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Besides Presenting Detailed Discussion On Indian Classical Art, Painting Forms, Music, Dance, Architecture, Monuments, Sculpture, Ornaments, Amusement Etc., Also Shows How These Were Impacted Upon By Puranas. In Short It Is A Depiction Of Indian Art, Archaeology And Cultural Heritage Since The Historic To Modern Times.
Udai Narain Roy, b. 1928, Indian historian; contributed articles.
The authors of this book take a critical look at the practice and techniques of digital imaging from the stance of digital archaeologists, cultural heritage practitioners and digital artists.
Udai Narain Roy, b. 1928, Indian historian; contributed articles.
This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.
The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.
A collection of essays, this work investigates the ways that commodifying artifacts fuels the destruction of archaeological heritage and considers what can be done to protect it. It argues that the antiquities market impacts cultural heritage around the world and is a burgeoning global crisis.
A collection of essays and reports examining key issues in conservation and management of archaeological sites. It is divided into parts that focuses on historical methods, concepts, and issues; conserving the archaeological resource; physical conservation of archaeological sites; the cultural values of archaeological sites; and site management.