makes it to Montana. As he stumbles around the West, from the Wyoming Territory to the Black Hills of the Dakotas, he finds meaning in the people he meets-settlers and native people-and the violent history he both participates in and witnesses. Far as the Eye Can See is the story of life in a place where every minute is an engagement in a kind of war of survival, and how two people-a white man and a mixed-race woman-in the midst of such majesty and violence can manage to find a pathway to their own humanity. Robert Bausch is the distinguished author of a body of work that is lively and varied, but linked by a thoughtfully complicated masculinity and an uncommon empathy. The unique voice of Bobby Hale manages to evoke both Cormac McCarthy and Mark Twain, guiding readers into Indian country and the Plains Wars in a manner both historically true and contemporarily relevant, as thoughts of race and war occupy the national psyche.
Artwork by Lawrence Weiner.
THE SEQUEL TO THE MULTI-MILLION BESTSELLER DRAWING ON THE RIGHT SIDE OF THE BRAIN From the author of the world's most popular drawing instruction manual Drawing on the Right Side of the Brain, this new book helps you discover a new way of drawing and problem solving. Betty Edwards reveals the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain - either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated throughout, Drawing on the Dominant Eye offers a remarkable guided tour through art history, psychology, and the creative process; a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves. Praise for Betty Edwards' Drawing on the Right Side of the Brain: 'Hands down the best and most life-enhancing thing I've done in lockdown' India Knight 'A guide to enhancing creativity and artistic confidence' Independent
"A discussion of research taking place at the University of Iowa"--
Longleaf forests once covered 92 million acres from Texas to Maryland to Florida. These grand old-growth pines were the "alpha tree" of the largest forest ecosystem in North America and have come to define the southern forest. But logging, suppression of fire, destruction by landowners, and a complex web of other factors reduced those forests so that longleaf is now found only on 3 million acres. Fortunately, the stately tree is enjoying a resurgence of interest, and longleaf forests are once again spreading across the South. Blending a compelling narrative by writers Bill Finch, Rhett Johnson, and John C. Hall with Beth Maynor Young's breathtaking photography, Longleaf, Far as the Eye Can See invites readers to experience the astounding beauty and significance of the majestic longleaf ecosystem. The authors explore the interactions of longleaf with other species, the development of longleaf forests prior to human contact, and the influence of the longleaf on southern culture, as well as ongoing efforts to restore these forests. Part natural history, part conservation advocacy, and part cultural exploration, this book highlights the special nature of longleaf forests and proposes ways to conserve and expand them.
The Eye, the Hand, the Mind, celebrating the centennial of the College Art Association, is filled with pictorial mementos and enlivening stories and anecdotes that connects the organization's sixteen goals and tells its rich, sometimes controversial, story. Readers will discover its role in major issues in higher education, preservation of world monuments, workforce issues and market equity, intellectual property and free speech, capturing conflicts and reconciliations inherent among artists and art historians, pedagogical approaches and critical interpretations/interventions as played out in association publications, annual conferences, advocacy efforts, and governance.
Contains seven essays. Three of them use only pictures. Examines the relationship between what we see and what we know.