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Recueil d'articles en l'honneur d'un historien de l'art médiéval. Hommage à Jean Pierre Caillet, professeur d'Antiquité tardive et du Moyen Âge à l'Université Paris Ouest, de 1991 à 2013, et actuel directeur de la revue Antiquité tardive. Dans ce volume sont rassemblées les contributions de collègues de différents pays (France, Italie, Croatie, États-Unis, Espagne, Suisse, Serbie, Russie, Allemagne, Belgique, Grèce...), d'élèves et d'amis, touchant à l'art et l'archéologie depuis l'époque paléochrétienne jusqu'au moyen âge, recouvrant l'éventail des divers domaines dans lesquels Jean Pierre Caillet à travailler.
An encyclopaedic work on color in Western art and culture from the Middle Ages to Post-Modernism.

The Archaeological Journal

Central Committee of the British Archaeological Association for the Encouragement and Prosecution of Researches into the Arts and Monuments of the Early and Middle Ages

Published: 1853

Total Pages: 516


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Since Late Antiquity, relics have provided a privileged spiritual bond between life and death, between human beings and divinity. Royalty, nobility and clergy all tried to obtain the most prestigious remains of sacred bodies, since they granted influence and fame and allowed the cult around them to be used as a means of sacralization, power and propaganda. This volume traces the development of the veneration of relics in Europe and how these objects were often catalysts for the establishment of major pilgrimage sites that are still in use today. The book features an international panel of contributors taking a wide-ranging look at relic worship across Europe, from Late Antiquity until the present day. They begin with a focus on the role of relics in Jacobean pilgrimage, before looking at the link between relics and their shrines more generally. The book then focuses in on two major issues in the study of relics, the stealing of relics (Furta Sacra) and their modern-day scientific examination and authentication. These topics demonstrate not only symbolic importance of relics, but also their role as physical historical objects in material religious expression. This is a fascinating collection, featuring the latest scholarship on relics and pilgrimage across Europe. It will, therefore, be of great interested to academics working in Pilgrimage, Religious History, Material Religion and Religious Studies as well as Anthropology, Archaeology, Art and Cultural Studies.
The Annunciation: a specific event recounted in the Bible and often represented in artworks, but also the prototype of many other announcements throughout the history of Western culture. This volume proposes new readings of pictorial Annunciations from the Middle Ages and the Early Modern period – treating aspects such as witnesses, inscriptions and architecture – as well as analyses of some visual echoes, reenactments of the announcement to Mary in sacred and profane contexts up to the twenty-first century. Among the latter are included Venetian decoration glorifying the state, a Jean-Luc Godard film, a video art piece by Eija-Liisa Ahtila, Lars von Trier’s Melancholia and a saint’s bedroom turned into a pilgrimage site.
These essays by eleven internationally renowned historians present nuanced profiles of the major social and professional groups—the callings-of the Middle Ages. The contributors focus on attitudes of medieval men and women toward their own society. Through a variety of techniques, from a reading of the Song of Roland to a reading of administrative records, they identify characteristic viewpoints of members of the fighting class, the clergy, and the peasantry. Along with vivid descriptions of what life was like for warrior knights, monks, high churchmen, criminals, lepers, shepherds, and prostitutes, this innovative approach offers a valuable new perspective on the complex social dynamics of feudal Europe. "Very useful discussions of texts, both learned and literary."—Christopher Dyer, Times Literary Supplement Contributors: Mariateresa Fumagalli Beonio Brocchieri, Franco Cardini, Enrico Castelnuovo, Giovanni Cherubini, Bronislaw Geremek, Aron Ja. Gurevich, Christiane Klapisch-Zuber, Jacques Le Goff, Giovanni Miccoli, Jacques Rossiaud, and André Vauchez.
This is an English-language study on the architecture and art of medieval France of the Romanesque and Gothic periods between 1000-1500. In addition to essays on individual monuments there are general discussions of given periods and specific problems such as: why did Gothic come into being? Whitney Stoddard explores the interrelationship between all forms of medieval ecclesiastical art and characterization of the Gothic cathedral, which he believes to have an almost metaphysical basis.