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This book offers a groundbreaking analysis of Neolithic art and architecture in Orkney, focussing upon the incredible collection of hundreds of decorated stones being revealed by the current excavations at the Ness of Brodgar.
Winner, Current Archaeology 2023 Book of the Year 2023 This volume brings together several years of work devoted to the wider landscape of the Heart of Neolithic Orkney World Heritage Site. It documents the results of a program of geophysical and related survey across an area of c. 285 hectares between Skara Brae on the west Orkney coast and Maeshowe, by the Loch of Stenness. The project has made it possible to talk for the first time about the landscape context of some of the most remarkable and renowned prehistoric monuments in Western Europe. The aims are to synthesize the data from different forms of survey and to document the changing character and development of this landscape over time. The results are genuinely remarkable are presented in a manner which makes the material of interest and value to a relatively wide readership, with an array of images which fully document and interpret the evidence. Survey work at a landscape scale tends to deal with palimpsests. Here descriptive sections are set within a thematic structure designed to explore the changing use and significance of different areas over time. The results shed important new light on the character and extent of known prehistoric sites and ceremonial monuments. But they also document the afterlives of these and other places and their relation to the lived landscapes of the historic and more recent past. In tracing the changing configuration of the World Heritage Area, we can begin appreciate this landscape as an artifact of several millennia of dwelling, working land, attending to wider worlds and to the past itself.
The Orcadian archipelago is a museum of archaeological wonders. The Orcadian Neolithic is home to some of the best-preserved Neolithic sites in Europe: here we can find evidence of a dynamic society with connections binding Orkney to Ireland, to southern Britain and to continental Europe. Yet there is much that remains unknown about the societies that created these sites. In Orcadia, Mark Edmonds traces the development of the Orcadian Neolithic from the early fourth millennium BC through to the end of the period nearly two thousand years later, using artefacts, architecture and the wider landscape to recreate the lives of Neolithic communities across the region.
Assembling Past Worlds draws on new materialism and the philosophy of Gilles Deleuze to explore the potential for a posthumanist archaeology. Through specific empirical study, this book provides a detailed analysis of Neolithic Britain, a critical moment in the emergence of new ways of living, as well as new relationships between materials, people and new forms of architecture. It achieves two things. First, it identifies the major challenges that archaeology faces in the light of current theoretical shifts. New ideas place new demands on how we write and think about the past, sometimes in ways that can seem contradictory. This volume identifies seven major challenges that have emerged and sets out why they matter, why archaeology needs to engage with them and how they can be dealt with through an innovative theoretical approach. Second, it explores how this approach meets these challenges through an in-depth study of Neolithic Britain. It provides an insightful diagnosis of the issues posed by current archaeological thought and is the first volume to apply the philosophy of Gilles Deleuze to the extended analysis of a single period. Assembling Past Worlds shows how new approaches are transforming our understandings of past worlds and, in so doing, how we can meet the challenges facing archaeology today. It will be of interest to both students and researchers in archaeological theory and the Neolithic of Europe.
Following its appearance, arguably in Orkney in the 32nd century cal BC, Grooved Ware soon became widespread across Britain and Ireland, seemingly replacing earlier pottery styles and being deposited in contexts as varied as simple pits, passage tombs, ceremonial timber circles and henge monuments. As a result, Grooved Ware lies at the heart of many ongoing debates concerning social and economic developments at the end of the 4th and during the first half of the 3rd millennia cal BC. Stemming from the 2022 Neolithic Studies Group autumn conference, and following on from Cleal and MacSween’s 1999 NSG volume on Grooved Ware, this book presents a series of papers from researchers specializing in Grooved Ware pottery and the British and Irish Neolithic, offering both regional and thematic perspectives on this important ceramic tradition. Chapters cover the development of Grooved Ware in Orkney as well as the timing and nature of its appearance, development, and subsequent demise in different regions of Britain and Ireland. In addition, thematic papers consider what Grooved Ware can contribute to understandings of inter-regional interactions during the earlier 3rd millennium cal BC, the possible meaning of Grooved Ware’s decorative motifs, and the thorny issue of the validity and significance of the various Grooved Ware sub-styles. The book will be of great value not only to archaeologists and students with a specific interest in Grooved Ware pottery but also to those with a more general interest in the development of the Neolithic of Britain and Ireland.
Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the visual culture of the 21st century, do new digital and social forms change the status of photography as archival or objective – or are they revealing something more fundamental about photography’s longstanding relationships with time and knowledge?Archaeology and Photography imagines a new kind of Visual Archaeology that tackles these questions. The book reassesses the central place of Photography as an archaeological method, and re-wires our cross-disciplinary conceptions of time, objectivity and archives, from the History of Art to the History of Science.Through twelve new wide-ranging and challenging studies from an emerging generation of archaeological thinkers, Archaeology and Photography introduces new approaches to historical photographs in museums and to contemporaryphotographic practice in the field. The book re-frames the relationship between Photography and Archaeology, past and present, as more than a metaphor or an analogy – but a shared vision.Archaeology and Photography calls for a change in how we think about photography and time. It argues that new archaeological accounts of duration and presence can replace older conceptions of the photograph as a snapshot orremnant received in the present. The book challenges us to imagine Photography, like Archaeology, not as a representation of the past and the reception of traces in the present but as an ongoing transformation of objectivity and archive.Archaeology and Photography will prove indispensable to students, researchers and practitioners in History, Photography, Art, Archaeology, Anthropology, Science and Technology Studies and Museum and Heritage Studies.
This study is the culmination of seven years research into the Carved Stone Balls of Late Neolithic Scotland. It is the first study of these enigmatic artefacts since that undertaken by Dorothy Marshall in 1977 and includes all currently known examples in both museums and private hands, described and analysed in considerable detail.
Bronze Age Worlds brings a new way of thinking about kinship to the task of explaining the formation of social life in Bronze Age Britain and Ireland. Britain and Ireland’s diverse landscapes and societies experienced varied and profound transformations during the twenty-fifth to eighth centuries BC. People’s lives were shaped by migrations, changing beliefs about death, making and thinking with metals, and living in houses and field systems. This book offers accounts of how these processes emerged from social life, from events, places and landscapes, informed by a novel theory of kinship. Kinship was a rich and inventive sphere of culture that incorporated biological relations but was not determined by them. Kinship formed personhood and collective belonging, and associated people with nonhuman beings, things and places. The differences in kinship and kinwork across Ireland and Britain brought textures to social life and the formation of Bronze Age worlds. Bronze Age Worlds offers new perspectives to archaeologists and anthropologists interested in the place of kinship in Bronze Age societies and cultural development.
These papers highlight recent archaeological work in Northern England, in the commercial, academic and community archaeology sectors, which have fundamentally changed our perspective on the Neolithic of the area. Much of this was new work (and much is still not published) has been overlooked in the national discourse. The papers cover a wide geographical area, from Lancashire north into the Scottish Lowlands, recognising the irrelevance of the England/Scotland Border. They also take abroad chronological sweep, from the Mesolithic/Neolithic transition to the introduction of Beakers into the area. The key themes are: the nature of transition; the need for a much-improved chronological framework; regional variation linked to landscape character; links within northern England and with distant places; the implications of new dating for our understanding ‘the axe trade; the changing nature of settlement and agriculture; the character early Neolithic enclosures; the need to integrate rock art into wider discourse.
Stan Beckensall is renowned for his work, done on an entirely amateur basis, discovering, recording and interpreting Atlantic rock art in his home county of Northumberland and beyond. Presented on his 90th birthday, this diverse and stimulating collection of papers celebrates his crucial contribution to rock art studies, and looks to the future.