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Collection of three volumes. Vol 1 : New England, New York, Mid-Atlantic. Vol 2 : The South, Near Midwest. Vol 3 : The Far Midwest, Rocky Mountain West, Southwest, Pacific.
Featuring artists and professionals who worked outside America's three main cities - Boston, Philadelphia and New York - by 1920, this work chronicles the development of painting in cities and towns. It examines such issues as the evolution of art education, patronage and exhibition.
Originally published as volume one of the three-volume set ART ACROSS AMERICA, and it is cross-referneced to the other two volumes in that set: The South and the Midwest (volume two) and The Plains States and the West (volume three).
An ambitious, honest portrait of the Black experience in flyover country. One of The St. Louis Post Dispatch's Best Books of 2020. Black Americans have been among the hardest hit by the rapid deindustrialization and
Collection of three volumes. Vol 1 : New England, New York, Mid-Atlantic. Vol 2 : The South, Near Midwest. Vol 3 : The Far Midwest, Rocky Mountain West, Southwest, Pacific.
A fascinating history of Chicago’s innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago’s cultural development from the 1893 World’s Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson’s enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic “renaissance” moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago’s editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago’s unique culture of artistic experimentation. Cover art by Lincoln Schatz
Along the Ohio, Tennessee, and Mississippi Rivers, the archaeological remains of earthen pyramids, plazas, large communities, and works of art and artifacts testify to Native American civilizations that thrived there between 3000 B.C. and A.D. 1500. This fascinating book presents exciting new information on the art and cultures of these ancient peoples and features hundreds of gorgeous photographs of important artworks, artifacts, and ritual objects excavated from Amerindian archaeological sites. Drawing on excavation findings and extensive research, the contributors to the book document a succession of distinct ancient populations in the pre-Columbian world of the American Midwest and Southeast. A team of interdisciplinary scholars examines the connections between archaeological remains of different regions and the themes, forms, and rituals that continue in specific tribes of today. The book also includes the personal reflections of contemporary Native Americans who discuss their perspectives on the significance of the fascinating and beautiful prehistoric artifacts as well as their own cultural practices today.
A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections.
Featuring 53 towns new to this edition, this book lists the most art-friendly small communities throughout the United States and in several Canadian provinces.
For decades now, the story of art in America has been dominated by New York. It gets the majority of attention, the stories of its schools and movements and masterpieces the stuff of pop culture legend. Chicago, on the other hand . . . well, people here just get on with the work of making art. Now that art is getting its due. Art in Chicago is a magisterial account of the long history of Chicago art, from the rupture of the Great Fire in 1871 to the present, Manierre Dawson, László Moholy-Nagy, and Ivan Albright to Chris Ware, Anne Wilson, and Theaster Gates. The first single-volume history of art and artists in Chicago, the book—in recognition of the complexity of the story it tells—doesn’t follow a single continuous trajectory. Rather, it presents an overlapping sequence of interrelated narratives that together tell a full and nuanced, yet wholly accessible history of visual art in the city. From the temptingly blank canvas left by the Fire, we loop back to the 1830s and on up through the 1860s, tracing the beginnings of the city’s institutional and professional art world and community. From there, we travel in chronological order through the decades to the present. Familiar developments—such as the founding of the Art Institute, the Armory Show, and the arrival of the Bauhaus—are given a fresh look, while less well-known aspects of the story, like the contributions of African American artists dating back to the 1860s or the long history of activist art, finally get suitable recognition. The six chapters, each written by an expert in the period, brilliantly mix narrative and image, weaving in oral histories from artists and critics reflecting on their work in the city, and setting new movements and key works in historical context. The final chapter, comprised of interviews and conversations with contemporary artists, brings the story up to the present, offering a look at the vibrant art being created in the city now and addressing ongoing debates about what it means to identify as—or resist identifying as—a Chicago artist today. The result is an unprecedentedly inclusive and rich tapestry, one that reveals Chicago art in all its variety and vigor—and one that will surprise and enlighten even the most dedicated fan of the city’s artistic heritage. Part of the Terra Foundation for American Art’s year-long Art Design Chicago initiative, which will bring major arts events to venues throughout Chicago in 2018, Art in Chicago is a landmark publication, a book that will be the standard account of Chicago art for decades to come. No art fan—regardless of their city—will want to miss it.