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Since its completion in 1932, the Nebraska State Capitol has been widely recognized as an architectural masterpiece, one that justifiably inspires pride in the citizens of the state and admiration in people everywhere. Rising four hundred feet from a massive two-story base, domed with gold-glazed tile and topped with a bronze statueøof a pioneer sower of grain, it can be seen for miles on the plains. This most striking of statehouses, designed by Bertram Grosvenor Goodhue in 1920 and under construction for a decade, successfully embodies the union of art, architecture, and humanism. A Harmony of the Arts: The Nebraska State Capitol surveys in words and pictures the architectural achievement and the artists responsible for it. Frederick C. Luebke introduces the book with a history of the capitals and capitols of Nebraska. H. Keith Sawyers writes about Goodhue?s architectural vision, which was carried out by other artists after his death. David Murphy examines the contribution of Hartley Burr Alexander, the philosopher and anthropologist who developed the symbological details of Goodhue?s vision and invested the building?s many inscriptions with poetic elegance. Dale L. Gibbs considers Lee Lawrie?s sculpture, remarkably congruent with the general design. Joan Woodside and Betsy Gabb discuss the decorative art of the mosaicist, Hildreth Meiere. Norman Geske and Jon Nelson examine the capitol murals, painted by eight artists over four decades. And Robert C. Ripley allows the reader to see the building in its setting, as landscaped by Ernst Herminghaus. Lavishly illustrated and handsomely produced, A Harmony of the Arts presents the first survey in many years of Nebraska?s magnificent capitol and offers new ways of looking at it.
Will little Corky—so quirky and curious—live her life and her dreams to the fullest? When Corky is a baby, Old Bear gives her the keys to her days. As she grows, she lives in wonderment. As her days grow short, she asks Old Bear for a few more days. Old Bear reminds Corky that she holds the key to her days. She must do what needs to be done, and dream what needs to be dreamed. When she is ready, she will not be afraid to open the door to wonder. Paula Wallace lives in Omaha, Nebraska.
Knowing Native Arts brings Nancy Marie Mithlo’s Native insider perspective to understanding the significance of Indigenous arts in national and global milieus. These musings, written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, are a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts. Mithlo addresses crucial issues, such as the professionalization of Native arts scholarship, disparities in philanthropy and training, ethnic fraud, and the receptive scope of Native arts in new global and digital realms. This contribution to the field of fine arts broadens the scope of discussions and offers insights that are often excluded from contemporary appraisals.
In On Art and Mindfulness, world-renowned artist and celebrated teacher Enrique Martínez Celaya shares his views and advice on the art-making process, the development of a practice, the management of obstacles, and the day-to-day choices we must make in order to remain creative and honest. Drawn from sold-out workshops that Martínez Celaya taught over nine years at the Anderson Ranch Arts Center in Snowmass, Colorado, On Art and Mindfulness serves as a practical guide for artists as well as anyone who wishes to live a mindful, productive life.
2019 Midwest Book Award for Nature 2020 High Plains Book Award Finalist 2020 Silver Nautilus Book Award Winner in Green Living and Sustainability “Sustainable” has long been the rallying cry of agricultural progressives; given that much of our nation’s farm and ranch land is already degraded, however, sustainable agriculture often means maintaining a less-than-ideal status quo. Industrial agriculture has also co-opted the term for marketing purposes without implementing better practices. Stephanie Anderson argues that in order to provide nutrient-rich food and fight climate change, we need to move beyond sustainable to regenerative agriculture, a practice that is highly tailored to local environments and renews resources. In One Size Fits None Anderson follows diverse farmers across the United States: a South Dakota bison rancher who provides an alternative to the industrial feedlot; an organic vegetable farmer in Florida who harvests microgreens; a New Mexico super-small farmer who revitalizes communities; and a North Dakota midsize farmer who combines livestock and grain farming to convert expensive farmland back to native prairie. The use of these nontraditional agricultural techniques show how varied operations can give back to the earth rather than degrade it. This book will resonate with anyone concerned about the future of food in America, providing guidance for creating a better, regenerative agricultural future. Download a discussion guide (PDF).
On a wintry day in December 1890, near a creek named Wounded Knee on the Pine Ridge Reservation in South Dakota, the Seventh Cavalry of the U.S. Army opened fire on an encampment of Sioux Indians. This assault claimed more than 250 lives, including those of many Indian women and children. The tragedy at Wounded Knee has often been written about, but the existing photographs have received little attention until now. Eyewitness at Wounded Knee brings together and assesses for the first time some 150 photographs that were made before and immediately after the massacre. Present at the scene were two itinerant photographers, George Trager and Clarence Grant Morelodge, whose work has never before been published. Accompanying commentaries focus on both the Indian and the military sides of the story. Richard E. Jensen analyzes the political and economic quagmire in which the Sioux found themselves after 1877. R. Eli Paul considers the army's role at Wounded Knee. John E. Carter discusses the photographers and also the reporters and relic hunters who were looking to profit from the misfortune of others. For this Bison Books edition each image has been digitally enhanced and restored, making the photographs as compelling as the event itself. Heather Cox Richardson tells the story behind the endeavor to present a meaningful account of this significant historical event.
As a part of the New Deal that offered hope during the Great Depression, scores of public art projects were commissioned around the country. Now they are among the most enduring visual legacies of that era. Twelve Nebraska post offices were chosen to receive individualized murals from the program. Nebraska's Post Office Murals presents the story of these valuable historical pieces. Richly illustrated with color fold-outs and never-before-published artists' sketches, the book reveals the personalities, conflicts, and spirit of the times from which the art emerged. Each of the artists commissioned to paint the murals had a background story. Author Robert Puschendorf, NSHS associate director and the deputy state historic preservation officer, follows the journey of each mural to its completion.
The Paper Ballet is an art project combining dance, paper fashion, and photography. In this integration, the author, Nicole Battelle Van Hook, creates paper fashion reflecting classic ballet characters. The photographer, Alison Evans, captures the styled fairytale for a moment forever frozen in time.
For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. Omaha Sketchbook is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power.